To draw a forest so it's big enough you don't include the tops of the trees or any sky. Just very thick tree-trunks growing absolutely straight.
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In a proper painting of a forest everything is roughly the same colour, the moss, the tree-trunks and the branches of the fir trees, everything is soft and solemn, half-way between grey and brown and green but very little green. If you want you can add a princess, for example. She is always white and very tiny and has long yellow hair.
Sculptor's daughter by Tove Jansson.
This piece continues my ongoing tool series, focusing on objects shaped by use, precision, and repetition. The speed square—an essential instrument of measurement and accuracy—is rendered with attention to wear, markings, and subtle imperfections left by time and handling.
Isolated against a minimal background, the tool becomes both subject and symbol: a quiet reflection on structure, angles, and the human need to measure and make sense of the physical world. Like the others in this series, it honors everyday labor and the overlooked beauty found in functional objects.
Another addition to my Tool Series—this time a tape measure, the symbol of accuracy, patience, and work ethic. I signed it with Patmore 25 as a nod to the years it has taken to become the artist I am today. Just graphite, ink, and intention… transformed into something that feels alive.
While laying in bed one night, trying to get to sleep, one word popped into my head. Pipes. So, here they are. The really funny thing is, while I was doodling them and I thought the pipe should go one way, sometimes the pipe said no, and wanted to go the other way. :-D
King Olaf the Forgetful did eventually find his golden helm, in a gully behind his castle. It was just a shame the Crusade of the Lost Helm had led to every neighbouring land being ransacked first.
Hello, my name is Daniel Gräfen, 
