To draw is to notice.
To notice is to pause.
And sometimes, all it takes is a barefoot boy in a camping chair, chasing the drips of a popsicle, to remind us what it means to be here.
This is Popsiclence—a sacred kind of focus.
It’s where observational drawing leads us: out of the swirl, into the now.
And in that now, we heal.
Whenever I’m channel surfing, I often find myself stumbling into a film midway through it’s running time, and tend to stick around if there’s elements that pique my curiosity and just catch my eye etc. My Girl 2, of all films, was one of them this time around.
A line about “barbaric customs” or roundabouts prompted me to pick up my drawing kit...and here we are!
(2B pencil on 158mm x 137mm paper) "They're not flag-waving wannabes, or finger-pointing-blamemongers. They're true British Heroes! They were born with spines of steel, have spunk by the bucketload, and their upper-lips aren't just stiff, they're rock-solid! They're the type who'll kick those mad-dogs aside and proudly march, bare-arsed, into the midday sun!"
This black and white ink drawing portrays an aged man with a beard lost in deep contemplation within a futuristic spaceship setting. The subtle hints of sadness on his face are contrasted against the vastness of space, where the Milky Way is barely visible in the background. The artwork evokes feelings of isolation and reflection, inviting viewers to ponder the human experience amidst the cosmos.
Jane Austen (1775–1817)
Austen never lived alone and had little expectation of solitude in her daily life. Her final home, a cottage in the village of Chawton, England, was no exception: she lived there with her mother, her sister, a close friend, and three servants, and there was a steady stream of visitors, often unannounced.
...
Austen wrote in the family sitting room, “subject to all kinds of casual interruptions,” her nephew recalled. She was careful that her occupation should not be suspected by servants, or visitors, or any persons beyond her own family party. She wrote upon small sheets of paper which could easily be put away, or covered with a piece of blotting paper. There was, between the front door and the offices, a swing door which creaked when it was opened; but she objected to having this little inconvenience remedied, because it gave her notice when anyone was coming.
“Composition seems to me impossible with a head full of joints of mutton & doses of rhubarb.”
From Daily rituals by Mason Currey
#dailyrituals #inktober #janeAusten @masoncurrey
I got sick, it's hard to draw...
there are no ideas, so only Too-tiсky (i still love moomins brbrbrbr)
Honestly, the art is pretty weak for my bar.. I kind of like which way my painting is moving, but my recent works has been distinguished by attention to the background or inscriptions... A simple filll somehow already seems to me flawed in MY work.. At the same time, in other people's drawings i even love it... As we say in my country, everything brilliant is simple...
I don't know why I'm messing around in vain... Well, let's put it down to the fact that I'm especially physically unwell today
Lord Sugars Board Room Painting by Barrie J Davies 2024, Mixed media on Canvas, 21 cm x 29 cm, Unframed and ready to hang. Handmade Barrie J Davies artwork painted in my Brighton Artist Studio and signed on the reverse.
This doodle is a marker and ink drawing of a hyper stylized sun with a middle spiral and squiggles extruding from the center like a wild galactic heliocentric power hold. The sky is orange and hot Barbie pink and deep blue and very fun and colorful to look at. Check out more of my art at ArtsyDrawings.com
A Szeretet Nap, amely bevilágítja lelkünk egyik felét.
A Barátság Hold, amely ragyogóvá teszi lelkünk másik felét.
Nap és Hold mindannyiunk számára fénylik, hogy lelkünket felemelje, gondolatainkat csillagmagasságokig röpítse.
Írta:Vágó Zsuzsanna
Festette: Ildikó Tuloková
Falap/akril
I started this oil painting in Feb 2020, and finished it in April the same year. I guess it's a tribute to Welsh beaches in winter - miles of sand, and barely anyone around.
Albarracín, Spain. My first time trying an urban sketching. Although it's only from a reference photo, it's a good way to practice this art technique. Line art and watercolour wash on a watercolour sketchbook. I used a Sakura Micron Pigma 5.
I haven't drawn any of my demon OC's in a while (most of them are really hard to draw)So I made this featuring Spider queen Vlesarais,Gresaltz,Princess Neera Veera,Tenebris lastly Elvarelyn (back of her head only)
Apolonia Cacadu (her family is calling her: Polly) is a working girl. Very hard working. During the day, she works part time in three different places, and in the evenings she professionally swings on a swing above the bar counter, in the "Under parrots" pub. Because of this constant running around the city, there is little time for her to eat, and often her daily meal is just a handful of crackers (which she loves) and a few green olives with pepper. That’s why her weight is rather featherlike. She dreams about a trip to the Amazon rainforest and spreading her wings as a dancer (she’s great at dance hall and twerking).
