clothes

Lindsey's prompt: Parachute Pants

“You saved me, my heroine!” For a guy who almost got eaten, he looked way too pleased. “That’s worthy of, well, an award, you know!” He tapped his split lip thoughtfully, lying on the ground as if nothing had happened. “Ah, Zero Year may be over, but I think it’s only fair for me to name a month after you. What do you say?” His impractical coat was all messed up, his hat laying a little to the side, just as dirty and caked with snow. “It’s january, isn’t it? It’s Amberary now! Maybe not for all of Gotham, but for me for sure.” He grinned. What the hell is he saying? Why bringing up those old words? Ridiculous. Amber failed to hold back surprise in her eyes, but she almost managed to stop herself from smiling in time. Almost. He noticed. “… Get up.” --------------------------- Long story short: Amber saved Ed from predators, and he decided to be extra with his flirting. I remembered Edward's words from “Zero Year” about naming months after gothamites heroes and an idea came to me… This scene will definitely be in a fanfic, for which I have an underdeveloped idea, and which I will definitely not write. %) In any case, this is roughly how I imagine ZY!Eddie flirting, in addition to all the other headcanons. My vision of him is too different from ​​how most of the fandom sees him . xD I’m trying to jump above my head again, not having the skill in background, clothes, drapery, and full body, especially since I almost never drew two interacting characters. My most ambitious work so far. But I’m happy!

Fed by a Miracle of Compassion Medium: Acrylic on canvas Size: 11”x14” Year: 2019 Artist: Stephen J. Vattimo Matthew 14:13-21 New American Standard Bible (NASB) Five Thousand Fed 13 Now when Jesus heard about John, He withdrew from there in a boat to a secluded place by Himself; and when the [a]people heard of this, they followed Him on foot from the cities. 14 When He went [b]ashore, He saw a large crowd, and felt compassion for them and healed their sick. 15 When it was evening, the disciples came to Him and said, “This place is desolate and the hour is already [c]late; so send the crowds away, that they may go into the villages and buy food for themselves.” 16 But Jesus said to them, “They do not need to go away; you give them something to eat!” 17 They *said to Him, “We have here only five loaves and two fish.” 18 And He said, “Bring them here to Me.” 19 Ordering the [d]people to [e]sit down on the grass, He took the five loaves and the two fish, and looking up toward heaven, He blessed the food, and breaking the loaves He gave them to the disciples, and the disciples gave them to the crowds, 20 and they all ate and were satisfied. They picked up what was left over of the broken pieces, twelve full baskets. 21 There were about five thousand men who ate, besides women and children. This illustration is part of a mural about the ministry of Jesus of Nazareth. The mural consists 9 images that depict the Miracles of Compassion Christ worked that are recorded in the Bible and He continues to perform in the world today. Understanding the symbolism in the painting. The basket of to fish and bread sits in the grass; Jesus had instructed His disciples to have the people sit down in the grass. Dead grass: the event took place in a desolate place. Historical and cultural illustration. Basket design: In the first century in the middle east people traveled on foot and when on a long journey they carried food with them. The common lunch pal during this time period was most likely a small wicker style basket with a removable lid, and a leather strap attached to it. So, a person can sling it across their shoulder for comfortable transportation. The basket would most likely be lined with a cloth wrap around the food to protect it from dust and bugs. The fish and bread: In John 6:1-15 which mentions the same event, tell us the 2 fish and five loaves of bread belong to boy, so most likely his meal was that of a poor person. The common fish that was eaten by the poor in this region and time period, were sardines. The five loaves of bread: Were most likely a type of flat bread which is commonly consumed by middle eastern people. The Bible verse that best communicates the message of this illustration is: Matthew 6:25-33 New American Standard Bible (NASB) The Cure for Anxiety 25 “For this reason I say to you, [n]do not be worried about your [o]life, as to what you will eat or what you will drink; nor for your body, as to what you will put on. Is not life more than food, and the body more than clothing? 26 Look at the birds of the [p]air, that they do not sow, nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not worth much more than they? 27 And who of you by being worried can add a single [q]hour to his [r]life? 28 And why are you worried about clothing? Observe how the lilies of the field grow; they do not toil nor do they spin, 29 yet I say to you that not even Solomon in all his glory clothed himself like one of these. 30 But if God so clothes the grass of the field, which is alive today and tomorrow is thrown into the furnace, will He not much more clothe you? You of little faith! 31 Do not worry then, saying, ‘What will we eat?’ or ‘What will we drink?’ or ‘What will we wear for clothing?’ 32 For the Gentiles eagerly seek all these things; for your heavenly Father knows that you need all these things. 33 But [s]seek first [t]His kingdom and His righteousness, and all these things will be [u]added to you. Written by Stephen J. Vattimo 3/25/2019

So you remember a couple days ago, when I made that paper doll, and I said I'd post a picture of her in her clothes? Yeah, well, I lied. I made a new OC, and I was just too excited not to post them. Their name is Kawehi (which you might have already guessed from the title) and I would have drawn their dragon, Silver, with them, but I unfortunately can't draw dragons. I drew and inked them on paper and then colored them digitally, since I have a pitifully small selection of markers.

Recently-ish I was obsessed with the idea of travelling, wandering cats who wear clothes.

Just a cute girl wearing winter clothes, I don't know.

This is old (2007). I used to work at the ad agency that had the Harley-Davidson account for a number of years. I always carry around a Moleskine sketchbook and take meeting notes on one side while doodling on the page next to it. This doodle ended up being used extensively in the Harley-Davidson "Dark Custom" campaign as well as on a line of Dark Custom Motorclothes. It say's "FUCK YEAH" in it and they never noticed. :)

I went on ahead to the house, crying all the way, but now it was mostly to make an impression. Daddy followed and lit a candle because all the lamps were in the theater. He showed me the pike he had caught. It's a lovely one, I said, because one must always say something when someone catches a fish. And then it was too late to cry any more. I put on my ordinary clothes again and we had a cup of tea together. Sculptor's daughter by Tove Jansson. #dailydrawing #toveJansson

A character I made to study clothes, she's fun to draw.

Me in blossom inspired clothes from a cute prompt on instagram. Bic pen and copic marker

This is a self-portrait. I didn't use a mirror or a picture here. This is what I look like in my own memories. It's a bit misleading, I think I am skinnier than the drawing suggests, but that doesn't feel like me. I have been overweight for years and I feel like I am too skinny at the moment. I feel like I should be curvier like in the drawing. This is about body-image, body-dysmorphia even. I do have those clothes, glasses and haircut. This work is pastel on paper (it's quite big, but I don't have a measure closeby)

A girl in bubbles inspired clothes based on a drawing prompt. Bic pen and copic marker on my sketchbook :)

When you go camping and you have to choose between your katana and your clothes I guess. My first nude & nature type of artwork.

My catboy oc Daniel wearing clothes he'd wear on normal days.

I wanted to try and do a digital piece of a ferret and incorporate winter clothes while using a limited palette I found on Adobe Draw. This was a lot of fun!

the wounded soldier is no longer just a man begging for mercy - he is infected with something dangerous, which makes him aggressive and possibly uncontrollable. His outstretched hand may now mean not a plea, but an attempt to grab the protagonist, which increases the sense of threat. The soldier's eyes, wide open and seemingly filled with fear or madness, now look like a sign of loss of humanity. The blood stains on his clothes are no longer just traces of battle, but perhaps the result of his own aggression. The chains in the background can be interpreted as a symbol of restriction or control over the infected - perhaps he was captured or locked up, but was able to break free.

This is an experiment, I was trying to make a paper doll. I haven't cut out the pieces yet, but I'll post a picture tomorrow with the doll wearing the clothes. I also experimented with shading on the hair, and a different way of drawing it. I'm really sorry the picture is on it's side, I will fix that next time I do one of these.

It's always fun to come to the Art gallery of the assheads, marginal artists of the World of Fantasy. Today I have seen the picture you are looking at, it made me interesting, as more people worked on it, not considering the picture as a whole, nor the work of its predecessors. Then, out of a large cardboard box, an old man came out and came to me. There were two big holes in the box, so I realized that the guy was looking at me from the box for a while. - Do you like the picture? - he asked. His eyes, red from lack of sleep, staring at me. On the old clothes he wore on himself, there was a stain of color. - I was impressed with - I said cautiously, knowing the unpredictable nature of people who deal with art - Did you do it? His face was stretched into a smile, a few teeth that he had left, flashes from the mouth cavity. - Yes - proudly erect his chicken breast an old man - Inspiration wore me all the time! He looked at me with a look that required my other questions about the image, need to tell any story, to anyone, about his work, was in it taut like a catapult. - What inspired you? - I ask the old man, and he barely welcomed the question and said: - Last week I was visiting my friend Jergon, the King of the Dwarves. (His statement that the mighty King of the Dwarves his friend was so incredible, that it must have been true. Assheads usually have unusual life stories.) "It is well known to you that the dwarves appreciate their privacy, keep their place of residence confidential and may be ruthless if you disturb them. As a friend of Jergon, "the old man says," I have surely passed the territory of the dwarves. As I approached his home, I noticed more and more than the vicinity of his underground apartment - in the old roots - was edited by the gardening techniques of the dwarves. Dwarves worship their king and their nature makes them do something for him every day. For example, to clean the weed and planted rare plants and flowers around his house. Some day they polished the old root under which the King lives. So the environment of his house went out completely artificial, unnatural. The king is angry because he now has no privacy, his home has become like a public park, sweet hide, dear dwarves, was taken away from him. He told me. "Dear friend, if you think it's nice to be a king, you are not right. Everything has its own price." This visit inspired me to paint this work. - I nodding my head as if to understand how much potential was in that situation, so inspiration was a natural consequence. - Art freedom is expressed here - I said to the old man - maybe with the King of the Dwarves, on it, the picture was even more effective. The old asshead looked at me strictly and asked: - Did you see the King of the Dwarves? "I did not even see an ordinary dwarf," I admitted. The old man looked at me for a moment or two with a disappointed look, then he turned and entered the box. I felt a look from the box on my back as I left the gallery.

Some nonsense clothes. Feel free to use them, just give me some credit for the designs and a little heads up.

Illustration made Procreate

Illustration of a girl in colourful punk-ish clothes.

Stephen's Owl character wearing Sonic's clothes from the OVA, but he looks much better in them in my opinion.

100x70cm. cardboard, mix materials The people in the button do not see anything attractive, the attention given to him is current and lasts until the buttoned some clothing item which wants to wear. With us in the World of Fantasy, fortunately, this is not the case, we give the buttons a deserved attention which they fully deserve. A man lacking a button, for example, on the shirt, we inhabitants of the World of Fantasy are avoided, because we believe it brings bad luck, such people can cast a spell on anyone. It is even more dangerous to meet a man without a button on the slit, or, God forbid, unbuttoned slit. It is certainly a dangerous man of wild impulses ready for violence against anyone in order to satisfy their needs. On the other hand, people who have a nice and tastefully selected button on their clothes are highly appreciated. Those more experienced among us will carefully look at each button on a person - the buttons should not be damaged and scratched. Of course, in the World of Fantasy, there are the Button - beings, the creatures that everyone wants in their vicinity. Those dear creatures are attracted to himself materials and crystals, who are constantly working on the relaxation of a person close to them. Even watching the picture where they are Button - beings (confirmed by scientific and empirical research!) relaxing the spirit and body, raising the level of health to the stairs more. It is for you, dear reader, to take advantage of this fact, here is your free relaxation! Those who doubt these words of Old Bone make a mistake - to yourself to the detriment!

Sharpie is what I do best :)