Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
100x70cm. cardboard, mix materials
The people in the button do not see anything attractive, the attention given to him is current and lasts until the buttoned some clothing item which wants to wear. With us in the World of Fantasy, fortunately, this is not the case, we give the buttons a deserved attention which they fully deserve. A man lacking a button, for example, on the shirt, we inhabitants of the World of Fantasy are avoided, because we believe it brings bad luck, such people can cast a spell on anyone. It is even more dangerous to meet a man without a button on the slit, or, God forbid, unbuttoned slit. It is certainly a dangerous man of wild impulses ready for violence against anyone in order to satisfy their needs. On the other hand, people who have a nice and tastefully selected button on their clothes are highly appreciated. Those more experienced among us will carefully look at each button on a person - the buttons should not be damaged and scratched.
Of course, in the World of Fantasy, there are the Button - beings, the creatures that everyone wants in their vicinity. Those dear creatures are attracted to himself materials and crystals, who are constantly working on the relaxation of a person close to them. Even watching the picture where they are
Button - beings (confirmed by scientific and empirical research!) relaxing the spirit and body, raising the level of health to the stairs more. It is for you, dear reader, to take advantage of this fact, here is your free relaxation! Those who doubt these words of Old Bone make a mistake - to yourself to the detriment!
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
Réalisation du portrait de @Béatrice Benoît-Gonin dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.
Réalisation du portrait de @Olivia Schaller dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.
Like smoke, the line finishes as soon as it began. There is no room for any colour shapes, or anything else to be done to it; any additions would disturb the coherent of the flow. Contrast, balance and flow all met there. Art simply surfaced at that very moment and left a trace. This very line represents 3 decades of work!
Realization of the portrait of @Myriam Seurat as part of the preparation of the exhibition: "The chroniclers of # Télématin on #France 2 (French television) and the dissipation and vapor of television memory. Réalisation du portrait de @Myriam Seurat dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.
Face to face, eye to eye, this pair of lovers is sharing their moment, despite any other figures which comes and goes. Now, all rests in the back of the mind, buried.
This was a transitional piece as I enlarged/zoomed out the 'mass' of the doodle towards the edge of the paper. This was one of the last pieces of abstracts before my figures surfaced from the compositions.
