“Whirlwind 3”, an original drawing. Micron pens on archival paper. Size: 5” x 7”. Title, signature and date in the back of the drawing. This drawing is the 3rd in a series of drawings that were posted over a period of 100 days. The original post date on this drawing was September 3, 2020.
"Whirlwind 16”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 16th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 16, 2020.
“Whirlwind 7”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature and date in the back of the drawing. This drawing is the 7th in a series of drawings that were posted over a period of 100 days. The original post date on this drawing was September 7, 2020.
"Whirlwind 25”, an original drawing. Micron pens on archival paper. Size: 5” x 7”. Title, signature, and date in the back of the drawing. This drawing is the 25th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 25, 2020.
“Whirlwind 6”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature and date in the back of the drawing. This drawing is the 6th in a series of drawings that were posted over a period of 100 days. The original post date on this drawing was September 6, 2020.
Black and white, graphite (pencil) drawing. (This is actually the third rendering of this particular image [the profile, specifically, another favorite]. The background differs for each rendering.)
Sensuality, power and fertility - meditative layers and tangles of flowers, weeds, and grasses. A bee emerges, free! Ultimately a positive message of hope!
Jean-Paul Sartre (1905–1980)
By the 1950s, too much work on too little sleep—with too much wine and cigarettes—had left Sartre exhausted and on the verge of collapse. Rather than slow down, however, he turned to Corydrane, a mix of amphetamine and aspirin then fashionable among Parisian students, intellectuals, and artists (and legal in France until 1971, when it was declared toxic and taken off the market). The prescribed dose was one or two tablets in the morning and at noon. Sartre took twenty a day, beginning with his morning coffee and slowly chewing one pill after another as he worked. For each tablet, he could produce a page or two of his second major philosophical work, The Critique of Dialectical Reason.
The biographer Annie Cohen-Solal reports, “His diet over a period of twenty-four hours included two packs of cigarettes and several pipes stuffed with black tobacco, more than a quart of alcohol—wine, beer, vodka, whisky, and so on—two hundred milligrams of amphetamines, fifteen grams of aspirin, several grams of barbiturates, plus coffee, tea, rich meals.”
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #jeanPaulSartre @masoncurrey
30 minute sketch in tinted charcoal on toned black paper. This spider lives outside my window and I have the perfect view of her catching wasps all day.
