In this captivating cross-hatched pencil shading, a tranquil village scene comes to life. The intricate strokes create a harmonious blend of light and shadow, showcasing the serene beauty of rural life. Thatched roofs, winding pathways, and towering trees are meticulously detailed, inviting viewers to step into the peaceful simplicity of village existence. The gentle interplay of shades and textures evokes a sense of nostalgia and calm, capturing the essence of a timeless village story.
I painted this illustration to publicly proclaim the biblical account of a six (literal) days creation by the Holy Trinity to be the true account of the origin of all things that have been, are now, and will exist. I believe the evolution theories have many holes in them and lack sound evidence to declare evolution as the true account of the origin of all matter. I believe schools should teach both theories, and let the student decide which is truth for themselves.
The three figures of light that are holding the hourglass represent the Trinity—the Father, the Son, the Holy Spirit—Who together created all things. The background of the painting is supposed to illustrate that the Trinity created all things from nothing. The hourglass is supposed to appear to be made of pure gold, representing a creation without corruption and decay, which would later be part of the curse the creation would be subjected to because of man’s sin.
The top and bottom bases of the hourglass have the icon of the moon and sun six times to represent the six days of creation.
The six spheres floating inside the hourglass represent the six (literal) days and what was created on each day. The first day, God separated the darkness from the light. This sphere is placed at the bottom of the hourglass because sand in an hourglass always flows down.
The second day, God separated the sky from the sea. This is represented in the sphere located at the bottom right of the hourglass.
The third day, God separated the land from the waters, represented in the top half of the sphere. The bottom part represents the plant life that was created on the same day.
The fourth day, God created outer space: every star and planet. God mentions the sun was created to light the earth by day and the moon to light the earth by night. This is represented in the sphere located at the top middle of the hourglass.
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The fifth day, God created the creatures of the air and the creatures of the water. This is represented in the sphere located in the top right of the hourglass.
The sixth day, God created both the land creatures and man. This sphere is located in the top left of the hourglass.
(October 28, 2017)
Draped in delicate pencil strokes, this artwork elegantly portrays a historic city gate, standing as a timeless sentry to myriad untold stories. Each shaded contour brings forth the intricate details of the gate's architecture, echoing the urban landscape of a bygone era. The deft use of monochrome evokes a nostalgic journey through the annals of time, where every shadow and highlight adds to the depth and texture of this piece. This mesmerizing blend of artistry and history invites viewers to step into the past and embrace the serene splendor of the city's storied gateway.
This is a 3D pumpkin I carved at The Phoenixville Pa. Pumpkin Festival,for the experts carver's completion. This was my first time using the clay sculpting tool to carve with. I used the wood carving tool method for about eight years. The use of the clay tool give the carver more control to be able to do more detail . the wood carving method is chiseling away the pumpkin flesh where the clay sculpting tools method you scrape way the flesh.
This the second pumpkin carving contest I have participated in in less then 5 day apart.
Now that I have found a method and tools that work far better than my old ones, less see if my pumpkin carving skills can catch up to my artistic skills.
Written by Stephen J. Vattimo
Oct 24,2015
Lords of War - otep
With confidence in our armed forces, with the unbounding determination of our people, we will gain the inevitable triumph. So help us, God
More wars on foreign shores
More names for us to mourn
To misguide the misinformed
To ignore the sick and poor
Thus, we praise the lords of war
On our knees and beg for more
A fresh poison for the weak
Filthy little beasts
Bred to conform
It's the dwarfed souls of greedy men
Feculent, arrogant
That shackles our young to the cold concrete
And empty their guns into bodies
They scream "I'm not guilty"
They scream "I'm not guilty"
But cowards here are only what they fear
Shoot until the threat stops
I'd rather be in battle than at peace
I'd rather be a wolf than a sheep
I'd rather be in battle than slaughtered like cattle
The weak can sleep while
You were born to be led
That's what religion says
With a bifurcated tongue
America eats its young
Bullet-toothed, empty gods
Paralyze the minds and contest the thoughts
With devils everywhere
Bombs bursting in the air
Drones flown over thrones
Of bone and brimstone
Sabers rattle in the homes
Of the cowards and the crones
As they shackle our young
Blood stains the streets
Pigs empty their guns in their bodies
Bow down to the lords of war
On your knees for the lords of war
Bow down to the lords of war
On your knees for the lords of war
We rise in defiance
We won't remain silent
To triumph over tyrants
And police violence
Shoot until the threat stop
We're not guilty
Help us God
The lords of war
On your knees for the lords of war
Bow down to the lords of war
What is so terrible about a child screaming?
Why should it disturb us?
Just because we happen to be there to hear it?
What about the child who comes from an inadequate home, where he gets no encouragement from his parents
Where he doesn't have enough to wear, he doesn't have enough to eat, he comes to school hungry...
This beautiful, breathtaking #embracingnightmares
Kaju Katli or Kaju Barfi is an Indian sweet that is made of crushed cashew nuts and sugar.
Illustrated the delicate, sweet and rich Kaju Katli, showcasing its tender layers of smooth cashew nut paste enveloped in an intricate lattice of glossy, golden sheets.
Medium : Pen and Ink
size : 11'' x 15'' Bristol Board
Date : 1993
This study of a piano was done for a woman who was a missionary with her husband. They served in a Christian ministry that reached out to military personal and their families, through the teaching of the Holy Bible and showing hospitality. They have been missionaries most of their lives. I met them while i was a summer missionary the year I was in college. I went back two more summer to help , and they became my friends. The woman is a gifted piano player, so I was asked if i could do an illustration of her piano for her. This couple have inspired me through their dedication of using their lives to serve God through serving others, that many may know God through the teaching, and living out the Word before others.
Réalisation d'une affiche/programme A3 pour la saison 2018/2019 des Spectaculaires de L'Excelsior.
des spectacles de théâtre, d’objets, marionnettes, cirque présentés en séances Tout Public à la Salle Jean Carmet à Allonnes près du Mans. http://lexcelsior.fr/category/les-spectaculaires/
A delicate, hand-drawn study of the Blue Liverflower (Hepatica), capturing the first signs of spring. This design features breezy blue petals, energetic linework, and a minimalist vase, blending a classic botanical feel with a modern, sketchy illustrative style. Perfect for those who love the quiet beauty of forest wildflowers and cottagecore-inspired art.
A detailed hand-drawn ink and wash illustration featuring two majestic dogs that look like statues perched above a historic gothic cathedral. This piece captures the timeless atmosphere of old European streets, blending architectural precision with the organic soul of a loyal companion cast in stone. Perfect for fans of urban sketching, dark academia, and classical monument art.
Behind the Russian Church there is an abyss.
The moss and the rubbish are slippery and jagged old tins glitter at the bottom. For hundreds of years they have piled up higher and higher against a long dark-red house without windows. The red house crawls round the rock and it is very significant that it has no windows. Behind the house is the harbour, a silent harbour with no boats in it. The little wooden door in the rock below the church is always locked.
Hold your breath when you run past it, I told Poyu. Otherwise Putrefaction will come out and catch you. Poyu always has a cold. He can play the piano and holds his hands in front of him as if he were afraid of being attacked or was apologizing to someone. I always scare him and he follows me because he wants to be scared.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
#29 Breath of Fire 2 - My fanart drawn in ibis paint on iPad pro. I recently discovered this game on the Super Nintendo. I really like the artist’s concept artwork for BoF2. I wanted to draw a few of the characters and the logo in my style. Ryu is the main character, and I like Catwoman type characters, so I thought Katt looked fun to draw. Also, I drew the logo slightly different from the original. I don't like to draw every detail exact. As usual: [No Tracing] [No Ai] [No free form line tools for inking except for the perfect circles]
One of my Swirly Designs, illustrated with different tools such as Graphite, Aquarelle, Ink Pens and Ai & Tablet. Sometimes sheer Vectorillustration/design.
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Urh.-Nr:1811955
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Copyright by Carolina Matthes
6"×8" watercolor, marker and ink on Strathmore Toned Tan. "Succumb" #9 of 25 Dreamcatcher series. This piece is for sale in my etsy shop. You can find the link on my Facebook page
