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Darién diaz Darién diaz
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Maycean Day 3: sunset

para el día 3 de maycean hoy le toca a atardecer para este día decidí dibujar a una pequeña gaviota cerca de un muelle viendo cómo empieza el atardecer a lo lejos

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Kevin Loftus Kevin Loftus
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Fishing lodge

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Ryan Drake Ryan Drake
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Captain Janeway

Art was created in acrylics and colored pencils on gessoed illustration board. Size 9 x 11 inches

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Steven Steven
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Pisces Koi

"Pisces Koi" is a bold and intricate black-and-white ink piece that blends symbolism with fluid motion. A koi fish, known for its resilience and transformation, weaves through a bed of blooming roses, creating a contrast between movement and stillness. The fine details in the scales and petals bring depth, making the composition feel alive. The upward motion of the koi echoes the legend of perseverance—where a koi swimming upstream becomes a dragon—mirroring the Pisces spirit of adaptation and ambition. The roses introduce another layer, possibly symbolizing beauty, personal growth, or challenges that shape us. This piece captures a sense of quiet strength and fluidity, speaking to those drawn to themes of transformation, water energy, and the balance between struggle and grace.

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NAIMIT ABOBOVICH NAIMIT ABOBOVICH
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End?

the wounded soldier is no longer just a man begging for mercy - he is infected with something dangerous, which makes him aggressive and possibly uncontrollable. His outstretched hand may now mean not a plea, but an attempt to grab the protagonist, which increases the sense of threat. The soldier's eyes, wide open and seemingly filled with fear or madness, now look like a sign of loss of humanity. The blood stains on his clothes are no longer just traces of battle, but perhaps the result of his own aggression. The chains in the background can be interpreted as a symbol of restriction or control over the infected - perhaps he was captured or locked up, but was able to break free.

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Stacy Drum Stacy Drum
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Spiderlegs

oils

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Juice_Lime Juice_Lime
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Scribbles: Ido

What happens when I keep trying to capture that spiritual image seen from the mind's eye? A shapeshifting abstract that is anchored merely by symbols. Sometimes I really just want to convey a consistent image that the world can see, which is really, really hard...

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Simon Simon
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Precious Cargo

My new painting captures the chaotic yet heartwarming scene of a determined father I spotted cycling through the morning rush. He's juggling a lot—quite literally—with a baby strapped to his chest and a little girl perched in the bike's front basket.

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Stephen Stephen
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Nautilus 2000 Leagues Under the Sea

This is a pumpkin carving of the infamous Nautilus submarine, owned by the pirate captain Nemo . Who sunk ship that supported war, ramming them with his submarine. In this tale Nemo's ship gets attacked by a monstrous giant squid. I caved this design at the Chadds Ford Historical Society's Great Pumpkin Carve contest and event. This is a live carve event. Artist have no idea what kind of pumpkin they will be given to carve. No knowledge of shape, color, size, or condition. Competitors must create their design with manual hand tools. Cavers have 6 hours to create their master pieces, to be considered to qualify to be judged, to compete for the prize. The size of the average pumpkin is from 200 to 400 pounds, and their wall are about 5 inched thick. It took me 6 hours to carve my pumpkin design. Stephen J. Vattimo 10/18/2021

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Rebecca Kaylin Gibson Rebecca Kaylin Gibson
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Rhythm of the Sea

Original Photo by my Mother

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Oscar Oscar
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Oz Side Face Illustration

Side Face Illustration by Oz Galeano Instagram: https://www.instagram.com/arte_ozgaleano/ Buy your custom Portrait: https://www.fiverr.com/s/6WzyVL Donations: https://www.paypal.com/paypalme/ozgaleano Youtube: https://www.youtube.com/@OzGaleano/videos Patreon: https://www.patreon.com/Ozgaleano Shop: https://www.inprnt.com/gallery/ozgaleano/ TIK TOK: https://www.tiktok.com/@oz_galeano Behance: https://www.behance.net/ozgaleano

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Chiara Orlandini Chiara Orlandini
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Self-portrait  -  Olfaction

Se riesco ad accettare che il mio mondo interiore può essere estremamente vulnerabile e che forse posso cadere mille volte, in cui mi sembra di essermi dimenticata tutto quello che ho imparato, ma altrettante sono le volte in cui ci provo, allora del fallimento poco importa. È solo una salita, e abbassando le aspettative verso la presunta performance che dovrei avere, posso perdonarmi anche quando proprio non vorrei, anche quando tutto quello che detesto di me viene a galla, anche quando cado troppe volte nelle stesse buche, quando penso troppo e la mente diventa un groviglio confuso dal quale vorrei scappare, quando mi deprimo troppo e respirare sembra insostenibile, quando perdo ogni speranza nella mia capacità di vincere le crisi, quando vorrei piangere, ma mi dimentico come si fa.

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Ziggy Dribbler Ziggy Dribbler
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Bloodstained self-portrait.

Mirror self-portrait a few Minutes after a brutal streetfight... I was bleeding heavily from a skull fracture, broken nose, multiple cuts already... to add Insult to Injury, I was scarred with a "Glasgow-smile" after I got beaten to a pulp... I felt the urge to capture my emotions (and inevitable bodily fluids...) on paper after I carried myself home and looked in the mirror.

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Enitsirhc Enitsirhc
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Grape Juice for Adults

Capturing the gradual process of turning grapes to wine in the form of color transition and solid-liquid state transition compositions

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Rebecca Kaylin Gibson Rebecca Kaylin Gibson
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Full Moon

Original Photo by my Mother

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Joselo Rocha Joselo Rocha
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Beautiful cloudscape

Beautiful cloudscape

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Rebecca Kaylin Gibson Rebecca Kaylin Gibson
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Windswept Sky

Original Photo by my Mother

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Rebecca Kaylin Gibson Rebecca Kaylin Gibson
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Sunset on the Water

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Rebecca Kaylin Gibson Rebecca Kaylin Gibson
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The Setting Sun

Original Photo by my Mother

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Jasmin Jasmin
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Moth No.2/2024

Painted again on a paintchip card with acrylics, poscapens and karinmarkers.

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Chantel Chantel
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Waterscape Practice

One of my practice paintings :)

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Rebecca Kaylin Gibson Rebecca Kaylin Gibson
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Gum Trees Against the Sky

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Afshan fathima Afshan fathima
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Captivated by the divine aura of the Kaaba.

Enjoy the beauty of the magnificent Kaaba painting on canvas. The painting shines with unique details of beautiful Arabic calligraphy, elegantly portraying the name of Allah and the painting showcases the exquisite details of the beautiful Arabic calligraphy, elegantly portraying the name 'Muhammad' (peace be upon him). It reflects the spiritual and historical significance of the sacred place in Islam. Let it add a wonderful artistic touch to any space it is displayed in.

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Rebecca Kaylin Gibson Rebecca Kaylin Gibson
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Beach Painting

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Tunde O Tunde O
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Chicago Skyline

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John Estock John Estock
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Doodles 20231129

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Spearmint Chalk Spearmint Chalk
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The Fall of the Tower of Babble

I take a lot of Genesis as an allegory for birth and maturation, both individually and collectively. The Garden of Eden could easily be interpreted as the womb, and we are all cast out of it at some point. Genesis 2:24 says "This is why a man leaves his father and mother and bonds with his wife, and they become one flesh." Though people use this passage to refer to the tradition of marriage, I think that it speaks to something much, much deeper than that. Literally, when two people copulate, they create a child that is of one flesh. They do not "become one flesh" because they engage in a ritual institution and are now "to be viewed as comprising a single identity," but they literally become one flesh because their genetic compositions are joined into a new being (Mark 10:8 and the two shall become one flesh.’ So they are no longer two but one flesh. 9 What therefore God has joined together, let no man separate.”). That being said, I read somewhere once that babies born in every part of the world make phonetic sounds from pretty much every language in the world. It is only after a period of time that they start to key in on certain sounds that the people around them are making, and it is only after that that children key in enough to start developing more advanced language skills (typically). However, in this original state, there is a freedom. There are no assumptions. There is an innocence in that state. There is a lack of judgement. There comes a point at which babies/young children begin to mimic and to incorporate what they are experiencing from the creatures around them into themselves. To small creatures with an undeveloped sense of self or reality, the caregivers around them may as well be gods, at least from their perspective. They will learn from these gods around them and will begin to embody their cultural beliefs, their language, their idiosyncrasies, and their perceptions, often on a deeply unconscious level. Adults contribute to that quite thoroughly and somewhat consciously. (Genesis 1:26 Then God said, “Let Us make mankind in Our image, according to Our likeness..") (Genesis 11:7 7 Go to, let us go down, and there confound their language, that they may not understand one another's speech.) In our own way as individuals, we are each a Tower of Babel, and at some point, for each of us, that Tower fell. Barriers to communication of so many kinds were created for and/or by us. Perhaps we still spend time constructing new barriers and thinking up new ways to distance ourselves from the rest of our kind. I chose to use the phrase "materialism" to express how children engender these attributes of caregivers and others alike. However, this can easily be exchanged for a phrase like "socialism," or "corporate capitalism," or nearly any other thing that you can probably think of. Children are like sponges. They soak up even more than we realize. Most widespread religions in the world have some form of renunciation belief or ritual wherein an individual must 'cast off' the old self and put on the new. This is because, regardless of where or when a child is born in the world, the perspectives of the people around them raising them will likely leave much to be desired. It is necessary for beings to continue to learn, and this often entails a serious consideration of what was instilled into them at an earlier time. It is quintessential that we question and evaluate these things since the state of the world will have changed by the time that we reach maturation. The ideas that people gave us may apply to a world that is already different. The story of the Tower of Babel may refer to a state that earlier humans lived in, perhaps on a shared continent, in which the manners in which they communicated were similar. Then, at some point, perhaps these same peoples went off on their travels and developed new languages. In a funny way, we seem to do that as individuals. At some point, we strike out on our own, even if only a little. Though we may differ on surface level behaviors and in the symbols that we use to describe the human experience, human beings are more or less fundamentally the same. We let our differences create so, so, so many barriers between ourselves and other beings. Just think of all of the harm that things like xenophobia, racism, intolerance, and a lack of an ability to communicate verbally with one another have done to our species. Even beyond that, just think of how easily we dismiss the inner lives and inner experiences of creatures different than ourselves simply because they do not communicate verbally with us in our preferred tongue. Research is overwhelmingly in support of other beings communicating with others of their kind, whether we as individuals acknowledge it or not.. Some of us are just really into denial about it. We could achieve remarkably wonderful things, if only we would learn to recognize the similarities of our experiences. (Matthew 19:6 So they are no longer two, but one flesh. Therefore what God has joined together, let no one separate.”)

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Rebecca Kaylin Gibson Rebecca Kaylin Gibson
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Distant Shore

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Liv Whale Liv Whale
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Flower Fields

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CreatureSeeker10 CreatureSeeker10
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Strange Robot

I had a better idea of the direction I wanted to take this character's base design. I mainly wanted to focus on potential additions and capabilities.

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