Re-doodling after five years! Five years after joining Doodle Addicts, I decided to redraw my 47th upload and share it as my 431st upload to see how much I've progressed.
As awesome as summer and winter are, I love the transitional seasons the best, especially fall. It's the best time to do sports, orienteering, bird watching, hikes. The crisp air feels so good, and I love the rustle of the dead leaves and grasses on a windy day. While sometimes I get sad to see the branches bare, I also love looking at and analyzing their structure. I find it fascinating that a tree can go from this mighty, fluttering thing to a spindly, knobby structure and remain fundamentally unchanged. It's a bit of a miracle
Vine Charcoal and Oil Pastel make for a messy, smudgy experience. A certain amount of messiness can make a process feel more real and human. When things aren’t perfectly polished, it reflects a genuine effort, imperfections, and growth. In personal life, letting go of the need for everything to be tidy can promote a more authentic existence. The hat is a Stormy Chromer. It also evolved out of a mess. More on that later. Peace.
2B pencil focusing on the eye, nose and mouth. The reflection today is a suggestion that we find what we look for, and we see what we want to see. Our family dinners include a sharing time of: 1. Who blessed you today? 2. Who did you bless today? and 3. What are you thankful for? It is suggested by some that if you focus on the abundance, you will not see so much of the lack, but if you focus on the lack, you will not be able to see the abundance so well. This was illustrated by the questions: "How many red cars did you see on the way to work this morning?" My answer was: "No Idea!" It is because I was not looking. If I was being given $100.00 for each red car I spotted, I would have certainly been looking, and maybe even getting creative with the definition of 'red'. What are you looking for? What are you finding?
Hi. Am I hard to see? You are free to look closer.
This is how I will most frequently present myself as, drawn here in an effort to rejuvenate past drawing abilities . Both Ego and Shadow are delicately present as one, although still not the truly completed form. That is still outside my own grasp within the field of creativity.
Everything here has some meaning, including the blank background. A "Domain" in the form of a canvas. The ability to bend reality. A shadow that opens the door to the extraordinary. The simple tools to channel one's creativity. Most importantly, an Avatar of one's being.
Another one of these tiny canvas doodles. I stenciled out the eyes and teeth and used acrylic makers to color. Then finished up with a brush pen. These are a fun challenge
I absolutely love colored pencils. The smell, sound, and feel of them, their texture is amazing. Shading and depth control are so easy with them. :) Lucy looks pretty worried. Don't worry, Lucy. I'm sure it will turn out fine.
In this captivating cross-hatched pencil shading, a tranquil village scene comes to life. The intricate strokes create a harmonious blend of light and shadow, showcasing the serene beauty of rural life. Thatched roofs, winding pathways, and towering trees are meticulously detailed, inviting viewers to step into the peaceful simplicity of village existence. The gentle interplay of shades and textures evokes a sense of nostalgia and calm, capturing the essence of a timeless village story.
this was a sweet gift I did for Christmas for my mom & dad - they love traveling and Telluride, CO, has become their second home! my mom loves Aspen trees and the mountains, found it only fitting they be included in this collaged painting I did for them. I used gouache paint for all landscape and watercolors for my parents. It was fun combining the two paint types and my first attempt using gouache paint - I loved it!
This delightful black-and-white drawing captures the lively and playful essence of a whimsical animal parade. Bursting with creativity, each animal character showcases unique traits and expressions, bringing a joyful scene to life. From the adorable, tiny mice balancing on top of each other to the elegant elephants dancing gracefully, the artwork is a breathtaking celebration of harmony and fun in the animal kingdom. With its intricate details and enchanting charm, this piece invites viewers to step into a world of imagination and whimsy where animals parade with joy and carefree spirit.
4 year old Henry engaged fully with thick applications of watercolor and oil pastels. He said it was a stormy sea with a small boat. This was at the onset of the pandemic, when we were all a bit uncertain and confined to our homes. I was reminded of an insight by Kierkegaard written in the early 1800s: “When the sailor is out on the sea and everything is changing around him, as the waves are continually being born and dying, he does not stare into the depths of these, since they vary. He looks up at the stars. And why? Because they are faithful – as they stand now, they stood for the patriarchs, and will stand for coming generations. By what means then does he conquer changing conditions? Through the eternal: By means of the eternal, one can conquer the future, because the eternal is the foundation of the future.”
My painting professor drew this diagram on the board and suggested that it is a diagram for a painting. "Begin with large areas, covering the canvas with general colors and shapes. Refine the shapes and begin adding details. Refine the details and work with smaller brushes. When you are adding marks that your viewers would not notice, be done." There is more, but that is enough to ponder for now.
Jean-Paul Sartre (1905–1980)
By the 1950s, too much work on too little sleep—with too much wine and cigarettes—had left Sartre exhausted and on the verge of collapse. Rather than slow down, however, he turned to Corydrane, a mix of amphetamine and aspirin then fashionable among Parisian students, intellectuals, and artists (and legal in France until 1971, when it was declared toxic and taken off the market). The prescribed dose was one or two tablets in the morning and at noon. Sartre took twenty a day, beginning with his morning coffee and slowly chewing one pill after another as he worked. For each tablet, he could produce a page or two of his second major philosophical work, The Critique of Dialectical Reason.
The biographer Annie Cohen-Solal reports, “His diet over a period of twenty-four hours included two packs of cigarettes and several pipes stuffed with black tobacco, more than a quart of alcohol—wine, beer, vodka, whisky, and so on—two hundred milligrams of amphetamines, fifteen grams of aspirin, several grams of barbiturates, plus coffee, tea, rich meals.”
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #jeanPaulSartre @masoncurrey
Dmitry Shostakovich (1906–1975)
Shostakovich’s contemporaries do not recall seeing him working, at least not in the traditional sense. The Russian composer was able to conceptualize a new work entirely in his head, and then write it down with extreme rapidity—if uninterrupted, he could average twenty or thirty pages of score a day, making virtually no corrections as he went.
But this feat was apparently preceded by hours or days of mental composition—during which he “appeared to be a man of great inner tensions,” the musicologist Alexei Ikonnikov observed, “with his continually moving, ‘speaking’ hands, which were never at rest.”
Shostakovich himself was afraid that perhaps he worked too fast. “I worry about the lightning speed with which I compose,” he confessed in a letter to a friend. Undoubtedly this is bad. One shouldn’t compose as quickly as I do. Composition is a serious process, and in the words of a ballerina friend of mine, “You can’t keep going at a gallop.” I compose with diabolical speed and can’t stop myself.… It is exhausting, rather unpleasant, and at the end of the day you lack any confidence in the result. But I can’t rid myself of the bad habit.
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #shostakovich @masoncurrey
Last drawing of 2024 and looking forward to 2025!
Did you know 2025 is a rare, "square number year" since 45^2 == 2025. The last time this happened was in 1936 (i.e. 44 x 44 == 1936), and the next time it will happen will be 91 years from now in 2116 (i.e. 46 x 46 == 2116).
Been developing in a way to free myself from external reference-based OC concepts, which was where I started from in drawing. In a way, exploring how I view characters from my own eyes. Here, is an example of drawing myself in two contrasting counterparts. Personal preferences are actually pretty simplistic by appearance.
This is my boy Sebastian. He is a collaboration of Ichabod Crane and Dracula, he was just born today. I have a least a few pages full of his sketches.
Type: Vampire
-Hopeless Romantic
-Comfortable within his castle
-Kind
-Can be easily scared, but when it comes to those he cares about will fight for.
-He is VERY clumsy
para el día 20 de Fruitecember hoy le toca a frutas marinas
para este día decidí dibujar a tsunoplet quién se encontró con un arbusto marino con unas extrañas frutas parecidas a bayas pero son deliciosas.
❤ (ɔˆз(ˆ⌣ˆc)❤ (ɔˆз(ˆ⌣ˆc)❤ (ɔˆз(ˆ⌣ˆc)
For the 20th of Fruitecember today is the turn of sea fruits
For this day I decided to draw Tsunoplet who found a sea bush with some strange fruits that look like berries but are delicious..
I used to see this friendly dog that would wander around and I would pet him. He disappeared for like a year. I was sad because I missed him and I didn't know what happened to him. I saw a dog last week that looked like him or was him but I wasn't able to get close enough to know for sure. It inspired my to finish this drawing I started a while ago.
