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Image Dane Mullen Plus Member
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Image Henk
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Image Juice_Lime
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Been developing in a way to free myself from external reference-based OC concepts, which was where I started from in drawing. In a way, exploring how I view characters from my own eyes. Here, is an example of drawing myself in two contrasting counterparts. Personal preferences are actually pretty simplistic by appearance.

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Image Leona Hosack
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Fun flower doodle!

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Image Dane Mullen Plus Member
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Image BeastGurl1989
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The fabric was of elegant silk and velvet, but the skin underneath the fabric continued to become irritated. Sebastian was unable to be still due to such annoyance that plagued him. Lets just say, he was looking like a fool.

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Image Dane Mullen Plus Member
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Image Leona Hosack
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What can fit in a box? Just about Everything and Anything!

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Image Henk
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Image Dane Mullen Plus Member
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Image Dane Mullen Plus Member
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Image Robert Falagrady
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Image Azula
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Image Dane Mullen Plus Member
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Image Dane Mullen Plus Member
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Image Erika Castricum
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I feel excited and so proud to announce that Teddy's Spring is now available as an e-book! ✨️✨️✨️✨️✨️✨️

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Image Henk
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Image Robert Falagrady
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Image Darién diaz
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para el día 20 de Fruitecember hoy le toca a frutas marinas para este día decidí dibujar a tsunoplet quién se encontró con un arbusto marino con unas extrañas frutas parecidas a bayas pero son deliciosas. ❤ (ɔˆз(ˆ⌣ˆc)❤ (ɔˆз(ˆ⌣ˆc)❤ (ɔˆз(ˆ⌣ˆc) For the 20th of Fruitecember today is the turn of sea fruits For this day I decided to draw Tsunoplet who found a sea bush with some strange fruits that look like berries but are delicious..

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Image Dane Mullen Plus Member
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Image Bleu Hope Plus Member
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And now, Christmas narwhal time!

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Image Stacy Drum
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12x12 oil painting on Illustration board.

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Image Dane Mullen Plus Member
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Lindsey's prompt: crab

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Image Bleu Hope Plus Member
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Palm Pals tribute time!

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Image shaun marmion
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Image inNewWinDow
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Image Henk
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Sketch. Better than a real Picasso

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Image Dane Mullen Plus Member
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Lindsey's prompt: Puffer fish

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Image Dane Mullen Plus Member
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Image Sabina Hahn
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Igor Stravinsky (1882–1971) “I get up at about eight, do physical exercises, then work without a break from nine till one,” Stravinsky told an interviewer in 1924. Generally, three hours of composition were the most he could manage in a day, although he would do less demanding tasks—writing letters, copying scores, practicing the piano—in the afternoon. Unless he was touring, Stravinsky worked on his compositions daily, with or without inspiration, he said. He required solitude for the task, and always closed the windows of his studio before he began: “I have never been able to compose unless sure that no one could hear me.” If he felt blocked, the composer might execute a brief headstand, which, he said, “rests the head and clears the brain.” - From Daily Rituals: How Artists Work by Mason Currey

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