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Had a thought to revisit one of my old worlds created during the creative streak over years ago. It was a world built from the primordial creative juices in my head, put from uncountable inspirations and knowledge bases learned from who knows forever.
Here is a perspective of how a world is built from the rise of some fundamental ideas. What happens if you consider a world suspended in nigh microgravity conditions, a supercharged atmospheric envelope orbiting a twin neutron star system, gravitational suspension, intense magnetic fields and radiation? A extreme and chaotic environment bordering an impossible miracle, in a constant state of freefall.
Not gonna lie, worldbuilding in detail is not easy. I don't have the mental and time resources these days, to expand a world in such intricate detail. Each of the scribbles above are mostly ideas of local flora and fauna that push the limits of my science knowledge base combined with accumulated general knowledge. Some of the concepts here are bordering magical fantasy, without even getting into the residing intelligent lifeforms.
for the 8th of Chibijuly today it's up to dancing
For this day I decided to draw Hero Cookie and Cheerleader Cookie in a chibi version as the protagonists of one of my favorite classic animated movies, cats don't dance ♥️..
language is limiting. the problem with communicating is that individual words can have very different meanings in different contexts and to different people.
Maybe being a cat-boy is cool, but annoying.. So they had to deal with him another way. DONT WORRY....KINGS I MEAN LEOS ALIVE..I THINK?? (psst guys is he alive,.........) (oh oh okay) YEAH HES GOOD JUST A BIT, UHM DEAD I MEAN ALIVE YEAH...!!! (guys run they know)
Leo..wasnt the best at taking pictures for his school page. But at least the cat ones look good, right? No he just stole them from one of his favorite games. Dammit Leo! (still tired and sleepy..honk mimimimimimi but i have no clue what to draw next honsetly. IM THINKING OF STUFF I THINK, THE SIDE PHOTOS ARE CATTAIL FROM PLANTS VZ ZOMBIES. I LIKE CATTAIL!!!!) (just kill me already...............(again))
I highly recommend the book, Gender and Competition: How Men and Women Approach Work and Play Differently, by Kathleen J. DeBoer.
In it, among other things, she elucidates that those with a conceptually masculine perspective (regardless of sex) are drawn to thinking of the world in hierarchies, which I have represented here with a triangle in the mind of the spotter on the left. She elaborates that those with a conceptually feminine perspective (again, regardless of sex) are draw to thinking of the world in webs, which I have represented here with a circle.
Those that think more masculine-ly are more likely to expect beginners in a sport or field to prove themselves in the group. They will often not "hold their punches" (i.e. curb their ability) to make newcomers comfortable. All members of the group are expected to "earn their keep," in a sense. When a member of the group exceeds expectations, they move up in the hierarchy.
Contrary to that, those that think more feminine-ly likely show acceptance and approval to beginners in order to foster an environment in which they will perform. They will often adjust their skills so that newcomers can more readily "keep up." When a member of the group exceeds expectations, they are expected to raise the status of the group as a whole. The playing field is "flattened" in that sense.
I am not advocating for either perspective, but I will share that I have a more conceptually feminine perspective, and that I have previously left groups whose members have a more masculine perspective.
Kathleen's book really helped me personally to understand the motivations of people that I genuinely did not understand prior to reading the book. It put a lot into perspective for me, and I hold fewer grudges these days.
Cheers, fam~
Suppose that 'meaning' is a faint word scribbled on a wall in a dark room. The words that we use are often barriers that separate, then, our 'comprehension' from 'meaning.'
Let us suppose then that the light of the intention of a speaker is obscured by a 'word.' The angle and setup of that intention then, along with the angle and setup of the comprehension of the listener, can distort or disguise the true meaning of what the speaker is saying.
Of course, the angle and setup of these things can vary greatly, just as easily as the shadows that cover 'meaning' can vary. It would seem best, then, with this in mind, to communicate as transparently as possible and to avoid and/or to detect deceit whenever possible. Dishonesty and misdirection, whether deliberate or otherwise, in the speaker or in the listener, always risk shrouding 'meaning.'
When communicating earnestly, distraction can be dangerous. Shrewdness is recommended.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
"The painting ""The Girl in a Shirt"" is one of the paintings series ""Her"".The artwork is painted in oil on canvas with wide textured strokes of a brush and a palette knife. In the work, we can see the opposition of a gentle female image and deliberately careless aggressive rough strokes of paint. The artist plays of black and white hard contrast against delicate pastel colors. The girl depicted in the painting feels
constrained by external conditions, which prevents this painting from having an erotic value. The girl nervously tries to unbutton her shirt in order to get more air and freedom. Her pose is not balanced, which shows even more uncertainty and indecision. That's why this artwork is considered rather dramatic."
The Truth, Life, and Way
Medium: Acrylic paint on canvas
Size: 10 “x 20”
Year: 2021-2022
This illustration is final illustration, of nine, of a mural about the life of Christ.
In this painting I attempt to communicate to the viewer who Jesus is to the Christian.
He is the truth; Jesus is the word of God that put-on Flesh. Jesuses’ life fulfills all prophecies that were made about God’s Deliver.
Though, Jesus was human, He was also totally Devine.
God put on flesh with out the nature of sin, by being born through virgin conception.
Since the fall of humankind at the tree of the knowledge of good and evil, which took place in the garden of Eden. The sin nature is past down through the generations of humankind through the male.
Jesus on our behave, taught humanity the requirements needed to reunite with God, and how to live life in a new and better way.
The savior then traded places with a criminal to hang on a cross.
The guiltless, paying the penalty of the guilty. For a sinner cannot offer an acceptable payment to a holy God to set them free from facing the wrath of God’s upon their sin. They can only be for given for their sins by coming to God through the savior He has provider for them
The resurrection
After God had poured out his wrath upon the savior’s body, Jesus was dead and buried in a tomb for three days. God raised him back to life, showing that the sacrifice was excepted. Jesus is the first fruit, so that whoever places their faith in Christ for the forgiveness of their sins, they to shall raise from the dead unto enteral life.
Jesus is the life
As believer walk in their new relationship with God, they will face many challenging times.
For the Devil and his coworkers are unhappy with your newfound relationship with God.
They will wage war with you, but be of good cheerer, Jesus has overcome them for us.
Jesus promise that He will never leave us or forsake us. He will be with us to the end of the age.
I painted Jesus and the believers with their back to the empty tomb. This is to emphasize the price that was paid to set us free from the chains of the power of sin.
Jesus standing alongside the believer with the direction finger, as He guides Him along the way he should go.
What I was trying to capture.
In read the account of the first people going to the tomb where Jesus was buried, it describes the woman getting there before the sun came up. I was trying to capture that time of day in my illustration.
Every dawning of a new day is a change follow Christ, better than we did yesterday.
Written by Stephen J. Vattimo 11/20/2022
