Take the Rymans, for instance. There is Robert Ryman (1930 – 2019), the patriarch whose paintings are indisputable icons of the modernist canon. Then there are his wives and children. Ethan Ryman (b. 1964) is the oldest of Robert’s three artist children. Though his mother was not an artist, Lucy Lippard (b. 1937) was still a scrappy and eloquent art critic, a feminist, a social activist, and an environmentalist. Ethan’s meticulously considered and crafted artworks might be characterized as somewhere between photography and sculpture, the abstract and the (f)actual. Though Lippard and Ryman divorced just six years after their 1961 marriage, their son is arguably the closest to his father’s methodologies if not his medium, and was certainly the last to become a visual artist. Robert Ryman went on to marry fellow artist Merrill Wagner (b. 1935) in 1969 and they had two sons. Though Wagner is more quietly acknowledged than Ryman, her boundless practice includes sculpture, painting, drawing, installation, and more. With an emphasis on materiality, her sites are indoors and out, her styles alternating. Will Ryman (b. 1969) is the elder son of Robert and Merrill. He started out as an actor and playwright though he too eventually assumed a visual art practice to become a sculptor. He is best known for his large-scale public artworks and theatrical installations that focus on the figurative and psychological, at times absurdist, narratives. Cordy Ryman (b. 1971) is the youngest, and the only one of the three who knew that he was going to be a visual artist early on. His work is abstract, the sophistication understated, and his output is prolific. With his mother’s DIY flair, his homely materials seem sourced from the overflow of construction projects, lumberyards, and Home Depot. Ethan Ryman said that, when he was young, he didn’t want to be a visual artist. Instead, he pursued music and acting, producing records for Wu-Tang Clan, among others, getting “my ears blown out.” But he was always surrounded by artists—Sol LeWitt, Carl Andre, Jan Dibbetts, William Anastasi, and countless others at his mother’s place on Prince Street in SoHo and at the Rymans’s 1847 Greek Revival brownstone on 16th Street in Manhattan, where everyone was often seated around the family dinner table. He would spend part of most weekends in the highly stimulating chaos that reigned there—birds, dogs, plants, toys, art, people, everywhere. “While nowhere near as overwhelming, I was also constantly exposed to artists, writers and other creative folks at my Mom’s place.” “While nowhere near as overwhelming, I was also constantly exposed to artists, writers and other creative folks at my Mom’s place.” Ethan Ryman Lippard was “a powerhouse.” She took Ethan on her lecture tours, readings, conferences, galleries, studios, wherever she had to go. And while that almost always breeds rebellion, at some point, he began noticing all the art around them—both what it looked like and how it was made. He began to take photographs of buildings and realized that “abstract color fields were all around us.” He also began to notice his father and Wagner’s work more carefully—how sensitively it was executed and how reactive it was to its surroundings. “Once you’re interested, you notice. When I asked my dad questions, I would most likely get a one-word response. I had to go to his lectures for answers where he broke down modern art for me. After listening to him, it seemed to me we should all be painting, otherwise what were we doing with our lives?” Will Ryman, on the other hand, said that all his work has a narrative component. His background is in theatre and his interests have always been film and plays, his narratives about New York City and American culture and history. “It’s a city I love,” he said. “I try to observe culture in a bare-bones way and I’ve always been interested in telling stories—we’re the only species that tells stories to each other. It comes from an intuitive, cathartic place in me. I want to stay away from preconceived notions, although that’s not completely possible. I have no plan except to do something honest, with a little bit of a political bent and humor but I’m not an activist. I’m interested in exploring a culture and its flaws as an interaction between human beings.” His interests and his work are very different from his last name. There is no connection to minimalism. He didn’t go to art school, drawn instead to theatre workshops and theatre troupes. “I didn’t become involved with the visual arts until my mid-thirties. It’s easy to say what I make is a reaction, but I dismiss that. And I also wouldn’t say it’s rebellious after twenty years.” Of his family, he said, “we’re a normal family, a close family, with all the dynamics and complications that go along with that. And while everyone who came to 16th Street were artists, they were also just family friends. I have no other measure for how a family interacts. It was just the way it was.” Cordy Ryman was the only one of the three who went to art school, earning a BFA from the School of Visual Arts, but it was reportedly awkward for him, since all his teachers knew his parents. “When I started making abstract paintings, it was kind of push and pull but it became more interesting to me than my earlier figurative or narrative work. That’s when I started to know where I came from. I realized that I had a visual memory, and the language was there, a language I didn’t know I knew. We all had different ways of working; our processes are very different and it’s hard to compare us. Ethan and I use a similar inherited language but he thinks about what he does more. I work very fast, the ideas come from the process itself. I work in two or three modes simultaneously and bounce around.” At home, they were around Wagner’s work since her studio was there. “Will and I were always in her studio, helping her, going to her installation sites with her, adjusting her boulders or whatever the project was she was working on. That was special and made a deep impression, but I didn’t realize it then.” All five Rymans have in common an acute consciousness of space and of place as an integral component of their work. For the brothers, part of that consciousness might stem from their parents, but also from their attachment to their family home, which was a crucible of sorts for them, where everyone was an artist. To Cordy, the house was a “living, breathing thing, and the art in it felt alive, growing, and occupying any space that was available. It was the structure of our world. When I’m making work, it doesn’t need to be the most beautiful thing ever, but it needs to have its own life, its own space, like the art we grew up with.” And the next generation of Rymans, also all sons—what about them? Will said his son is still too young to know. Cordy thought the same about his two younger children; his oldest is in the art world, but not as an artist—so far. Ethan perhaps summed it up best: my two sons are artists; they just don’t know it yet.
I just finished an ultimate visual catalogue as realized I didn't have any illustrations for some characters, so ai realized I had to make one. Here's Doll, the ringleader of organized crime in a mystical city.
A pair of Ukrainian Easter eggs I've made. My designs are not especially traditional and are instead inspired by old wood cut art. The first egg features a musician playing a bandura and the second has 4 pictures, fish, forest, wheat and mountains. The eggs are made using beeswax applied with a metal tool called a Kistka (heated via a candle or electricity) you draw on the egg wherever you want to preserve its current colour before putting it into a dye bath working from the lightest colours to the darkest. When you have finished you remove the wax using a candle a paper towel and a little patience. heating and wiping away. then you can blow out your egg by making a hole in its top and bottom, smashing the yolk with a needle and blowing. These eggs are a couple of years old but we've pulled them out for easter last weekend.
first attempt at drawing the back of an character,it was easy since Lime Verde is circular.Major Lime Verde is an old but competent fruit who has successfully stopped drug and arms smuggling in most parts of the city,even crime which of course angers many kingpins.shortly after his 2nd term he gets in a freak accident caused by Paxton Pomegranate (a crook who has ties with a drug lord)for firing him.Paxton soon finds and contracts a replacement.a fitness trainer who happens to be a himbo along with his ditzy although smarter girlfriend.Verde soons finds himself helpless and amnesiac.
The work was launched on the 5th anniversary of World Reading Day to help people better understand reading. My artwork is based on the 147-page book "The Sorrow of Books" in simple, harmonious but profound colors. In the picture are the entertainment devices that help relax the everyday human beings that I was inspired by reading. The picture is of the current situation when people are at home trying to prevent COVID 19. We have spent most of our time online, using electronic devices. We have forgotten the presence of books and have made books buried by more advanced things. Books are still something that has a lot of meaning in people's lives because of the fact that we have more useful knowledge. My contact information: Owner: Trần Minh Tiến Mail contact work: tranminhtien.contactwork@gmail.com My home address (if necessary): 15/9A, Vo Van Kiet Street, District 2 of Ho Chi Minh City, Vietnam. My phone number: +84948574598 THE WORK ABOVE IS PART OF MY PROPERTY. THE OFFER IS NOT COPIED ON ANY OTHER PLATFORM.
The countryside is a place far away from the city, peaceful and cool. My hometown is also on the outskirts of the city. Every summer vacation home to visit, I enjoy a cool and fresh air. Both sides of the road are straight dikes with fields, smooth green lawns, and beautiful vast fields. In my hometown, there are bamboo and banyan trees for shade every summer afternoon. Farmers work hard to cultivate and cultivate vegetables. Young people about the same age as me, come home from school and still have to take care of buffaloes and cows. People in the countryside live frugally, spontaneously, but full of love. They know how to care for each other in the village love.
Today is such a fun day, on September 20, 2018 I decided to stand on the balcony taking a landscape picture of my city. This landscape picture was taken by me one afternoon when the sun was about to set. The images here are all copyright of the photographer who created them In the absence of these digital files will be used, copied, displayed or pulled from this site without consent. of the photographer who created them. These landscape paintings are fully owned by photographer Nguyen Duc Nhan Contact Email: ducnhandz130905a@gmail.com Link url to my personal Facebook post: https://www.facebook.com/Nhandzvcl13/posts/2174868016064757
Eren was born and raised in the Shiganshina district located on the southern edge of the Maria Wall. He lived there until 845, when the Titans broke through the wall, leading the way for other Titans to invade and destroy the city. During the incident that day, Eren witnessed his mother being murdered by a laughing Titan. This event aroused in Eren an intense hatred for the Titans, and he vowed to wipe them all from the face of the earth.This photo is protected by my copyright. Contact Me (vuthevietphotograpther@hotmail.com)
Probably spent too long on this one, plus lower resolution cause the file size was too large. Downtown area of an average city, though typically it's more crowded. Hope you like it. (made with krita)
I played with some different rendering techniques in my digital lineart/with some diagonal shading in the shadows in addition to my usual cell shading. I used the same colour as the hair /skin/ clothing in for my lineart on a 'multiply' layer then duplicated that layer and added a blur/reduced the opacity for its copy to soften the look of the lines.
Ha Long Bay is a small bay on the west coast of the Gulf of Tonkin in the Northeastern Sea region of Vietnam, including the island waters of Ha Long city in Quang Ninh province. Being the center of a large area with more or less similar elements in geology, geomorphology, landscape, climate and culture, with Bai Tu Long Bay in the northeast and Cat Ba archipelago in the southwest, Ha Long Bay is limited to an area of about 1,553 km², including 1,969 large and small islands, most of which are limestone islands, in which the core area of the bay has an area of 335 km² with a dense cluster of 775 islands. The tectonic history of the bay's limestone karst has spanned about 500 million years with very different paleo-geographical circumstances; and full karst evolution over 20 million years with a combination of factors such as thick limestone, hot and humid climate, and overall slow tectonic uplift. The combination of environment, climate, geology, geomorphology, has made Ha Long Bay become the convergence of biodiversity including tropical moist evergreen closed forest ecosystem and marine and coastal ecosystems. shoreline with many sub-ecosystems. 17 endemic plant species and about 60 endemic animal species have been discovered among thousands of flora and fauna inhabiting the bay.
Link for Lore Video about it :; and while you are there, please watch the cartoon too! https://www.youtube.com/watch?v=8q2NRKma2Vo&list=PLg2kpnoxhhsubB8mYMpjyi5jFV98mOAGf&index=10
I’ve really been enjoying ink lately - whether pen or Micron inks - it’s been a fun style to try. This was interesting, something different to a typical city street view.