I took my Cultural Safari sketchbook class to the Nelson Atkins Museum of Art today. My sketch of The Virgin and Child, ca. 1350, France, Limestone Sculpture.
Wow! I was invited to spend the day in the recording studio drawing the creation of a jazz album. I will be going back to my studio to create the album cover art for the project. Included are few photos of my process drawings from the session. It was an amazing experience to spend time with these incredible musicians. I will share the final results at a later date.
Little watercolor horses, they were fun to draw and paint and each seems to have it's own personality. Some look a little too much like a donkey though. lol
It's Weinerman Sam with his weiner schnitzel fam,
Putting sausages to bed like a good fam-i-ly man.
Doing ev'ry thing he can just to get them into bed,
For a restful night of sleep in a warm bun made of bread.
Joseph Cornell (1903–1972)
Cornell worked nights at the kitchen table, sorting and assembling materials for his boxes. It was not easy going. Some nights he felt too fatigued from his day job to concentrate on his art and would sit up reading instead, switching on the oven for warmth. In the mornings, his quarrelsome mother would scold him about the mess he’d left at the kitchen table; without a proper workroom, Cornell was forced to store his growing collection of magazine clippings and dime-store baubles out in the garage.
In 1940 Cornell finally mustered the courage to quit his job and pursue his art full-time—and even then his habits changed little. He still worked nights at the kitchen table, while his mother and brother slept upstairs. In the late morning he would head downtown for breakfast at his local Bickford’s restaurant, often satisfying his sweet tooth with a Danish or a slice of pie (and lovingly cataloging these indulgences in his diary).
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #JosephCornell @masoncurrey
