I decided to illustrated a picture of @justinhofman published in Sept 19 of 2017 in @natgeo about the pollution and how animals are suffering for our ways of using plastic. This seahorse was captured in the waters of Sumbawa Besar, Indonesia. “The art of pollution”.
Mixed media drawing. The sky can spread oppressively across a flat landscape like the meadows of the midwestern United States. In this drawing I wanted to evoke that sense as a backdrop for a trio of Weirds, soothsayers of folklore.
So doodling is truly an obsession w me. I always try to draw w-out thot & w unabandoned freedom... so trying to draw something that doesn't exist or creating odd critter scenarios is the goal yet my wit & craft always get in the way since after seeing things unfold that i can't help but to redefine & give them a definitive humorous caption. My sense of humor is constant. So here r a few things that revealed themselves to me... There's a bullet turtle [Ironic & similar to a bullet train] There's a piece of Indian corn bread which produces popcorn bread; In the back ground is a 'full' moon [Hence the burping & a Moon Wok. I like aesthetic things but my witty mind just won't leave enough alone!
Clouds moving through the sky inspire me to paint. One day I'm going to be able to capture how dynamic they are on the canvas. This is practice. Acrylic.
A beautiful snowy night is depicted here. A girl is watching the beautiful scenario from her window. Actually this is a house referenced from the Song - "Perfect" ft Ed-Sheeran.
Really enjoying experimenting with soft pastels. This piece was the first time I used Pastelmat. It's an amazing surface to use with pastels as it takes loads of pastel, the colour stays vibrant, and there's minimal dust
The historically significant American Civil War era Remington .44 Army Percussion Cap & Ball Revolver (circa 1860's). From my sketchbook: HB & 9B graphite pencil on 14cm x 14cm paper.
I first bought some cheap soft pastels back in 2018 and did a couple of sketches. I bought a nice set of Rembrandt pastels a few months later — didn't use them. I bought some pastel pads, none if which seemed right. September 2020, I bought a couple more sets of bargain pastels and tried a couple of pieces — no good, still couldn't bring myself to use them. Jess bought me pastel pencils for Christmas — I was too scared to use them. I even bought a pad of Pastelmat which is supposed to be THE paper to use for pastel paintings in January. I was too scared to use that as well!
FINALLY, after a few unsuccessful attempts at working with watercolour (brush issues), I cast aside my fear and thought I'd mess around with pastels. Some time later, and this was the result. I've finally broken through my pastel fear-barrier.
I've got to say, I love soft pastels and I'm excited about doing more pieces in this medium.
Normally i start w an idea or whim & doodle away trying to capture my thots. On this one i simply scribbled onto a page & then looked hard for shapes, animals, faces & any other unorthodox item. Then i simply added some color. I plan to do more of these mostly as a gr8 exercise for fresh runaway doodles hot off the press!
I've wandered Brechfa forest in Carmarthenshire on several occasions, but have only seen a very small part of what this huge forest has to offer. I'm hoping that once travel restrictions are lifted, I can get back out there and explore more. Pen on sketchbook paper (6"x8")
A bit of a departure from my usual style. I wanted to try something a bit messy, fast, and loose. The scene is an ancient woodland in Pembrokeshire called Tŷ Canol, an atmospheric place and full of inspiration for artworks. Pen and watercolour in Seawhite sketchbook.
At the top of Pentregwenlais near Llandybie is Gwenlais Quarry. In itself, the quarry is quite beautiful with its sheer rock faces and the way that nature has started to reclaim it. This scene is one of the paths that leads down from the top of the quarry back towards Pentregwenlais. I was going to do it as a pen & wash but by the time I'd finished with the watercolour I thought it was too complex to start putting ink in there. Watercolours on watercolour paper (6x8")