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Stephen Stephen
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Peter took His Eye off Jesus and began to sink.

Peter took His Eye off Jesus and began to sink. Medium: Acrylic on canvas Size: 11”x 15” Date: 2019-2020 This illustration is one of nine, in a mural about the ministry of Christ. This image is block number 7. This painting illustrates Jesus rescuing peter, as he start to sink in to the sea, because he lost his faith when took his eyes off Jesus, and focused on the violence of the winds and waves of the storm. Matthew 14:22-33 New American Standard Bible (NASB) Jesus Walks on the Water 22 Immediately He [a]made the disciples get into the boat and go ahead of Him to the other side, while He sent the crowds away. 23 After He had sent the crowds away, He went up on the mountain by Himself to pray; and when it was evening, He was there alone. 24 But the boat was already [b]a long distance from the land, [c]battered by the waves; for the wind was [d]contrary. 25 And in the [e]fourth watch of the night He came to them, walking on the sea. 26 When the disciples saw Him walking on the sea, they were terrified, and said, “It is a ghost!” And they cried out [f]in fear. 27 But immediately Jesus spoke to them, saying, “Take courage, it is I; do not be afraid.” 28 Peter said to Him, “Lord, if it is You, command me to come to You on the water.” 29 And He said, “Come!” And Peter got out of the boat, and walked on the water and came toward Jesus. 30 But seeing the wind, he became frightened, and beginning to sink, he cried out, “Lord, save me!” 31 Immediately Jesus stretched out His hand and took hold of him, and *said to him, “You of little faith, why did you doubt?” 32 When they got into the boat, the wind stopped. 33 And those who were in the boat worshiped Him, saying, “You are certainly God’s Son!” When I did my research, I Found very few biblical accurate illustrations of the event. Very few captured the darkness and valiance of a stormy sky taking place at 3:00 am in the morning (which is the forth watch of the night. Many illustrations I found, their skies were too bright and calm. I found that the seas in these illustration had the same lack of movement and violence, the sea would have in a storm that was so strong the disciples were not able to make any headway in their crossing the lake. I notice that all illustrations of Jesus walking on water, show the viewer His feet. In reality the waves would most likely block the viewer from seeing his feet on top of the water. The unavoidable black eye in most of these illustrations of Jesus walking on water, is the ridicules and unrealistic possess they have Jesus in, of Him rescuing Peter. You know the ones where He is making some kind of sign with one hand, as it is held up toward the sky, and one hand reaching down to peter. What was I trying to accomplish in my illustration? I want to be careful, to being accurate with costumes styles, and colors worn by the poor people of Galilean society. I wanted to be accurate in illustrating a storm on the sea of Galilee. I looked over numerous photos on line, of storms taking place on the Sea of Galilee. To understanding how the water and sky behave during a storm I studied the colors of sky, clouds, and water, during these conditions, in this location of the world? Showing movement in the air and the water. I used stylist brush strokes, to create movement in the sky and in the water. I am hoping to make people feel the storm’s violent energy. Showing power of the wind blowing against the bodies of Jesus and peter, through the movement of clothes, and hair. Showing the anxiety of Pete, with his body swallowed up to the waist, his face looking up to Jesus to rescue him from drowning. Showing that Jesus offers security to Peter, from being swept away by the wave of the sea. By his secure grasp of Peter’s back arms. He is able to lift Peter out of the water. The message I want my view to receive, is that everyone who comes into the world will experience trials and tribulation. We can overcome our fears and be filled with courage, to enable us to battle our ways through these storm in life. When we place our trust in the one who has authority over the power of the storm, who is Jesus a member of the trinity of God that created all things. Written by Stephen J. Vattimo 3/16/2020

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Valkea Valkea
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Inktober2020, Day 16: Rocket

Oh no, it is the Rock ET! Brushpens and posca markers on coloured A4

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Michy Michy
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No title

Used alcohol ink and a brush pen

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Valkea Valkea
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Inktober2020, Day 2: Wisp

Inktober, day 2: "Wisp". Brush pens and posca markers on coloured A4. This is inspired by the wisps in Ultima rpgs that I used to play as a wee bairn. That’s where I learned the word "wisp". In fact, it’s pretty much the only association I still have. ;)

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Kevin Gunning Kevin Gunning
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One Day in Brooklyn

I like to sketch things from memory, impressions I have during the day and often contrived scenarios. Black Brush Sign Pen with white wash on halftone paper. ©2021KG

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Juan Pedro Ramos Ponce Juan Pedro Ramos Ponce
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Studies

Fountain pen and waterbrush studies.

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Valkea Valkea
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Inktober 2020, Day 22: Chef.

The Swedish Chef from the Muppet Show. Brushpens and posca on coloured A4.

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Maggie Visalli Maggie Visalli
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Random Sky

Just messing around with new Watercolor brushes and blenders on ClipStudio.

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Valkea Valkea
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Inktober 2020, Day 25: Buddy.
1/2

Inktober 2020, Day 25: "Buddy". I thought what better match for the prompt than Stanley Stegosaurus, which my parents got to me when we moved to the US, when I was six. Stanley was a good buddy to me, when I didn’t understand at first the weird language spoken by those American kids. It has also been a good buddy to me during this weird pandemic time, when my IRL social life seems to be limited to maybe meeting one person once a month. Brush pens and posca on coloured A4.

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Valkea Valkea
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Inktober 2020, Day 17: Storm.

Storm in a teacup! Brushpens and posca markers on blue A4.

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Valkea Valkea
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Nuda Veritas

Another Klimt-inspired pose from Wednesday’s reconfigure session. Danna Konkuntion posing as the Naked Truth. Brush pens on A3.

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Winters Winters
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Neon Peregrine

Messing around with very mixed media. Pen, pencil, color pencil, colored sharpies, brush pen and acrylic pen. Just threw everything within arms reach at it lol.

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Valkea Valkea
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Inktober2020, Day 1: Fish

Inktober, day 1: "Fish". Brush pens and posca markers on coloured A4

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Valkea Valkea
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Fountainbridge

Finished this today in urban sketching. View from my backyard with Edinburgh tenements and a back corner of Fountainbridge library. Mixed media on A4 (pencil, watercolour pencil, brush pen, posca markers, white ink and conte pastel). I always end up mixing lots of media these days :O

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Juan Pedro Ramos Ponce Juan Pedro Ramos Ponce
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Studies

Fountain pen and waterbrush studies.

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Valkea Valkea
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Inktober 2020, Day 18: Trap.

Brush pens and posca markers on coloured A4

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Valkea Valkea
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Amposta, Catalonia

Due to COVID-restrictions, Edinburgh urban sketchers have been sketching virtually in Catalonia using Google street view. Here’s one of my contributions. It’s somewhere in Amposta ... unfortunately, didn’t take note of the actual street :O Pencil, brush pens and posca on coloured A4.

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Valkea Valkea
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Inktober2020, Day 8: Teeth

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Valkea Valkea
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The Girl with Long Hair

Wednesday’s Klimt-inspired Reconfigure with Topaz modelling as the girl with long hair

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Erin Marie Relyea Flores Erin Marie Relyea Flores
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Leave Room for Joy - Luisa Madrigal

Luisa was my favorite character in this beautiful, fun Disney animation. I drew this in Adobe Fresco in about 6 hours. Still learning the program and testing brushes. Be sure to check out the time-lapse of the drawing on my Instagram. Cheers!

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Rhoda Chan Rhoda Chan
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Paint Brushes

Watercolour on paper (already sold)

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Zygotegarden Zygotegarden
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Brown Monkey (15/2/2020)

I used brush pen and watercolors. The most challenging part was holding back on excessive pen lines to render the fur, using patches of paint instead. Although I think the background is a bit dark and there a few mistakes, I feel that learned from this.

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Valkea Valkea
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Inktober 2020, Day 20: Coral.

Brushpens, posca on an acrylic underpainting

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Valkea Valkea
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Inktober 2020, Day 19: Dizzy.

I had a bit of a lack of inspiration today, but here’s a roller coaster.

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Valkea Valkea
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Inktober 2020, Day 15: Outpost.

Just a desert outpost. Brushpens and posca markers on acrylic underpainting.

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Valkea Valkea
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Inktober2020, Day 6: Rodent

Brushpens and posca markers on coloured A4. The whistle pig is up to something on my laptop! :O

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Valkea Valkea
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Inktober2020, Day 13: Dune

Inktober 2020, Day 13: "Dune". After pondering for a while, whether I should come up with something surprising, I decided to go with what for me is the obvious association, the sci-fi book. I based it on this illustration of a sandworm (https://dune.fandom.com/wiki/Sandworm?file=Dune-sandworm.jpg) by Nathan Rosario. It’s not meant to promote the now postponed new movie, but rather based on the books by Frank Herbert, which I loved as a teenager. Brushpens and posca markers on coloured A4, this time with an acrylic underpainting (falling back on my painterly ways). “I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain.”

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Valkea Valkea
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Inktober2020, Day 7: Fancy

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Jufi Jufi
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Grateful for life

My drawings creating with a fine liner, pencil or color pencils and brush pen.

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Valkea Valkea
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Inktober2020, Day 5: Blade

Inktober 2020, Day 5.

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