I was looking at what Pixabay might offer as inspiration, and found this fish. Perfect for a ballpoint pen drawing. The incompleted drawing in the second photo was taken before the final "glaze" of little scribbles of turquoise pen across almost the whole surface. It was a happy accident that made for a shimmery, iridescent fishy quality.
This started as a line drawing based on a photo of peonies in the garden. It’s drawn with three different pens: Micron 005, Micron 03 and Faber Castell Pitt superfine (0.3) on 11x14 Strathmore Bristol Vellum. The paper isn’t terribly tolerant of wet media, so I played around with tinting it in Photoshop because I wasn't sure how it would go. But I liked it in color enough to chance painting the drawing with the nice and bright Dr Ph Martin Hydrus watercolors. It's photographed it on my drafting table with my glasses for scale. The lamp has a daylight bulb, so I think the color (at least where the light is more prominent) is fairly true.
This started as a pen line drawing (with Skura Pigma micron pen) which I then painted with Dr PH Martin's Hydrus watercolors. They are fun and very bright. This is on Strathmore 300 11x17 Bristol paper.
A very closeup drawing in 4B, 6B, 8B pencil on Fabiano hotpress Studio paper. I bought some Pitt Graphite Matt pencils and wanted to give them a maiden voyage. They are much lighter on the scale of deep blacks than I expected. More like rarified F pencils. But I like them.
This started as a pencil drawing (see the 2nd image) that I scanned and put into Photoshop. I tried various filters including: Smudge, Ink Outline, some Splatter, changed the Exposure and added a Sepia Photo Filter. After a couple of hours of playing (I’m not very knowledgeable about digital possibilities and just use trial and error) I ended up with a dramatic image with which I am quite happy. The reference was a magazine advertisement.
I printed my black and white zentangle drawing on marker paper and colored it with alcohol markers. At first it was a bit to garish with too much contrast, so I painted a warm grey over the whole piece. That gave me what I was looking for. Of course, THEN I completely undermined that with making a bunch of wild colored ones (two shown here) by playing with them in Photoshop. I shall be using this (along with my Zentangle koi posted la while back) for printing blank cards that we sell for charitable (mostly foodbanks) organizations.
Hello, my name is Lynn, 
