This is no landscape you could ever stand in.
No observational drawing, no safe horizon line.
This chalk experiment is a dream unfolding in color: a golden field lit from within, a scarlet seam of fire at its edge, and a storm-heavy sky pressing down with ancient weight.
It feels like a place between worlds—where the conscious and unconscious meet, where memory and imagination blur. Some might see a battlefield, others a meadow after rain, and still others a veil between life and death. That is the beauty: the painting does not tell you what it is; it invites you to confess what you see.
Psychologists say we project ourselves onto images like these. So—what do you notice first? The light? The darkness? The burning red?
Perhaps that is not about the drawing at all, but about you.
A whimsical illustration of a large horn-whale creature with fangs, an anchor tattoo on his fin, and a tattoo of how many ships he has sunk on his back, with a whale rider perched on its back, is surrounded by gentle waves. The contrast between the massive creature and the tiny rider suggests a playful narrative. The muted colors and simple lines create a charming and imaginative scene.
If i was real youd see me cry
If i was real youd watch me die
If i was real youd spit in my eye
If i was real youd know a lie
If i was real youd know my name
If i was real id bring you shame
If i was real id show you pain
If i was real id drive you insane
But im not real
Im just a name
Meet me in the dark
Meet me in the light
Ill crawl inside your skin
Eager for a bite
Ill coil around your thoughts
Let me stay
Together we can obsess
Over every shade of grey
Deny my existence
Dont say my name
I dont love you
Make no mistake
Im not here for salvation
Im here for the pain
Embrace me my child
Nightmares
My name
#embracingnightmares
Sometimes wisdom comes in a joke,
and sometimes laughter carries truth.
Brian spoke like a sage,
Mike answered like a friend,
and together they held the room.
We draw to remember.
Not only the lines of faces,
but the presence of goodness,
the gift of voices that echo
long after the chairs are empty.
So much noise presses in—
screens, engines, endless chatter.
But silence is not gone;
it waits in a turned page,
in breath, in light,
in the hush between sounds.
I was looking up 1993 Grand Cherokees to draw and came across this creepy Jeep. I was like "OHHHHHHHH BOY. I'M GONNA HAVE NIGHTMARES OF THIS THING TONIGHT..." I don't even know why I'm scared of this thing. Either it being abandoned is scary or the setting is scary. Maybe even both.
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A little Urban Sketch of Setagaya Park, a Japanese garden with a peaceful pond, filled with koi in Vienna, Austria. I used the Derwent Line & Wash Paint Pan Set.
