This is an earlier drawing I did from a Mark Crilley How-To video. All credit to him. Only thing I did differently was to add some red to the scales. Video Link: https://www.youtube.com/watch?v=XId8ethxg2M&t=0s&list=PLCD2CF65888663986&index=187
The best that I know in summer is cottage life in Finland countryside. This is the image from the lakeside. Angling on a pier in perfect style. The color of the fishing hat and waterlily make a perfect match.
The angel featured here looks a little bit like she was barfed out by Tim Burton. I drew these while I was watching Westworld. (Feel free to just talk about Westworld in the comments if you'd like.)
Just finished the excellent EXPLORING Kourse (Sketchbook Skool), I had to set my own agenda. I am trying to get used to using watercolors. I like it when they don't fill the page entirely. Here is an archerfish trying to catch an insect by spitting at it,
This is the the Icelandic parliament house in Reykjavik Iceland.
Usually I don´t draw houses, I am more into faces, but have always wanted to draw houses though and enjoy watching them. This house has always been one of my favourite.
Taking a break from photo editing to get creative in other areas...
Over the Beltane weekend, my girlfriend and I watched the British dub of Urusei Yatsura over on YouTube. Yes, I assure anyone not aware, such a thing exists and my word is it hilarious (but not for the easily offended! Oh and while, I'm here, may the 4th be with you :-)
Pressurized Patience
16x20 canvas
sealed interior, a distant promise, and time marked in scratches and routines.
Pressurized Patience explores endurance, isolation, and the quiet humor found while waiting under pressure.
"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere.
In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.
If i was real youd see me cry
If i was real youd watch me die
If i was real youd spit in my eye
If i was real youd know a lie
If i was real youd know my name
If i was real id bring you shame
If i was real id show you pain
If i was real id drive you insane
But im not real
Im just a name
Meet me in the dark
Meet me in the light
Ill crawl inside your skin
Eager for a bite
Ill coil around your thoughts
Let me stay
Together we can obsess
Over every shade of grey
Deny my existence
Dont say my name
I dont love you
Make no mistake
Im not here for salvation
Im here for the pain
Embrace me my child
Nightmares
My name
#embracingnightmares
In this sketch, I drew myself during the time I lived in Kyiv for a couple of months.
It was one of those clear, sunny days when you really want to go outside - but all my friends were busy, and I was too tired of wandering around alone.
So I just sat on the carpet, staring out at the balcony, watching the blue sky, the clouds... and the occasional freshwater seagull flying by
