I believe I drew this in 2024 if I'm not mistaken. It was for a Christmas art contest on the magma.com website. I didn't even place at all, not even in the top three. We were supposed to pair with a partner from the website (another artist) and draw something from our childhood. What you see is only half the picture. That's why the right side appears unfinished. My project-partner Andy was supposed to draw the other half. He did, but I cut it out for my website. Also, this image is huge, like 5000 pixels. I doubt it will look good resized smaller on this website. If you would like to zoom-in to a higher resolution, try this link: https://mega.nz/file/vqoXGIgD#bx6hdvKVKX8__hfBAYEVtp49NESS26w4iudrlM-oI_4
I think I drew this sometime last year 2025 if I'm not mistaken - I just never bothered to uploaded it. Most of it was sketched on Magma.com and part of the inking process was finished in Ibis Paint, with only minor adjustments in photoshop. I do all my digital inking on an iPad pro, and I use those hollow aluminum capacitive styluses that you can get very cheap just about anywhere. I prefer them over the apple pencil because the apple pencil is too slippery and heavy.
A hand-drawn illustration featuring a classic to-go coffee cup overflowing with ibuprofen pills instead of liquid. Perfectly capturing the essence of a rough morning, a long shift, or just the reality of "adulting.", text that reads: Venti Ibuprofen Kind of Day
Behind the Russian Church there is an abyss.
The moss and the rubbish are slippery and jagged old tins glitter at the bottom. For hundreds of years they have piled up higher and higher against a long dark-red house without windows. The red house crawls round the rock and it is very significant that it has no windows. Behind the house is the harbour, a silent harbour with no boats in it. The little wooden door in the rock below the church is always locked.
Hold your breath when you run past it, I told Poyu. Otherwise Putrefaction will come out and catch you. Poyu always has a cold. He can play the piano and holds his hands in front of him as if he were afraid of being attacked or was apologizing to someone. I always scare him and he follows me because he wants to be scared.
- Sculptor's Daughter by Tove Jansson
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