The work was launched on the 5th anniversary of World Reading Day to help people better understand reading.
My artwork is based on the 147-page book "The Sorrow of Books" in simple, harmonious but profound colors. In the picture are the entertainment devices that help relax the everyday human beings that I was inspired by reading. The picture is of the current situation when people are at home trying to prevent COVID 19. We have spent most of our time online, using electronic devices. We have forgotten the presence of books and have made books buried by more advanced things. Books are still something that has a lot of meaning in people's lives because of the fact that we have more useful knowledge.
My contact information:
Owner: Trần Minh Tiến
Mail contact work: tranminhtien.contactwork@gmail.com
My home address (if necessary): 15/9A, Vo Van Kiet Street, District 2 of Ho Chi Minh City, Vietnam.
My phone number: +84948574598
THE WORK ABOVE IS PART OF MY PROPERTY. THE OFFER IS NOT COPIED ON ANY OTHER PLATFORM.
Found a shady spot to sketch a little street in our beautiful city of San Francisco. I have been surprised to learn how much fun vehicles are to draw. My four year old loves them.
"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere.
In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.
riding while looking at your phone is a very bad idea and can land you a fine in Amsterdam but I've watched people type whole messages while riding around the city.
A beautiful nature painting of Caleta Beach, tree, boat, beach, and the isolation indicate a tranquil environment and it seems to attract the beauty of the environment.
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This portrait is the darkest in the series, examining the internal malice that persists even when communication is restricted, illustrating that evil doesn't require a loud voice.
* Visual Focus: The mask's mouth is horrifyingly held closed across the center by surgical thread and a needle, which only covers half of the wide, unnerving smile. The stitching reveals a set of sharp, feral teeth underneath. Disturbingly, a pair of prominent horns protrude from the top of the mask's head.
* Symbolism:
* The Stitched Mouth: Represents the idea of selective silence or the censorship of truth. The fact that the stitching only covers half the mouth highlights the "half-done" nature of modern morality. The revealed sharp teeth suggest that even in silence, the capacity for vicious, cutting, or "devilish" speech remains barely contained. Showed directly on the piece by the date being misleading.
* The Horns: A classic, unambiguous symbol of the Devil or pure malice. This is the figure's core identity—it suggests that even while hiding behind a neutral mask and being partially silenced, the individual's "tongue like the devil" and evil intent are still very much present, emphasizing the inherent corruption and hypocrisy behind the facade.
'You ride?!!' they asked, 'Bikes with gear? For real?!' This Artwork is a response to this very common reaction I get as a female rider. Yes, women ride bikes. In fact, ALL types of women can ride bikes. I saw this lady in a Burkha riding an Avenger bike recently, on the highway with her husband riding pillion. So inspiring!
We all see the world through a different lens.
What I see, and express is different then what you will see.
Your background is different. Your experiences are different.
I know what I see. What about you?
