Los Capsus son una serie de personajes en forma de capsulas con una gran cantidad de expresiones divertidas. ellos acostumbran invadir los espacios mas creativos de la imaginación con sus situaciones llenas de locuras. las ilustraciones de los Capsus están plagadas de actividades como la observación, búsqueda y el descubrimiento del espacio invadido, sus mundo no tiene reglas ni instrucciones, lo único que tiene es diversión en cada imagen.
Interesting to try to capture the detail in this image using different media for different items. It took a while, but I was pleased with the result. From a magazine photo.
Before you is a touching tale of true friendship between a capybara and a mouse. The capybara is the world's largest rodent. If you google "capybara friends," you'll see that there are a lot of instances of other species just hanging out with them in the wild. For some reason, all animals are attracted to the capybara. I'll wait while you look this up.
This piece began as a multi-colored abstract . . . but it was nowhere . . . nothing . . . and had no essence. So, I tried to take it in the direction of a landscape . . . and that was horrible. I gave the entire piece a whitewash using a white acrylic paint pen. And then the idea popped into my head to Doodle over the colored background. The title reflects the fact that the piece only came to life with the addition of the Doodles . . .
(Black biro on a 75mm x 125mm notecard) A juxtaposed image of a comic book type image with an unrelated speech caption. The type of thing you tend to hear from those on their mobile phones on buses.
(2B pencil on a 139mm x 87mm postcard) A single comic book frame can sometimes tell a great story on its own, sometimes differing from the story in the actual comic book. An idea that I used with this frame that I drew.
In this memory-driven piece, Patmore reconstructs the bathroom from his third-grade elementary school, capturing the sterile brightness, the tiled repetition, and the institutional reminder to “WASH YOUR HANDS.”
But the scene is not pristine — a leaky sink, an out-of-order stall, and a taped-up sign reveal the quiet decay behind childhood places we assume were orderly and safe.
Patmore blends nostalgia with unease, transforming a simple restroom into a study of what it means to grow up: how the lessons we learn early (“hygiene,” discipline, responsibility) stay with us even after the walls begin to crack. The small pop of blue tape emphasizes the DIY fragility of rules meant to guide us.
This piece stands at the intersection of memory and maintenance — of spaces, of bodies, and of ourselves.
What I Learned from Looking
through my childhood artwork, help me discover my art style: It was already within me. A Picasso documentary got me intrigued.The film captures the moment and the mystery of creativity.
This piece critiques the modern tendency to hide identity behind brands and consumerism.
* Visual Focus: The mask is partially obscured by a fitted baseball cap, with the bill pulled down to cover one eye. The cap itself is a symbol of brand identity and fast-fashion culture. The uncovered eye retains an unsettling, almost mechanical gaze.
* Symbolism:
* The Cap: Represents the societal practice of hiding behind brands and allowing consumerism to dictate self-worth and block out unwanted truths. The act of seeing is deliberately curtailed.
* The Mask: Emphasizes that the consumer identity is often a façade-a manufactured mask that prevents others from truly
"seeing" the individual, while simultaneously restricting the individual's full sight of the world.
This portrait is the darkest in the series, examining the internal malice that persists even when communication is restricted, illustrating that evil doesn't require a loud voice.
* Visual Focus: The mask's mouth is horrifyingly held closed across the center by surgical thread and a needle, which only covers half of the wide, unnerving smile. The stitching reveals a set of sharp, feral teeth underneath. Disturbingly, a pair of prominent horns protrude from the top of the mask's head.
* Symbolism:
* The Stitched Mouth: Represents the idea of selective silence or the censorship of truth. The fact that the stitching only covers half the mouth highlights the "half-done" nature of modern morality. The revealed sharp teeth suggest that even in silence, the capacity for vicious, cutting, or "devilish" speech remains barely contained. Showed directly on the piece by the date being misleading.
* The Horns: A classic, unambiguous symbol of the Devil or pure malice. This is the figure's core identity—it suggests that even while hiding behind a neutral mask and being partially silenced, the individual's "tongue like the devil" and evil intent are still very much present, emphasizing the inherent corruption and hypocrisy behind the facade.
An exuberant, almost psychedelic take on a magical mushroom. The bright chartreuse cap is adorned with striking magenta spots that pop against a textured, almost chaotic background. The bold, black outline gives the subject a playful, cartoon-like presence, while the energetic brushwork suggests movement and a sense of wonder. Signed and dated by Ty Patmore, 2025.
If time cost flesh
If life is boundless
Then where will my hours take me
I want with desires
I wish like a liar
Chasing the rabbit timidly
When im asleep
My dreams are whats deep
I drown in seas of maybes
How do i rise
How do i reach skies
When emotions and plans limit me
I grovel an weep
Cause i put dreams out of reach
But i want to engage the maybes
So instead of the plots
And sitting on thoughts
Its time to embrace the daydreams
I wont cower to dreams
I’ll capture a scheme
And nurture the life of maybes -#embracingnightmares
Drawn and colored by me, inspiration from a pause oc challenge on YouTube. Zayn is an escaped lab experiment with water elemental abilities. The cat on his shoulder is Raya, a stray that frequented the lab that he befriended. Zayn is a human with animalistic features and four eyes, marking him as unnatural. He is an original character, not based off of anything.
Re-did an older animation I did as a still-doodle, just improved on the general look and feel of the scene itself. Tried to go much brighter than I normally do, color-wise.
Wanted to work with some color, felt like drawing clouds. Why not both? Made with Pixilart on my phone, doodled with my finger. Edit: This came out much more pale on my phone than I thought...I'll have to upload from my computer next time. :/
A colorful sketch depicts two stone hacienda arches. The bright hues suggest a sunny atmosphere, and through one arch, a serene landscape with trees is visible.
