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ape

Rasha Al-Shawwa Rasha Al-Shawwa
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Landscape

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Ivan Camilli Ivan Camilli
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Scarecrow

Brush & black ink on 100lb 9X 12 inch Bristol Paper.

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Ivan Camilli Ivan Camilli
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Krampus

Brush with black ink and white acrylic paint on 9” X 12” acid free Strathmore Bristol smooth surface paper. The Image dimensions are about 5 1/2” X 8 ½. Signed and dated. (The black ink was used for the character as well as for the background. The acrylic painting was used only for the small shapes in the background)

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Revenge Sinister Revenge Sinister
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Yellow poppy field

Yellow Poppy field painting in gouache. 7" x 10" Mix Media paper. April 30, 2020.

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MacKendrew Arts MacKendrew Arts
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Lunar Rocket

MacKendrew Arts, Lunar Rocket, 2019, Drawing done with Copic Sketch Markers on X-Press It paper.

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CopperSunset CopperSunset
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Yara

Just a quick headshot of my OC to test out a new marker paper

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Krystal Winzer Krystal Winzer
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First attempt at a landscape

This was my first attempt at a landscape. I used soft colored pencils

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Kazuhiro Higashi Kazuhiro Higashi
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Ink drawing

Abstract ink drawing on paper

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Revenge Sinister Revenge Sinister
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Amethyst Cluster

Amethyst Cluster... Watercolour with some gouache on cold pressed paper, 6" x 8".

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Dominic McDaniel-Clark Dominic McDaniel-Clark
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Flower drawing

So at this point I've fully excepted that I'm really only good at flowers and landscapes lol

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Margaret Langston Margaret Langston
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Young wizard

It started with a small black, squaresque shape. The little guy appeared at the end

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Jana Cechova Jana Cechova
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Young raven

White pencil in combination with white marker on a paper (A3) - Young raven

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JaRobyn Singletary JaRobyn Singletary
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Cactus Impression

Gouache on Watercolor paper

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Beresford Beresford
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Industrial Art Project

What was created? A concept exerciser (aka: homemade workout machine) made mostly out of wood components, that was a contraption full of hinges, pulleys, weights, and grips (see pin 1). With my system, a person could perform both the butterfly and lat pull down exercises and transition between them with minimal effort. The unit stood about 8 feet tall and was about 6 ft wide when the butterfly arms were connected to it. Why was it created? I have always been fascinated with weight training machine design. I had a bench press weight set at home that did not come with a butterfly attachment, so I decided to make one of my own. I was able to get a steady supply of material (scrap wood) from a local source and constructed a workout routine by stacking columns of weight (instead of accumulating weight plates) in a moving grid generating even or uneven resistance (see pin 3). I also consider what I made could be a benefit to others since it does: (1) represent an extension of DIY culture (i.e. advancing individual knowledge, learning new skills, and the feeling of satisfaction that comes from building from your own ideas), (2) how to apply simple machine principles (i.e. pulleys, leverage, changing the direction or amount of force, etc.) in making a project and, (3) promote woodworking (which allows a person to be creative and is a wonderful medium for artistic expression). What makes it special? What makes my work distinctive concerns the butterfly arms and the weight container. Butterfly Attachment The butterfly attachment arms can be quick disconnected and re-mounted easily. The jackknife motion that the butterfly arms travel in as they flex forward and return to their starting position is an original conception. Weight Grid (see pin 3) Unlike traditional stacked weight plate machines, a person is allowed to make a variety of pattern configurations on the grid (X,□, /,\, —, etc.) by using cup shaped ballast inserts (up to 24) that changes the amount of force a user exerts for each repetition (see figure 2). An individual can position the weights in organized horizontal/vertical patterns or treat them more as random objects in the load basket. In their current form my system’s weight supplements are ½ pound each (about 2 ¾ inches long and 1 14/16 inches in diameter): making them easy to manage. If solid roll stock were used in their construction, they would be estimated to weigh 2 ½ to 2 ¾ pounds (see pin 2). When not in use, weights can be placed in the grid case for compact storage. As a point of fact, the sight holes cut into the drop tubes were drilled by hand with a fixture and not with the use of a drill press. At one point, I contemplated that one could focus on certain muscle groups in the upper body by placing inserts on the weight grid in particular patterns (X,□, /,\, —, etc.). This may have been beneficial for those in need of rehabilitation (through segregation of muscle areas that needed treatment) in such disciplines as Kinesiology or Physical Therapy. What was learned creating it? I learned how much ideas on paper can change drastically when fabricated physically. I learned how challenging it was to develop removable butterfly arms that hang and pivot in mid air. The exerciser’s weight box glides up and down on a vertical guide. I researched various ways of how to make that move while keeping the friction between the connectors on the weight box and the track surface it to a minimum. This was in order to make the climb and drop motion as fluid and controlled as possible. I considered using various sprays, waxes, greases, lacquers, covers, wheels, and even ball bearings to accomplish that. I ended up sanding the inside of the track extensively and then mounted small furniture mover inserts to the weight box on its four corners for a successful connection. Therefore, I learned here how important considering a variety of ideas provides solution to a problem. If I were to start over and do things again? I probably would have done some more background research in the areas of Fluid Dynamics or Biomechanics. I figure, if I had consulted with people in those areas, the time it took to design and redesign the overall unit as well as the weight box might not have taken about 3 years to fully complete. Miscellaneous In the back the machine was a counterweight of tube sand (60 lbs.). Without that, the whole thing would have toppled forward when trying to use it. Thank you for your time. Best Regards. Matthew Link: https://www.pinterest.com/meb206/industrial-art-project/

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Amélya Bernard Amélya Bernard
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Blue Grapes

Still life made for school. Done in acrylics

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Jana Cechova Jana Cechova
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Deer

White pencil on a paper (A3) - a deer

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Nom De Guerre Nom De Guerre
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Scottish Drummer

Ink and colored pencils on paper

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monai monai
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demon.ai#11

abstract pen drawing

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Michael Michael
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Seascape

Rough seascape test with new brushes

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Chan yost Chan yost
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Spawn

Used blendable shading markers and a red copic maker for the Cape

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Helen KITCHEN Helen KITCHEN
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10 week Stocks

This week's pen / ink flower portrait . Sticks are in bloom in England...the perfume is beautiful, wish I could replicate the scent on paper!

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Monica Sararu Monica Sararu
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Deco 1

coloured pencils on paper, 35 x 50 cm

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Iris brown Iris brown
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Humphrey Bogart

White pastel on black paper.

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Kathrin Werner Kathrin Werner
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Flowering tail

Ink in bamboo Paper, watercolor

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Iris brown Iris brown
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Autumn

Watercolour landscape painted on canvas

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Adrien Kurai Adrien Kurai
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Redo of my first sketch

After the initial shock of creating my first sketch, I realized that I could do better. And after about a week this one was finally finished. (Would have done it sooner, but I had school.) And I once again managed to amaze myself. I never thought that it would be possible that I, who has basically no hand eye coordination, could create this.

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Stephane Lauzon Stephane Lauzon
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Portrait #1

Study of a portrait from a shooting photo in a magazine. Pencil-ink-watercolor on gloss paper.

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Monica Sararu Monica Sararu
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Renaissance

"Renaissance" ,coloured pencils on paper, 35x50

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susanne susanne
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Winter birds

42x30 cm, acrylics on paper

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Anjana Mistry Anjana Mistry
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African Crane

Bird study #09 - African Crane. Scratch/scraper board

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