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Kevin Loftus Kevin Loftus
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The great lake

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Chan yost Chan yost
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Angel

Still have to fill in wings but here is what I have so far.

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Jana Cechova Jana Cechova
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Learn more about our planet

Watercolor and an Indian ink - Learn more about our planet

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Amber Vanvranken Amber Vanvranken
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EOS - Dartainan and Aurelius

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LeBoucher LeBoucher
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Remake : Henri Matisse : nu bleu II – 1952

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

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Celeste Celeste
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Butterflies Are Flying

Butterfly searching for the perfect chair..Goldilocks zone. Colored pencil, watercolor and ink.

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Celeste Celeste
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Butterfly Lands

Butterfly searching for the perfect chair..Goldilocks zone. Colored pencil, watercolor and ink.

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Celeste Celeste
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Butterfly Flying

Butterfly searching for the perfect chair..Goldilocks zone. Colored pencil, watercolor and ink.

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Celeste Celeste
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Butterflies Are Flying

Goldilocks zone...butterfly searching for the perfect chair. Colored pencil, ink and watercolor.

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Celeste Celeste
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Butterflies Are Flying

Butterfly searching for the perfect chair..Goldilocks zone. Colored pencil, watercolor and ink.

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Amber Vanvranken Amber Vanvranken
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EOS - Phoenix and Elywn

Little chibis of the 2 main Characters of my comic/manga EOS.

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Erica Joy Erica Joy
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Reflect

This piece is for sale in my etsy shop, 9"×12" watercolor, marker and ink on Strathmore Toned Tan 140# paper

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Anne Keenan Higgins Anne Keenan Higgins
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its hot

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Charlie Haggard Charlie Haggard
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Wizard

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Kevin Loftus Kevin Loftus
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The palace on the lake

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LeBoucher LeBoucher
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Remake : Giacometti : une chienne d’amitié

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

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Pramit Das Pramit Das
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The SNAKE

THERE IS NO NEED OF ANY DESCRIPTION.... THIS IS MY FIRST WORK..... I THINK THIS IS NOT BASED ON ANY CONCEPT....

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Hannah Claire Hannah Claire
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For the Love of Drake

I participated in a 48 hour plein air painting festival where we choose a location and have 48 to complete the painting. I chose to paint this pond with a rock waterfall on Drake University Campus

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LeBoucher LeBoucher
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Remake : Georges - Mathieu : Rouge

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory

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Dani Peirce Dani Peirce
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Pet Horse

Watercolour sketch of my pet horse Steven.

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Robert Falagrady Robert Falagrady
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Corpse im red shirt

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Charlie Haggard Charlie Haggard
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Thinkin’ about stuff

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Ricky Anthony Fenton Ricky Anthony Fenton
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Large Chocolat Milk Shake

Photo of acrylic painting cropped and enhanced in Fotor. Original painting and picture by Rick Fenton.

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Michael Michael
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KCBA Mag Cover

An Illustration for the King County Bar Association. Digital on iPad

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Erica Joy Erica Joy
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Abyss

9"×12" watercolor, marker and ink on Strathmore Toned Tan 140# paper

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Charlie Haggard Charlie Haggard
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Cheese flavored corn chips

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gdw gdw
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untitled

pencils and charcoal in sketchbook

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Michael Michael
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Dwarves

Pencil on paper. Scanned and blown out i'm afraid, but no longer have the original. A commissioned character sketch

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C.B. Mosley C.B. Mosley
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Chat

Continuing the theme of “animal on colored background” but you know. The heart wants what it wants

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Sabina Hahn Sabina Hahn
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deviled eggs.

yum.

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