Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
I bought a small succulent statue a few months ago that I've managed to keep alive and thought it needed more personality. Thus, Ned was "born". Hoping to draw more of his plant man adventures.
I am quiet and sharp, strong and calm. I learn from the trees, I become the tree, I nurture the soil while it gives me back, and let the energy flow throughout the universe. I am a master, I am a slave, for the existence of them before me verifies my frivolous character in this game.
The only line added consciously is the hand. It leads the eye to the eye and thereby showing the viewers that it is in fact a figure. The shape on the right feels kind of right to be there, it really does not matter what it is. Compositional-wise , it works.
Tried out some layerish-style flowers using the alcohol markers. Not sure weather I like the result or not, but it’s definitely worth mastering the medium for the effects are rather cool. In theory... Unfortunately the camera sharpens the image and the flowers are more soft and blurry in reality. They look rather fancy and mysterious on the opposite side, too.
Charcoal is a new medium for me. This is violet szabo an agent in the s.o.e during ww2. She was shot as a spy in a concentration camp on Hitler's orders.i like to draw portraits of people with interesting stories to their lives. The picture is created without lines and only with the use of shaded areas. Thanks for looking.
I decided to practice posing with a character that has a certain style. I also wanted to test a design for my artist logo. I will definitely be making a digital version of this character in the near future. Colored with Artify alcohol-based markers, and a white Gellyroll pen for highlights.
Inktense blocks. This is one of a whole series of portraits I've done of people's selfies with a galaxy background. My goal with the series is to show just how beautiful and powerful and Universal selfies are. Selfies are a valuable tool in self-love and self-acceptance. We take photos of all the things we love, but so often leave ourselves out. We all struggle to accept our own skins, and often give up, but as Carl Sagan said, "We are made of starstuff," and we are all worth photographing.
