(2B pencil on a 139mm x 87mm postcard. Actual image size is 85mm x 48mm) A juxtapop piece showing a single comic-book style frame with a completely unconnected phrase in the speech bubble.
Here's a traditional art sketch card, produced on a 4 X 5 inch blank licensed card. The cut lines are set at 2.5 X 2.3 standard trading card size. Artwork is Copic marker and Prismacolor colored pencil. This card was created as a random insert for the 2018 Rittenhouse Archives Star Trek Captains collection Card series. This card features my favorite Star Trek bad guy Harcourt Fenton Mudd or Harry Mudd. See more at Sketchcardsandcovers.com
(HB pencil - 38mm x 20mm) A very small (and yes, those sizes are in millimetres!) example of a dreamscape piece taken from an A6 sketch-booklet I made. I chose this one from it to display here because it turned out so insane.
The girl was probably around 25yo but my drawing made her face and body look older. The shadows are a bit rough too. Again, I placed the drawing a bit wrong and had to leave out the feet.
I have not yet decided a name for this creature. Comment your idea for a name below and if I like any of them, I will rename it that and recognize you for it.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
