This is my #dirtymushroomlikeskier of #transmundanetuesdays (prompt by @carsonellis) I made some time ago.
What a fun challenge! This mister is cleaning mountains of dirty papers.
He has no idea how he got there though.
(Fineliner on 190mm x 120mm paper) This was one of the more larger pieces I did last year (and by large I mean just under A5). It depicts a friendly alien species who, having travelled light years across space, shared the fruits of their knowledge with us, and assimilated into human life as best they could, is still confronted with one of those age-old questions of ignorance.
A lady at work asked me to make an elephant for her as a gift for a friend. I sketched a bunch of different options and finally came up with this. Watercolor on drawing paper with marker.
(gel fineliner pen on 115mm x 87mm paper) I did this piece to test out those cheap fineliner pens that you can buy for £1 for 3 from TheWorks stores. They're pretty good for what they are, as you can see. They're 0.38 in line width and the gel ink is quite opaque.
(Gel Fineliner on A5 Paper) You have to be very careful what names you give your fantasy creations. They might sound right in your own mind, but others will read them very differently. For example: He's a Kakka-Du Knight. They're known to roam the galaxy, righting wrongs and bringing peace and justice to the far reaches of space, because that's what the Kakka-Du do!
(HB pencil on 80mm x 50mm paper) Similar to previous Guardian Spirit works I've done, but this time on an even smaller format so that I can hand them out as calling cards to people I meet. Again, the idea of them is a rib against those who believe in such nonsense as guardian angels and spirit guides.
In folklore, a will-o'-the-wisp, will-o'-wisp or ignis fatuus, is an atmospheric ghost light seen by travelers at night, especially over bogs, swamps or marshes. --Wikipedia
11” x 17” Original ink and watercolor painting on Arches 140# hotpress watercolor paper.
Signed by the artist. Unframed.
Rebelle 6 by Escape Motions is out. It's a blast! Pigmented blending, watercolor granulation, nanopixel dimensions, new transformation options. Really enjoying it. (Drew this in it.)
This was my first stab at a Japanese-style 'sumi-e' or ink and brush painting in a 10 minute lunchbreak at work. The paper is a poor base for the wetness of the ink but better than not painting at all! I only have limited art supplies at work (not surpris
