What startet as a somewhat mindless marker-sketch at a cafè while having a conversation later came out as a pretty cool cityscape. Probably inspired by the movie Tekkon Kinkreet, which I watched previously.
So you remember a couple days ago, when I made that paper doll, and I said I'd post a picture of her in her clothes? Yeah, well, I lied. I made a new OC, and I was just too excited not to post them. Their name is Kawehi (which you might have already guessed from the title) and I would have drawn their dragon, Silver, with them, but I unfortunately can't draw dragons. I drew and inked them on paper and then colored them digitally, since I have a pitifully small selection of markers.
I destroyed this water color painting while removing the stick tape.
But then to think about it, The Joker is also an error created by the society and thus a human error. He came fine in this world but the world hasn't been kind to him. And that revered back as an ultimate Villain as Joker to the society. So ultimately the two errors met up on this page.
After 1.5 hrs of experimenting...
It wasn't easy to decide on what body shape my character should have. Through an "intuitive approach" of shifting anatomical proportions, it was still decided to remain on an avian's concept instead of a wyvern's. Wyvern can be kept to the wyvern... The phoenix needs something more like an bird's, after all.
p.s: I also have to remember to keep the neck shorter...
*Ps:not my bestest work at all! even I took 11 days on this aka 1 an half weeks on it and I liked finished ver better then inked ver!* (finished ver is better)*
(Ps emma fan pride month is very soon
It's an old fanart drawing I did of "Feel Good Inc" by Gorillaz! The small black spots are holes from pinning it to my wall with tacks.
I can't believe I forgot to post this...it's realllly old.
The Tool Bench marks my 50th canvas—completed exactly one year to the day after I finished my very first one. This piece is a tribute to work, memory, and the quiet corners where both creativity and responsibility live.
Drawn entirely freehand, it’s built like a snapshot of a lived-in workspace: mismatched tools, worn wood, scribbled reminders, and the little personal things that actually make a place yours. The clipboard holds a “Honey-Do” list that never seems to end. The Polaroid-style sketch of my wife sits taped to the wall like a reminder of why the work matters. The shadows on the back wall match the tools lying on the bench—suggesting a moment in progress, a task paused, life happening between motions.
