I had a wonderful time creating this commision for a Kansas City Personalities wall mural installed in a downtown KC apartment building. The wall measures roughly 12’ x 20’. These were all hand drawn graphite and charcoal drawings that I scanned into my mac and delivered digitally. The file was then enlarged and applied to the wall surface.
I have been working on this A3 double 'Pets in a Portrait' and I can't share the finished piece until after christmas as it will be a gift. I'm so chuffed with it, so heres some sneaky peaks that don't give too much away!
They gather around, grateful, sending prayers up just to thank.
(Directed at the man selected to be in the tank.)
Who knows why that man is bare in there, and to be frank-
They're thankful that it's him, not them. You can take that to the bank!
I can't believe I'm becoming older and older,as I grow old it should be easier to accomplish what I desire the most in life,I mean most of us do have goals and dreams.I actually don't feel 20 at all!
I've wandered Brechfa forest in Carmarthenshire on several occasions, but have only seen a very small part of what this huge forest has to offer. I'm hoping that once travel restrictions are lifted, I can get back out there and explore more. Pen on sketchbook paper (6"x8")
"Parts Unknown," Acrylic on Canvas, 18x24 Some actions we will never know the reason behind, and, quite honestly, we don't always need to know the answer. Anthony Bourdain committed suicide on June 8th, 2018, news that was shocking for most to hear. People continue to speculate what could have caused him to commit suicide, some feel he had more to do, to say before he died. Personally, I find there's some feeling of closure or completeness to his death. I don't know what the feeling is exactly, but it's there. It feels like he left on his own terms, decided it was time. I wouldn't consider his death as him waving a white flag to addiction and depression. He said his shows were intended to tell other's stories, tell them frankly and truthfully. It's interesting how blunt and honest he could seem to be about himself, though he kept so many layers held within. Although we'd love to have a clear cut answer, explanation, reason, what would knowing that information change?
Soluto is Princess Neera Veera's archnemesis,just like how Qasaherim is Elvarelyn's archnemesis.He is a fire demon warlord who has an army of his own to destroy anything and anyone on his path mostly weaker demons since he cannot fight stronger,more dangerous demons because that would result in not only his armys elimination but his.He is not terrifying,vile or deadly like a lot of demon warlords because 1.he be defeated easily and 2.he is moody and skittish and 3.he has only killed a few demons.Snidecious and him are very alike,even though snide doesn't want anything to do with him.Soluto Ignis literally means fire warlord in Latin thus why I named him as such.He was difficult to color since I have never colored fire digitally I even tried to search for character speedpaints similar to Soluto's design to get an idea on how to color him but nothing helped however what did help me was looking for similar character designs on google images and getting not only an idea how I colored him but inspiration too.
This started off as a black ink drawing, but after scanning into my computer, I played around in Pixelmator to add the background and some effects to achieve the final result. This was going to be my first attempt at either Inktober ot Artober. Many thanks for looking !
Watercolour crayon, crayon, fineliner and acrylic paint... . . . . . .. ... . ... .. ... . .. ... .. ............ . ... . . The tree is weary crying for some help, its roots are drowning and the taps on full pelt. Its head cant speak the evil, hear the evil, see it. Whilst its occupiers point the fingers at each other and dont even believe it... .. ... . .... . .. .
Not sure what to say about this one. I like it. As many of you can probably see, I've been trying a more pixel-art-style technique lately. I use this program called Kleki--it's pretty cool. Also, I need a name for the grey creature.
Samuel Beckett (1906–1989)
On a late-night walk near Dublin harbor, Beckett found himself standing on the end of a pier in the midst of a winter storm. Amid the howling wind and churning water, he suddenly realized that the “dark he had struggled to keep under” in his life—and in his writing, which had until then failed to find an audience or meet his own aspirations—should, in fact, be the source of his creative inspiration.
“I shall always be depressed,” Beckett concluded, “but what comforts me is the realization that I can now accept this dark side as the commanding side of my personality. In accepting it, I will make it work for me.”
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #samuelbeckett @masoncurrey
my friend and i have a joke that no face has no legs (because i cannot wrap my mind around how to draw his limbs plus i just don't like his legs) so i made this for him a couple months ago
Im finally working on another drawing of him,it's that he's quite difficult to draw and it takes forever to finish unlike some other ocs you can draw in less in an hour,can anyone relate to this?forgot I still had this lying around in my phone.Still need a name change since "Fedren" doesnt fit him and I just made it up.He does look somewhat the same except now he has a squarish chin instead of a pointy round one, he's muscular instead of being slim,he also doesn't wear a pointless gaudy helmet anymore and his hair is less voluminous
Some LGBTQ+ members of the community can’t openly love who they want to love, so the bars represent that barrier. The fabric, with all its complex folds and creases represents sensuality, desire and love. Love, in all its forms is a complex thing of beauty.-------------
The companion piece to my previous post ‘Ecstasy.’ Agony and Ecstasy were always meant to be a diptych. The issue for me is that there is a two-year gap between the completion of the two - there is a noticeable difference in the the way both were drawn.
Faber Castell pastel pencils, Black and White Generals charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.
