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Image eclectic muse
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Konishi Yukinaga, on the eve of Sekigahara (October 21, 1600)

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Image Linus Ogalsbee Plus Member
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Hand drawn and AI version.

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Image John Jenkins
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Image IchibanOkami
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Not very confident in her colors, but I think she turned out pretty well. Any opinions or thoughts?

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Image Peekaboo
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Hey boos! This is just a goofy doodle of my besties Cam and CutePanda :D I was bored and needed to post something sooooo yeah!

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Image Odinel pierre
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Image Dane Mullen Plus Member
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Image John Jenkins
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Image Chantel
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Halloween is already over, I know...but I really think we move on to the next holiday too fast. >.> That's just me though...

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Image Kfir Weizman
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Image Aaron Mennella
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Image Bleu Hope Plus Member
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Whale songs yet again :-)

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Image Romanhan
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Image Bleu Hope Plus Member
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You can never have enough narwhals…

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Image John Jenkins
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Image Bleu Hope Plus Member
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New art supplies test time…

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Image Kurtis D Edwards Plus Member
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Been a min. Hello! Digital watercolor/mixed media. Painted with Rebelle

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Image Bleu Hope Plus Member
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Shark time again? Indeed!

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Image Linus Ogalsbee Plus Member
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Drawing Prompt Icon Drawing Prompt Submission

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Image Bleu Hope Plus Member
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Happy Samhuinn one and all!

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Image Triangle
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Comment if you know what book this is inspired by...

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Image Dane Mullen Plus Member
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Lindsey's prompt: Skeleton

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Image Ty patmore
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This piece critiques the modern tendency to hide identity behind brands and consumerism. * Visual Focus: The mask is partially obscured by a fitted baseball cap, with the bill pulled down to cover one eye. The cap itself is a symbol of brand identity and fast-fashion culture. The uncovered eye retains an unsettling, almost mechanical gaze. * Symbolism: * The Cap: Represents the societal practice of hiding behind brands and allowing consumerism to dictate self-worth and block out unwanted truths. The act of seeing is deliberately curtailed. * The Mask: Emphasizes that the consumer identity is often a façade-a manufactured mask that prevents others from truly "seeing" the individual, while simultaneously restricting the individual's full sight of the world.

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Image Peekaboo
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Hey Boos!!! My friend asked me to draw this sooooo yeah! It's a little Bunny based on my persona Peekaboo. That's what it was originally was gonna be but I decided to draw this instead and I'm really proud of it!

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Image Gerhard Schellert
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Image Juice_Lime
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Going all in with practicing bird anatomy (found myself seriously lacking in it). My brain can be quite a B**** when it comes to anatomy, because I always seek to "bring characters to life". Here, I was practicing on the body underneath the feathers and fluff... And end up using the shape of a chicken as a reference... XD

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Image Ty patmore
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This portrait is the darkest in the series, examining the internal malice that persists even when communication is restricted, illustrating that evil doesn't require a loud voice. * Visual Focus: The mask's mouth is horrifyingly held closed across the center by surgical thread and a needle, which only covers half of the wide, unnerving smile. The stitching reveals a set of sharp, feral teeth underneath. Disturbingly, a pair of prominent horns protrude from the top of the mask's head. * Symbolism: * The Stitched Mouth: Represents the idea of selective silence or the censorship of truth. The fact that the stitching only covers half the mouth highlights the "half-done" nature of modern morality. The revealed sharp teeth suggest that even in silence, the capacity for vicious, cutting, or "devilish" speech remains barely contained. Showed directly on the piece by the date being misleading. * The Horns: A classic, unambiguous symbol of the Devil or pure malice. This is the figure's core identity—it suggests that even while hiding behind a neutral mask and being partially silenced, the individual's "tongue like the devil" and evil intent are still very much present, emphasizing the inherent corruption and hypocrisy behind the facade.

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Image AnonmymusStar
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I'm sorry if it is sideways. It depicts a person who feels pressured by people, slowly breaking in society. Just a drawing I felt like making.

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Image John Jenkins
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Image Kfir Weizman
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