Freehand sketching in ink from a photo reference I found online, to practice conveying that lots-of-stones look without drawing all the stones (photo credit: K. Mitch Hodge). Micron pens + alcohol markers.
Casey the Puppet. This painting captures the essence of a puppet lots of older Canadians will remember. A strange genderless creature with a dog puppet companion. A puppet with an outspoken personality that I remember as a kid wondering how it got away with saying what it did. The painting has a Canadian stamp to commemorate the puppet's roots.
I understand some noise.
Sínto rumôr.
"English as She is Spoke" by Jose da Fonseca and Pedro Carolina.
https://www.instagram.com/p/CJqxgGph0d_/?utm_source=ig_web_copy_link
#dailydrawing #accidentalhumor #englishassheisspoke #noise #birdsofinstagram #birds
Vacation. Woke up early in the morning from persistent knocking. Woodpeckers we’re trying to get to carpenter bee’s larvae. https://www.instagram.com/p/CCR0deVBrqz/?utm_source=ig_web_copy_link
My sister-in-law called me on the phone while playing Giant Sandwich VS Princess Ballerina with my (then) 3-year-old niece, (who I assumed was the Princess Ballerina.) From what I could hear over the phone, my niece was using a "flying fist punch" to devastate the evil "Giant Sammich," (which was later described as a ham and swiss on white with flimsy leaves of lettuce.)
After that call, I imagined what that fight looked like and put it down on paper.
Dmitry Shostakovich (1906–1975)
Shostakovich’s contemporaries do not recall seeing him working, at least not in the traditional sense. The Russian composer was able to conceptualize a new work entirely in his head, and then write it down with extreme rapidity—if uninterrupted, he could average twenty or thirty pages of score a day, making virtually no corrections as he went.
But this feat was apparently preceded by hours or days of mental composition—during which he “appeared to be a man of great inner tensions,” the musicologist Alexei Ikonnikov observed, “with his continually moving, ‘speaking’ hands, which were never at rest.”
Shostakovich himself was afraid that perhaps he worked too fast. “I worry about the lightning speed with which I compose,” he confessed in a letter to a friend. Undoubtedly this is bad. One shouldn’t compose as quickly as I do. Composition is a serious process, and in the words of a ballerina friend of mine, “You can’t keep going at a gallop.” I compose with diabolical speed and can’t stop myself.… It is exhausting, rather unpleasant, and at the end of the day you lack any confidence in the result. But I can’t rid myself of the bad habit.
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #shostakovich @masoncurrey
In ANU museum in Tel Aviv.
The Costume of the King ( I don't know which king, I couldn't read the plaque) by Leon Bakst was without a person inside. I made him up. So now it is a costume of a dancing King.
https://www.instagram.com/p/CthTwxZJjVY/?utm_source=ig_web_copy_link&igshid=MzRlODBiNWFlZA==
