ape

A Female Pied Flycatcher Ficedula Hypoleuca… The Pied Flycatcher is a summer migrant to the UK. As the name suggests, it feeds on flies that are caught by making a quick dash from an obvious perch. There are around 40,000 pairs in the UK each summer. The Pied Flycatcher is a small unmistakable bird that often sits with drooped wings. It spends its winter in Africa. Identification: Adult Adult males and females share the same plumage pattern but are different colours. Male Pied Flycatchers are small and chunky,13cm in length and are black and white all over, they are quite unmistakable. The upperparts are black and white, tail is black with white base to outer tail feathers, rump is a slightly paler, back is jet black, wings are black with white wing patch (tertials) The nape and head is black except for small white patch above the black bill. Chin and throat white, extending to form a half collar. The entire underparts are white, ie; chin, throat, breast, belly and undertail coverts. Legs, bill and eye black. Females are brown versions of the male although tail is dark, no obvious white patch over the bill and the collar is less distinct. #piedflycatcher #brd #birdart #birdartist #birdsketch #birddrawing #bampidraws #birdlovers

I kept my eyes on it the whole time. Now it was moving so slowly that you couldn't really see whether it was coming towards you or not. Occasionally its shape changed just slightly and its black tummy swept over the concrete floor. I could hardly breathe. I knew that I ought to run away and hide bur I just couldn't. Now it moved diagonally again towards the wall and wasn't to be seen any longer. It was in the pile of junk behind the modelling stand, it was somewhere behind the sacks of plaster and might appear again just anywhere. It was getting dark in the studio. I knew that it was me who had let the creature out and I couldn't capture it and lock it up again. - Sculptor's Daughter by Tove Jansson

I don’t usually use toned paper so it was fun to make the white pop

After 1.5 hrs of experimenting... It wasn't easy to decide on what body shape my character should have. Through an "intuitive approach" of shifting anatomical proportions, it was still decided to remain on an avian's concept instead of a wyvern's. Wyvern can be kept to the wyvern... The phoenix needs something more like an bird's, after all. p.s: I also have to remember to keep the neck shorter...

I crawled right up to Daddy's modelling mirror which stands on the floor by the box of plaster. A great big black creature was creeping towards me. I got cautious and stood still. The creature was shapeless. It was one of those creatures that can spread itself out and creep under the furniture or turn into a black fog that gets thicker and thicker until it is quite sticky and gets all around you and fastens itself to you. I let the creature get a little closer and put its hand out. The hand crept along the floor and then was pulled back suddenly. The creature came even closer. Suddenly it got scared and ran quickly in an oblique direction and stopped still. Now I was scared. - Sculptor's Daughter by Tove Jansson #dailydrawing #tovejansson

A little abstract landscape in my sketchbook

Drawing in progress, digital, SVG drawing via TLDraw (i.e. tldraw.com). View, zoom, or download here: https://www.tldraw.com/p/XvVfvEYGbPXai4BhY1u7l?d=v425.370.1864.1282.page

A predator reduced to bone but not to silence. The body is gone, yet the motion remains — jaw open, spine curved, still moving through water that no longer needs flesh to carry it. This is not a fossil resting in sand; it is a hunter that never learned how to stop. The ocean keeps its shape alive. Instinct outlasts life. Some creatures don’t die — they continue.

A typewriter sits on a table with papers flying out in a lively motion. The text reads: When the Muse Finally Gets Her Coffee. white line art.

A quiet moment before escape. Time is counted, tools are gathered, and the destination is already marked. The treasure isn’t taken yet—not because it’s unknown, but because patience is part of the journey.

*PS photo 1 finished is is better is better then photo 2 is inked ver.* *ps my og inked sketch is lost media so i used finished to photo edit on Google photos an inked since my cam roll rsndomly deleted it...

Squid Wit in Space, Acrylic, gel pen and ink on paper, 8.5" x 11"

Original Acrylic and Ink on Heavy Paper, 12" x 9" SOLD

(2B pencil on 180mm x 136mm paper) "They're not flag-waving wannabes, or finger-pointing-blamemongers. They're true British Heroes! They were born with spines of steel, have spunk by the bucketload, and their upper-lips aren't just stiff, they're rock-solid! They're the type who'll kick those mad-dogs aside and proudly march, bare-arsed, into the midday sun!"

This is Tilly in her “Cozy Rosie” snuggle position on my chair. Made with Inktense pencils on hot press watercolor paper.

Acrylic mixed media on paper with a linocutprint.

This piece continues my ongoing tool series, focusing on objects shaped by use, precision, and repetition. The speed square—an essential instrument of measurement and accuracy—is rendered with attention to wear, markings, and subtle imperfections left by time and handling. Isolated against a minimal background, the tool becomes both subject and symbol: a quiet reflection on structure, angles, and the human need to measure and make sense of the physical world. Like the others in this series, it honors everyday labor and the overlooked beauty found in functional objects.

life drawing with pens

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The Tool Bench marks my 50th canvas—completed exactly one year to the day after I finished my very first one. This piece is a tribute to work, memory, and the quiet corners where both creativity and responsibility live. Drawn entirely freehand, it’s built like a snapshot of a lived-in workspace: mismatched tools, worn wood, scribbled reminders, and the little personal things that actually make a place yours. The clipboard holds a “Honey-Do” list that never seems to end. The Polaroid-style sketch of my wife sits taped to the wall like a reminder of why the work matters. The shadows on the back wall match the tools lying on the bench—suggesting a moment in progress, a task paused, life happening between motions.

In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin. A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.

Communication takes place in many ways for many reasons. . Motivations for intimacy vary as does receptivity.

(2B pencil on 140mm x 130mm paper) "They're not flag-waving wannabes, or finger-pointing-blamemongers. They're true British Heroes! They were born with spines of steel, have spunk by the bucketload, and their upper-lips aren't just stiff, they're rock-solid! They're the type who'll kick those mad-dogs aside and proudly march, bare-arsed, into the midday sun!"

A5 fineliner, ink , pencil on paper

A colorful assortment of various fruits, including a dragon fruit, pineapple, and apple. The vibrant colors and unique textures create an eye-catching display.

(2B pencil on 147mm x 133mm paper) "They're not flag-waving wannabes, or finger-pointing-blamemongers. They're true British Heroes! They were born with spines of steel, have spunk by the bucketload, and their upper-lips aren't just stiff, they're rock-solid! They're the type who'll kick those mad-dogs aside and proudly march, bare-arsed, into the midday sun!"

(2B Pencil on 135mm x 140mm paper) "They're not flag-waving wannabes, or finger-pointing-blamemongers. They're true British Heroes! They were born with spines of steel, have spunk by the bucketload, and their upper-lips aren't just stiff, they're rock-solid! They're the type who'll kick those mad-dogs aside and proudly march, bare-arsed, into the midday sun!"

(Ps its my 22th / 23th time drawing my oc Junior in my Sneezy art and doodle addict era and forth time in my counter social era but not my first time drawing my sml trans woman Jewish 6'2 woman oc exp I drew her during her now being 9 months pregnant btw still. (PS 9th junior drawing on sneezy art and 5th time on doodle addict btw.) *PS photo 2 inked ver is better is better then photo 1 is finished ver.* *Ps: it's not my best work at all! But its tge one i rilushed the whiteout process to do someone bday art so far! But it's bit if an downgraded remake of last time an few days ago even I took 4-5 days aka almost an week to draw this I started it on oct 13th and finished it on oct 16th and I hated than last junior I made last time and its better then the the 2023 ver from dev art era. (Ps shout to those dev art users who saw the og vampire junior in 2023!) (Dorry if remake duspointed u future remake ne better whiteput nib job i rushed it for Maxwells 17th b-day request.) (Ps jeffoween 2025 is here but came bit late this year