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background

JenniferG JenniferG
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River rocks 1

Watercolor background with alcohol ink ripples and rocks.

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Axel Amazzal Axel Amazzal
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Solid Snake

Snake from Metal Gear Solid. I played with smoke effects and background textures here to recreate the Shadow Moses Island vibe from the game.

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Jada Jada
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Villain Deku

keep in mind that im new to digital art and i did this on my phone, so it took me forever just to make this. anyways i couldnt decide on a background, so i might keep it blank. if you have an idea for a background, you can comment and i might repost. anyways hope you like it. feel free to give me any feedback on what i can do to improve

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Sam Tansley Sam Tansley
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Flower in contrast

Could anyone tell me how to get the background in more contrast

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Daryl Valbuena Daryl Valbuena
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Black

My first sketch this year. Trying out my drawing tablet for the first time so some details are left without shading. The background is just an edited photo. XD

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Erin Starks Erin Starks
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Sunshine State Artist

Acrylic spot illustration created as a background on a promo postcard. #fbf

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Marie Ysabelle Marie Ysabelle
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Lua

Mostly wet on wet technique and then wet on dry for the white paint. I used a Mont Marte Round 2 brush and Reeves watercolor paint tubes. Also concocted my very own magic watercolor paint that made the black background somewhat similar to gouache. I learned this painting from one of the best artists named Maria Raczynska.

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Ivan Camilli Ivan Camilli
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Castle

Pencil sketch on paper.

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Srestha Nandy Srestha Nandy
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Background matters

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Doug Dutton Doug Dutton
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The fruit gatherer

Hand drawn, digital color and background

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Ivan Camilli Ivan Camilli
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Krampus

Brush with black ink and white acrylic paint on 9” X 12” acid free Strathmore Bristol smooth surface paper. The Image dimensions are about 5 1/2” X 8 ½. Signed and dated. (The black ink was used for the character as well as for the background. The acrylic painting was used only for the small shapes in the background)

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Stephen Stephen
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The Three Witnesses

TheStephen Vattimo 7 mins The Three Witnesses Acrylic on Canvas Size :48"x68" Year finished: 2004-14 This painting illustrates three witnesses who are taking part in the salvation of a homeless person. the figure in the background is angled, this imposed by them being Positioned on second-floor balconies, symbolizing they are not humans, they are a higher class of beings. To the left side of the painting a demon and to the right side an angel of God . the kingdoms they serve are identified by the breastplate emblems of their armor. The demon has a dragon head overlaid on a pentagram. The angle of God has a lions head overlaid on a cross. The demon face is partly hidden by a hood which represents deception, where in contrast the angle of God is wearing nothing on his head that hiders the view of his face., representing honest. Angel is always involved in the affairs of the human race. The demon is warring against man to turn their heart against God, and lead them to destruction. God's angel is always warring lead mankind to salvation through Jesus the Christ, and lead him away from the path of destruction that comes from sinful living. The ally way is representing three kingdoms, to the left, the kingdom o Hell. The center road, the kingdom of mankind. To the right side, the kingdom of Heaven. The path of these kingdoms is represented by the direction of stairs. To go the way of Hell is to take the stairs down to the sub-level door. To the go, the way of heaven is to take the fire escape upward. The lighting and the condition of the structures of the walls also identify the nature of the kingdoms they represent. The kingdom of Hell is represented by the dark and crumbling wall. Man's kingdom is represented by a boarded up windowed wall that is a dead end. Symbolizing that mankind only has two roads to chose from, there is no such thing as a third reality. The left side of the paint is a cardboard box and a newspaper floor which serve as a makeshift shelter for the homeless man. The turned over bottle reveals which devise he had that lead him to a life of living in the street. The tipped over trash can which spills its trash onto the light source that is lighting the alleyway, which is in the shape of a cross, represents mankind's sin which Jesus The Christ paid in full the debt which God demand for the payment for sin which is death. So that The guiltless took the place of the guilty, that by faith in this truth all will escape Hell and enter the Kingdom of God as children and heirs of The Highest God. The Homeless man, who is dirty,ill-clothed, cold, tired, hungry, hopeless, symbolizes the condition of Mankind outside a flourishing relationship with God. The Christian witness is better dressed implying he is walking with God, and his life is blessed through God provision. The witness is showing compassion and the love of Christ to this homeless man by wrapping his arm around the shoulder of the dirty smelly homeless man. He points the homeless man in the direction of the path that leads to salvation through faith in the work of Jesus The Christ which is His work on the Cross, receive Jesus as his Lord and Savior. That through a relationship with the Christ, He can receive the guidance, the strength, the willpower to leave his old life of being a drunkard and living in the street. Because in Christ old thing pass away, and all thing are made new. The light that falls on the Christian witness and the homeless man and opens up in the shape of the cross in the alleyway, comes from a heavenly source outside the picture. Written by Stephen J.Vatttimo June 16, 2014

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Reece139 Reece139
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Finished Bison

Finally done. For my first Bison, I’d say it’s pretty good. I didn’t really bother with the background or foreground, as you can see. I’d love any suggestions for other projects!

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E K Lindgren E K Lindgren
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Art On It!

Created a few years ago, this little one has become my personal symbol. I often wear a button with this image on it without the background. Illustrated in pen and ink, colored in photoshop, and lettered and layed out in Illustrator.

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Zygotegarden Zygotegarden
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Tree Monkey

I find backgrounds in paintings challenging so I deliberately tried to make a more complex background with this one. I sometimes have difficulty deciding when to finish and in this case maybe I overworked the background a bit too much. Still, I feel I learned a lot from the process.

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Reece139 Reece139
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Finished Friesian

This is the finished drawing. It took me about 6 hours over the course of two days. I decided to just lightly shade the background so my finger prints didn’t show so much. I was afraid that going darker would make the horse blend in too much. I’m happy with how it turned out! Done in charcoal, marker, colored pencil, and pencils.

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DD DD
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Shapes

Dry and wet bristles in Krita. Getting somewhat familiar with them. Need to remember to do actual background planes next time.

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Tyler vevea Tyler vevea
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More sketch book fun!

I added a background, with scribbles. It's fun at times to not care if things are "good enough". Art isn't meant to be perfect.

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Zygotegarden Zygotegarden
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Brown Monkey (15/2/2020)

I used brush pen and watercolors. The most challenging part was holding back on excessive pen lines to render the fur, using patches of paint instead. Although I think the background is a bit dark and there a few mistakes, I feel that learned from this.

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Chelsea Litfin Chelsea Litfin
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The Painter

Practice with digital painting. I still want to learn more about painting backgrounds, but for now I'm sticking with figures.

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Robyn Jensen Robyn Jensen
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background

getting a background ready for a flour sack animation practice

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Stephen Stephen
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In the Beginning There Were Three

I painted this illustration to publicly proclaim the biblical account of a six (literal) days creation by the Holy Trinity to be the true account of the origin of all things that have been, are now, and will exist. I believe the evolution theories have many holes in them and lack sound evidence to declare evolution as the true account of the origin of all matter. I believe schools should teach both theories, and let the student decide which is truth for themselves. The three figures of light that are holding the hourglass represent the Trinity—the Father, the Son, the Holy Spirit—Who together created all things. The background of the painting is supposed to illustrate that the Trinity created all things from nothing. The hourglass is supposed to appear to be made of pure gold, representing a creation without corruption and decay, which would later be part of the curse the creation would be subjected to because of man’s sin. The top and bottom bases of the hourglass have the icon of the moon and sun six times to represent the six days of creation. The six spheres floating inside the hourglass represent the six (literal) days and what was created on each day. The first day, God separated the darkness from the light. This sphere is placed at the bottom of the hourglass because sand in an hourglass always flows down. The second day, God separated the sky from the sea. This is represented in the sphere located at the bottom right of the hourglass. The third day, God separated the land from the waters, represented in the top half of the sphere. The bottom part represents the plant life that was created on the same day. The fourth day, God created outer space: every star and planet. God mentions the sun was created to light the earth by day and the moon to light the earth by night. This is represented in the sphere located at the top middle of the hourglass. 1514 The fifth day, God created the creatures of the air and the creatures of the water. This is represented in the sphere located in the top right of the hourglass. The sixth day, God created both the land creatures and man. This sphere is located in the top left of the hourglass. (October 28, 2017)

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Devon Devon
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Spaced Out

This one was definitely fun to make! It was created during the chilly nights that November brought. I'd like to say I learned a lesson from this painting, actually. I learned that sometimes it's okay to doubt yourself. The background in this painting was originally pure black with out lettering. It sat in my room for days, but in the pit of my stomach I felt that it just wasn't right. Eventually, I surrendered to the daunting sensation and started incorporating other colors into the mixture. Slowly, but surely, life was brought to what was originally just a plain idea.

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Robyn Jensen Robyn Jensen
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zombie ballerina, working background

digital oil paint, 2019

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Embracing nightmares Embracing nightmares
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Sweet dreams

Incomplete I feel, still working on a background

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Hadas Hadas
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cafe animation backgraound

Animation background with charecters. Ecoline'pen and Photoshop

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Carolin Schottenheimer Carolin Schottenheimer
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Inktober 1. Day Witches

I attend Inktober this year. Here is the drawing for the first day. It's traditional with ink on paper. I am going to draw several mythological creatures so I hope you will enjoy it. The character in the background belongs to Miss Mi https://www.youtube.com/user/minathefab/featured check her out. The other two are my characters

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Beresford Beresford
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Industrial Art Project

What was created? A concept exerciser (aka: homemade workout machine) made mostly out of wood components, that was a contraption full of hinges, pulleys, weights, and grips (see pin 1). With my system, a person could perform both the butterfly and lat pull down exercises and transition between them with minimal effort. The unit stood about 8 feet tall and was about 6 ft wide when the butterfly arms were connected to it. Why was it created? I have always been fascinated with weight training machine design. I had a bench press weight set at home that did not come with a butterfly attachment, so I decided to make one of my own. I was able to get a steady supply of material (scrap wood) from a local source and constructed a workout routine by stacking columns of weight (instead of accumulating weight plates) in a moving grid generating even or uneven resistance (see pin 3). I also consider what I made could be a benefit to others since it does: (1) represent an extension of DIY culture (i.e. advancing individual knowledge, learning new skills, and the feeling of satisfaction that comes from building from your own ideas), (2) how to apply simple machine principles (i.e. pulleys, leverage, changing the direction or amount of force, etc.) in making a project and, (3) promote woodworking (which allows a person to be creative and is a wonderful medium for artistic expression). What makes it special? What makes my work distinctive concerns the butterfly arms and the weight container. Butterfly Attachment The butterfly attachment arms can be quick disconnected and re-mounted easily. The jackknife motion that the butterfly arms travel in as they flex forward and return to their starting position is an original conception. Weight Grid (see pin 3) Unlike traditional stacked weight plate machines, a person is allowed to make a variety of pattern configurations on the grid (X,□, /,\, —, etc.) by using cup shaped ballast inserts (up to 24) that changes the amount of force a user exerts for each repetition (see figure 2). An individual can position the weights in organized horizontal/vertical patterns or treat them more as random objects in the load basket. In their current form my system’s weight supplements are ½ pound each (about 2 ¾ inches long and 1 14/16 inches in diameter): making them easy to manage. If solid roll stock were used in their construction, they would be estimated to weigh 2 ½ to 2 ¾ pounds (see pin 2). When not in use, weights can be placed in the grid case for compact storage. As a point of fact, the sight holes cut into the drop tubes were drilled by hand with a fixture and not with the use of a drill press. At one point, I contemplated that one could focus on certain muscle groups in the upper body by placing inserts on the weight grid in particular patterns (X,□, /,\, —, etc.). This may have been beneficial for those in need of rehabilitation (through segregation of muscle areas that needed treatment) in such disciplines as Kinesiology or Physical Therapy. What was learned creating it? I learned how much ideas on paper can change drastically when fabricated physically. I learned how challenging it was to develop removable butterfly arms that hang and pivot in mid air. The exerciser’s weight box glides up and down on a vertical guide. I researched various ways of how to make that move while keeping the friction between the connectors on the weight box and the track surface it to a minimum. This was in order to make the climb and drop motion as fluid and controlled as possible. I considered using various sprays, waxes, greases, lacquers, covers, wheels, and even ball bearings to accomplish that. I ended up sanding the inside of the track extensively and then mounted small furniture mover inserts to the weight box on its four corners for a successful connection. Therefore, I learned here how important considering a variety of ideas provides solution to a problem. If I were to start over and do things again? I probably would have done some more background research in the areas of Fluid Dynamics or Biomechanics. I figure, if I had consulted with people in those areas, the time it took to design and redesign the overall unit as well as the weight box might not have taken about 3 years to fully complete. Miscellaneous In the back the machine was a counterweight of tube sand (60 lbs.). Without that, the whole thing would have toppled forward when trying to use it. Thank you for your time. Best Regards. Matthew Link: https://www.pinterest.com/meb206/industrial-art-project/

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C.B. Mosley C.B. Mosley
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Chat

Continuing the theme of “animal on colored background” but you know. The heart wants what it wants

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ESS22 ESS22
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Raise The Stakes

A snapshot of a work in progress. Potential poster art? What do you think? Coffee wash background, spitshaded black and grey... Still more work to be done! Thanks for looking. :)

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