I’m often asked about my Bic pen drawings and how I do them. It starts with a good foundational drawing, the ballpoint pen part is just trying to colour within the lines. I try to do my best to explain the process, but the best way to show my progress is by posting my efforts to master pen drawings over the span of 3 or so years. I have been doodling/drawing with ballpoint pens as far back as I can remember - they were cheap, readily available and always lying around the house. It wasn’t until I was bored during a particularly long team meeting-conference call (around 2016-17) that I started to think about the possibilities of ballpoint pens as serious portrait illustration tools. My first experiments with full colour ink portrait drawings were rather crude, but that’s the point of learning new techniques—as long as the curiosity and the love of drawing is there, you can transfer that skill and passion into any medium. Remember, the most exquisite drawings and paintings you see didn’t materialise fully formed, they started out as failed experiments. Failure after failure after failure. It’s important to remember this when you get discouraged (I've failed spectacularly over the years). The only difference between the accomplished artist and the beginner is hundreds of hours of practice. Talent can only get you so far. It’s the hard work that you do behind the scenes that makes your work look effortless. Keep doodling. Keep learning. Stay curious.
Hi! Got really inspired by the Hearthstone art and Dave Greco so I decided to practice a little bit! This fanart piece was made using an original concept art of the character by Blizzard as seen in the video. https://www.youtube.com/watch?v=bRYg3JIe5jY
“It is farmers who are nice to the cows and the pigs and then kill them. It’s even more hypocritical than hunters. At least the hunters don’t flatter the animals”. Do you agree?
Finally something new and fresh, again it was my first time to draw an animal with fur, which seemed always so difficult thing for me and still is, but now I'm not afraid of it anymore.
I collaged "Krampus is Coming For You" together with my own monoprints as well as one of my drawings of Japanese Noh masks that I cut out of an old sketchbook. For the second piece, I had a drawing of Marie Antoinette as an ice cream cone, so I gave her a dress, put a background of my monoprints on her, etc. Then I added more cherries, and the circle reminded me of a clock, so I inked in the arms accordingly.
