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afternoon

Krystal Winzer Krystal Winzer
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Snowy Afternoon

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Patrick Dieli Patrick Dieli
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The Waiting Park Bench

A quiet afternoon and a waiting park bench

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Bill Robertson Bill Robertson
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Afternoon

Watercolor with ink line overlay

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Ioannes Ioannes
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Sunday Afternoon Chill

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José Luis Díaz Giles José Luis Díaz Giles
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Fence

A fence in the desert

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Nguyễn Hữu Tới Nguyễn Hữu Tới
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A trip home to see the sky in the countryside

The countryside is a place far away from the city, peaceful and cool. My hometown is also on the outskirts of the city. Every summer vacation home to visit, I enjoy a cool and fresh air. Both sides of the road are straight dikes with fields, smooth green lawns, and beautiful vast fields. In my hometown, there are bamboo and banyan trees for shade every summer afternoon. Farmers work hard to cultivate and cultivate vegetables. Young people about the same age as me, come home from school and still have to take care of buffaloes and cows. People in the countryside live frugally, spontaneously, but full of love. They know how to care for each other in the village love.

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Steve Steve
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An Afternoon of Chess

This is a watercolor still painting of a partial chess board with pieces.

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Asmitha salian Asmitha salian
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Gloomy afternoons

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Ioannes Ioannes
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Friday Afternoon

you ever just lie on the floor for 30 min or so

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Julia Ceasar Julia Ceasar
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SHES A HERO

Just a doodle on a Sunday afternoon.

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Hasim Asyari Hasim Asyari
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The hopeless woman

One day, in the afternoon she was sitting on that seat with a thin heart. She was feeling watercolor with full brightness hitting her soul slowly. In her heart said, "what was I do? Everything is very simple, just follow the truth about my life. But, I can't do it and back anymore". If you like my art, you can check and follow me on Instagram: @misahiraysa or buy my artwork printed on : https://www.redbubble.com/i/art-board-print/The-hopeless-woman-by-misahiraysa/118536377.TR477

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Jas Z Jas Z
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Quick Mushroom (2013)

While "piggy-backing" at a friend's watercolor class this afternoon the subject of mushrooms came up. This is my quick rendering of a mushroom in Procreate on my first gen iPad using my Sensu stylus. Shadows will be addressed in next week's class but unfortunately I will be gone. I definitely need more practice with shadows.

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Pamela Shuler Pamela Shuler
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Palm tree

Porch Painting on a beautiful afternoon with my girls!

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Juice_Lime Juice_Lime
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Scribbles: Masked Shapeshifter

Been some time since I touched the pencil. It wasn't easy to get back to drawing, since I was also distracted by the internet for some time. Lots of things went through my head, while I was out on a trip. Just drew whatever I felt like drawing, and this came alongside some reflections: I have been stuck on fixing this character concept for a very long time, trying to box it within a classification. Bird, wyvern, dragon, shadow, whatever- I came to a point today, where I felt that it really doesn't matter anymore. This is that sort of character who can be everything. I spent the entire afternoon trying to arrange all the little ideas and features, following true to creative intuition. Smashing together many of my previous character designs, this appeared. A masked and unnamed figure (???) with traits from many of my previous works. An avian / draconic / spiritual shapeshifter has always been something with me all this time, even when I tried to create a sona years back (finding it meaningless). True to its nature, it has few lively features except its eyes and requires a mask to display additional signs of life. Its clear that this character is basically a symbolic self-expression. It wasn't easy to seperate myself from my introjective tendencies, which easily distorts my concept of this figure (took weeks to untangle). Once the confusions loosen, it reappears with noticeably familiar features. The scribble above still has some room for rearrangement, just limited by the irreversible nature of pencil drawing. The grey markings were too dark, and the feet might look better staying white. The pale golden underbody markings, were actually a surprise.

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Juice_Lime Juice_Lime
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Scribbles: Important Curvy Lines

After yet another afternoon of mind-drifting, I found something I wasn't expecting. One thing over the years, memories are bound to forgotten if I don't recognise its importance in practice. In this case, it was a basic yet very crucial element for my dynamic pieces: curly lines. Continuing from the "spirit" of that character drawing yesterday, I started early today with trying to draw the character in its updated form. Suddenly, I ran into a roadblock: I was unable to bring it to life. Running through nearly a dozen sketches, something felt missing. A bit frustrated, I just lounged around the place and listened to some music played on my phone. Turning it off after a while to prevent the media distraction trap, I just started to let my thoughts wander and looked through different things, asking myself some things... My work felt a little blocky lately. It almost felt like I was focusing too much using certain details as a starting point to improvise from. This results in me struggling to build outwards into a full picture. Often, I find myself losing track of the original concept, which frustrates me. One thought then got into my head. It was something I enjoyed in the past years, which was the concept of "Flow". Suddenly, I felt signs of an answer. The original drawing "White Bird" came into my mind, reminding me of how I started drawing that important piece. I still have a strong impression on how I started it. It started as flowy lines to carve out an outline, vibe, or energy, or whatever my mind finds to describe. Later, I would slowly narrow out the details and sharpen its precision, almost like carving a figure out of nothing. And there it was. Sketching the core or skeleton of an idea, adding the main shape, before narrowing down the to details and precision. A very basic skill in drawing that I have forgotten, as dumb as a nitwit. If I had the core idea there from the start, I wouldn't have lost it right? Putting it into practice, I saw its immediate effects. Curly lines were the only thing I used, and suddenly the White Bird was flying and "alive" again as it should be. Man, I have recorded these for years, within my personal achieve of sketches. Yet, I somehow forgot them like an idiot? I am just speechless. It almost feels like I am back to square one, although there was a takeaway. I have learned the lesson of forgetting this basic practice, which led me astray for all these months. Seriously, I really have to remember how important it is. Putting that aside, I have noticed that I have these 2 styles. One was that "start from a detail and spread out", and the other was the "start from the big picture and narrow down". I had instances of success in both, which gave me a slight dilemma on which to choose. It is obvious that I can't limit myself to either, that would be falling for the stupidity of Duality. My own solution, would be to use either when the situation calls. I can't forget either, I just need to know when is the correct time to use it... ==

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