air

Never fun to have mystery trash animal hit your leg on their way down the stairs

I have a love affair with the cedar trees along the mighty Lochsa River

Still trying to work on hair....it's tricky but practice makes perfect!

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

In my pursuit of advancing my career in technology I came across an advertisement for a Harvard Blockchain Certificate program that immediately caught my attention. The website was impressively crafted featuring official logos, detailed course descriptions and what appeared to be genuine testimonials from "alumni." Ignoring my father's warning "Son if you have to pay in crypto it’s probably a scam" I eagerly enrolled and sent $15,000 in Bitcoin as tuition convinced I was making a wise investment in my future.However my excitement quickly turned to despair when the website vanished without a trace. There was no login portal, no customer support and no way to recover my funds, just an empty void where the program had once existed. I felt utterly defeated realising I had fallen victim to a sophisticated scam. My father, while disappointed, chose not to dwell on my mistake. Instead he stood by me and helped me search for potential solutions determined to find a way to recover my lost investment.During our search we discovered SALVAGE ASSET RECOVERY, a firm specialising in cryptocurrency fraud cases. Although I was initially sceptical I felt I had no other options and decided to reach out to SALVAGE ASSET RECOVERY . Their team responded quickly and exuded professionalism assuring me that they had the expertise to handle my case. They explained that they would utilise blockchain forensics to trace my stolen funds, a process that sounded both intricate and promising. SALVAGE ASSET RECOVERY acted swiftly employing advanced techniques to track my Bitcoin through various wallets. Their team successfully uncovered the scammers’ trail revealing how my funds had been transferred and concealed. Remarkably within three weeks SALVAGE ASSET RECOVERY located the full amount still sitting in a wallet untouched and not yet laundered. This was a fortunate turn of events as many victims never saw their money again.Their commitment and skill were clear and I started to feel a sense of optimism returning. Then I received the incredible news that SALVAGE ASSET RECOVERY had managed to recover all my funds. A wave of relief and gratitude washed over me as I realised that not only had I gotten my money back but I had also gained an important insight into the necessity of being cautious in the digital world . With the help of SALVAGE ASSET RECOVERY I transformed a distressing situation into victory. Get in touch with Salvage Asset Recovery Via below TELEGRAM 16592200206

Fraudulent companies have increasingly exploited the rapidly growing cryptocurrency market by offering crypto-backed debit cards that claim to allow users to spend their digital assets seamlessly in everyday transactions. These scams often lure victims with promises of exclusive “Platinum” or “Elite” cards, which require a substantial upfront deposit. Once the payment is made, however, the promised cards never arrive. I found myself caught in this web of deceit when I was enticed by the allure of a “Platinum Crypto Card.” The marketing was compelling, showcasing high spending limits and instant access to my cryptocurrency funds. I was convinced that this card would elevate my financial experience, allowing me to use my digital assets just like cash.After much deliberation, I took the plunge and paid $25,000 upfront, believing I was making a wise investment. But as the days turned into weeks, my excitement quickly turned to dread. The card never arrived, and my attempts to contact customer support were met with silence. It felt as if the company had vanished, leaving me in a state of disbelief and despair.Realizing I had been defrauded was a crushing blow. I felt a mix of anger and shame, grappling with the fact that I had trusted this company. With no clear path to recovery, I felt utterly helpless. That’s when I discovered Salvage Asset Recovery, a service dedicated to tracing and recovering cryptocurrency lost to fraud.I reached out to them, desperate for assistance. They began their investigation by tracing my digital transactions linked to the initial payment. Using advanced cryptocurrency analysis tools, they identified the scammer’s wallet address. To my shock, this wallet was part of a larger network connected to a notorious Ponzi scheme that had defrauded many others. Salvage Asset Recovery didn’t stop there. They worked closely with cryptocurrency exchanges where some of the stolen funds had been transferred. By presenting detailed transaction histories and wallet connections, they managed to persuade several exchanges to freeze the fraudulent assets. In the end, they successfully recovered $18,000 of my original $25,000 payment. While I still faced a significant loss, the recovery provided a sense of relief and justice. This experience has taught me the importance of vigilance in the cryptocurrency space. I now understand that while the potential for profit is immense, so too is the risk of fraud. Services like Salvage Asset Recovery are crucial in this battle against crypto scams, offering a lifeline for victims like me who feel lost and betrayed. Contact them on Whatsapp+== 1 8 4 7 6 5 4 7 0 9 6 Telegram===@Salvageasset Email=== Salvageassetrecovery@alumni.com

On May 12, 2024, I made a significant decision to deposit $14,200 into crypto chain io, a choice I would soon come to regret. Almost immediately after completing the transaction, an uneasy feeling began to set in. Concerned, I reached out to their support team to confirm the status of my deposit, but my inquiries went unanswered. As the days passed, my anxiety increased. By May 16, just four days later, I noticed that the funds had not been credited to my account. Panic started to take hold as my emails were either ignored or met with a single, dismissive response: “Processing takes time.” No timeline was provided, and there was no transparency. It became painfully obvious that I had fallen victim to a scam. For the next six long months, I fought relentlessly to recover my lost money. Every attempt to contact the crypto chain was met with silence and evasion, leaving me feeling more and more helpless and frustrated. The lack of meaningful communication only deepened my despair. I spent countless hours trying to reach out through various channels, but every effort was futile. With each passing day, the reality that I might never see my money again became harder to ignore. Just when I thought all hope was lost, a breakthrough came on November 8, 2024. While browsing comments on X (formerly Twitter) during discussions about the U.S. general election, I stumbled upon a post praising a company called Salvage Asset Recovery. Intrigued and desperate for help, I contacted them the same day. To my relief, their team responded quickly, demonstrating genuine commitment to helping me. They launched a thorough investigation into crypto chain Io's operations, delving deep to uncover the truth behind the fraudulent activities. Their expertise and determination reignited my hope. By November 22, 2024, my perseverance was rewarded. Salvage Asset Recovery successfully traced and reclaimed my entire $14,200, exposing the fraudulent practices of the platform in the process. I was overwhelmed with gratitude, knowing I had finally recovered what I had lost. It was all thanks to the support of Salvage Asset Recovery. you can visit them via below TELEGRAM+16592200206

For Junefairytale's 15th, today it's all about birds. For this day, I decided to make a father bird flying in the blue sky with his son ☁️

For Junefairytale Day 13, it's a dragon's turn. For this day, I decided to make the little prehistoric lizard in a dragon costume because I think it looks adorable

For day 2 of Junefairytale, today is the sun's turn. For this day, I decided to draw Mr. Sun in the blue sky ☀️..

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It's the young little St. Gabriel of Our Lady of Sorrows! This is who our Brother Gabriel takes his name after. The book is the Passion, he is a Passionist after all. :P Some qoutes: “Our perfection does not consist of doing extraordinary things but to do the ordinary well” “With sin, O Jesus, I gave you the death, but I do not despair of your forgiveness. Those scourges call me, those arms extended invite me, that injured Heart offers me a secure shelter.” “. . . fidelity in little things must be the basic rule in striving for holiness,” St. Gabriel, pray for us! #Catholic, #Christian, #Gabriel, #Saint, #Passion, #Passionists, #Littleness, #Cartoon

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr