(HB pencil on a 139mm x 87mm postcard) It's not surprising that the pandemic would inspire me to do a work such as this. How could it not? It shows both the growing need for social interaction people have in isolation, along with the need to protect themselves. These two things have come together in a piece depicting a strange group of gate-crashing party-goers.
This art piece underlines the duality of eastern and western cultures. I love when they combine.
I’m a first generation Canadian with Indian descent.
My artistry shows that duality of co-existence
This art piece underlines the duality of eastern and western cultures. I love when they combine.
I’m a first generation Canadian with Indian descent.
My artistry shows that duality of co-existence
This art piece underlines the duality of eastern and western cultures. I love when they combine.
I’m a first generation Canadian with Indian descent.
My artistry shows that duality of co-existence
This art piece underlines the duality of eastern and western cultures. I love when they combine.
I’m a first generation Canadian with Indian descent.
My artistry shows that duality of co-existence
This art piece underlines the duality of eastern and western cultures. I love when they combine.
I’m a first generation Canadian with Indian descent.
My artistry shows that duality of co-existence
I have been wanting to explore the concept of creating a Vitruvian Women. Also felt like I struggled with the composition of the Reflect piece (which I am working on developing a series). Hence trying to learn from the best - in a scientific way:)
This started as some scribbling with Inktense pencils on large plain drawing paper. Then I was done, I wanted to wet the the drawing to release the "ink," but I found that the paper would not take water without drastic buckling. So, it remains a drawing rather than becoming a painting.
