Some crazy Moleskine doodles for the day. I haven’t been doing enough of these and really need to kick my butt harder. Not sure why because it’s so dang enjoyable.
I've been seeing lots of new bird species around my neighbourhood, like robins and magpies!
I like to think this bird is watching me from the sea of uncertainty, and looking at all the things I will create in the future and secretly telling me to go on, without me knowing how they will turn out. And strangely, that is some kind of motivation for me. : .
Bic4 Ballpoint Pen, Sanrio Novelty 10 Colour Ballpoint Pen on Archival 8.5" x 11" paper.
A breakdown of the Bic4 pen and No-name 10 colour pen layering that I’ve used.
Drawing in a single direction instead of using back-and-forth movement alleviates some of the blotching that happens when using ballpoint pens. The back-and-forth method usually deposits the gunk that builds up on the tip of the ballpoint, smearing them in unexpected and unfortunate places on the drawing. When using the back-and-forth method, I usually have a napkin handy in order to clean the tip of the pen. Model: Meadhbh (Maeve)
BIC ballpoint stick pen drawing on Richeson bulk drawing paper. This started as a contour drawing and just got squiggly (not the original intent). This was clipped to my board for weeks and I would add a few squiggles from time to time when I wanted to make marks, but didn't have inspiration. It's just a bit under 15 inches (12x18 inch paper) and is probably about 25 hours of making little lines and squiggles. The reference was a Dreamstime royalty-free photo.
Man oh man, it's been a week. The chaos is strong with this one. It was really fun to draw this, there's something so calming about shading with graphite; it felt like the only time I was present this week. But hey, I suppose that's why art is here. As a side note, thank you so much for 70 followers! It's truly incredible to part of an amazing community of artists, and I genuinely appreciate everyone's support and feedback. Here's to creating more art!
After struggling with horse anatomy from photos, I finally decided to search for white horses, figuring that I would be able to see details more easily than on darker photos. It worked out well, the details were much more discernible.
Ink on watercolor paper. I am experimenting with different color combinations. I think the distribution of different sized monsters is acceptable, but i am not quite happy with the colors of them. Suggestions are appreciated!
Zoomed in shot of "I'll Sleep When I'm Dead". Created in 2012. Size: 22” x 30” / Micron Pens on Archival Paper. This piece was all drawn freehand - no rulers or measuring tools were used to create this artwork. 2019 kinda looked like this. It had a lot going on. Lots of changes. A close friend of mine predicted 2019 would be "The year of change", and she was right… at least up in my neck of the woods. Anyway, it has been full of good, fun and challenging things – all worth while. Excited to dive into 2020.
