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Image Dane Mullen Plus Member
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Lindsey's prompt: Desk Chair

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Image Robert Falagrady
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Image BeastGurl1989
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I get these ideas and just draw them.

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Image BeastGurl1989
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Image Bob Ross
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Image Juice_Lime
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The shy bird always can't help but feel awkward with the clinginess of his same old partner, despite growing more bold.

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Image Pirkko
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Shadows in the universe.

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Image KAYE J. FOSTER
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Image Andrew Easter
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Image KAYE J. FOSTER
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Image KAYE J. FOSTER
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Image Leona Hosack
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This is an illustration I did last year that is included in a book of short stories about 'Abdul-Baha, the son of the founder of the Baha'i Faith, entitled "To Serve All Humanity".

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Image Henk
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Something wrong

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Image Golgaaryol Vokun
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#Golgaaryol Injured into symbols The wounded Shadow The ink flows and carries nonverbal oddities [April, 2023] Danielle East - Broken Butterfly https://youtu.be/4WiMDebAnzo?si=k2yO1ALrmwyysOt4 I wanted a picture of a sad dragon - finally I turned ordinary doodles [from 2023] with brushes into something like this, blur and softening effects were also added.

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Image Ty patmore
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A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism. The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation. This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.

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Image KAYE J. FOSTER
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Image Amanda Harris Plus Member
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AI-edited still.

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Image Ty patmore
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In this memory-driven piece, Patmore reconstructs the bathroom from his third-grade elementary school, capturing the sterile brightness, the tiled repetition, and the institutional reminder to “WASH YOUR HANDS.” But the scene is not pristine — a leaky sink, an out-of-order stall, and a taped-up sign reveal the quiet decay behind childhood places we assume were orderly and safe. Patmore blends nostalgia with unease, transforming a simple restroom into a study of what it means to grow up: how the lessons we learn early (“hygiene,” discipline, responsibility) stay with us even after the walls begin to crack. The small pop of blue tape emphasizes the DIY fragility of rules meant to guide us. This piece stands at the intersection of memory and maintenance — of spaces, of bodies, and of ourselves.

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Image Peekaboo
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Hey Boos! One of these took five minutes and the other took two days. It was my moth fursona. My mother fursona named Pompom took me two days too make. it doesn't even look good. :P (both art is by me btw)

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Image A2X
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“Haven’t thought too deeply about having children but I wouldn’t shy away from that challenge.”

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Image Thesad
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Image Ty patmore
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This piece critiques the modern tendency to hide identity behind brands and consumerism. * Visual Focus: The mask is partially obscured by a fitted baseball cap, with the bill pulled down to cover one eye. The cap itself is a symbol of brand identity and fast-fashion culture. The uncovered eye retains an unsettling, almost mechanical gaze. * Symbolism: * The Cap: Represents the societal practice of hiding behind brands and allowing consumerism to dictate self-worth and block out unwanted truths. The act of seeing is deliberately curtailed. * The Mask: Emphasizes that the consumer identity is often a façade-a manufactured mask that prevents others from truly "seeing" the individual, while simultaneously restricting the individual's full sight of the world.

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Image Aaron Mennella
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Image Dean C. Graf Plus Member
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Jury Duty, June 2013 Fifty of us sat in that room, each one staring at a phone or scribbling in a notebook, killing time. The lawyers asked their questions, picking us off one by one like a slow game of dodgeball. I wasn’t chosen, so I drew instead—earbuds, slouched shoulders, the hum of waiting caught in a few quick lines.

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Image Henk
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Image Amanda Harris Plus Member
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Snapshot of the trees in New York.

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Image Amanda Harris Plus Member
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Skyscraper building that illustrates industry.

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Image Amanda Harris Plus Member
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Photograph close up.

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Image A2X
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“Is it really love or is it obsession?”

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Image Gerald Boone
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This is a watercolor of the French Impressionist painter Monet painting

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