I am an art teacher with a master’s degree—trained by brilliant professors who believed that art could do more than decorate walls. I offer safe spaces for teenagers to grow—nourishing soil where their imaginations can take root.
And yet… I am assigned to hallway duty.
This is compulsory education, after all.
So I sit—posted like a sentinel—watching young lives stream past.
“Get to class,” I say with a smile and a nudge.
The system wants attendance; I’m hungry for presence.
Armed not with a whistle or clipboard, but with a pen—
my scribble’s soft insurgency.
The hallway stretches out like a geometric hymn.
Columns and corners chant structure.
Teenagers swirl past—half-formed galaxies of limbs and laughter—
their orbits chaotic, their gravity pulling time forward.
I begin to draw.
Not their tardiness, but their motion.
A shoulder. A blur of sneakers.
A tilted head chasing freedom.
Feet flickering like seconds.
Each mark a pulse.
Each smudge a breath.
My paper becomes a seismograph of seeing—
trembling gently through the mundane.
This isn’t about making art for a frame or a feed.
It’s about refusing to leak away in the fluorescent hum of obligation.
It’s a quiet mutiny against the clock.
I do this on long car rides, too (passenger side, mind you).
Letting the lines grow wild, jagged, and unapologetic.
Not for polish—
but for presence.
This is how I remember I’m still alive.
Still growing.
Still watching.
Still choosing to see.
Because sometimes mental health looks like
a piece of scrap paper,
a moving pen,
and the simple, sacred act of
marking time with wonder.
Even with the wheel well and truly turning for the Beltane Fire Festival again, there’s still time for me to start a new sketchbook! Introducing “It Is What It Was” :-)
A person is depicted wearing a large pet recovery cone around their neck, trying to check his smartphone with the words "Digital Detox" prominently displayed. The image humorously comments on the idea of needing a barrier to reduce phone usage.
There’s a lot of waiting in life.
Waiting in lobbies.
Waiting on answers.
Waiting for braces to tighten, kids to grow, hearts to heal, or prayers to be answered.
I sat at the orthodontist, watching dollars tighten on tiny wires, and made this sketch. A tree. A house. A street. Color helped the moment breathe.
I remember once hearing a chess master say, “There is no waiting in chess.”
It confused me—wasn’t there always a turn to wait for?
But he explained: “There’s no waiting. Only planning. Plotting. Analyzing. You’re always thinking.”
I once repeated that to a FIDE master. He got mad.
Maybe because waiting and patience aren’t the same thing.
We can be still and deeply active inside.
We can pause without being passive.
And then there’s Lindsey’s voice in the back of my head:
“That sounds like a first-world problem.”
“Speak life.”
“Be thankful. Rejoice always.”
And she’s right.
So here’s to filling waiting time with something creative.
Something kind.
Something that turns a delay into a doorway.
I have painted this art when I was in 8th grade as a homework, but my teacher wasn’t see my sketch from some reasons and I came to sad cuz I work hard for it. So I upload it to show at least to you!
para el dia 28 de Marchusic he decidido hacerlo dedicado esta canción sobre un trío de heroínas y para esta ocasión decidí hacer de otro trío de heroínas muy conocidas salvando al mundo antes de irse a dormir ❤️
para el dia 27 de Marchusic he decidido hacerlo dedicado esta canción y esta ocasión la protagoniza la pareja de DJ gato y gatita sirena conocidos como DJ Catnip y Mercat con esta canción
Pyotr Ilich Tchaikovsky (1840–1893)
At 9:30, Tchaikovsky set to work—composing at the piano only after he had dealt with any proofs or his correspondence, chores that he disliked. “Before setting about the pleasant task,” his brother noted, “Pyotr Ilich always hastened to get rid of the unpleasant.”
After lunch he went for a long walk, regardless of the weather. His brother writes, “Somewhere at sometime he had discovered that a man needs a two-hour walk for his health, and his observance of this rule was pedantic and superstitious, as though if he returned five minutes early he would fall ill, and unbelievable misfortunes of some sort would ensue.”
- From Daily Rituals: How Artists Work by Mason Currey
“Truly there would be reason to go mad were it not for music.”
― Peter Ilyich Tchaikovsky
“If you do not want to write, at least spit on a piece of paper, put it in an envelope, and send it to me. You are not taking any notice of me at all. God forgive you – all I wanted was a few words from you.”
― Pyotr Ilyich Tchaikovsky
#dailyrituals #inktober #PeterTchaikovsky @masoncurrey