"Girl & Death". What started out as two separate pieces for Upfest in Bristol, slowly merged into one collaborative painting. On the left my part, on the right the artwork by Luke Gray (http://lukegray.net)
My notes and demos from yesterday's watercolor sketching workshop at #waltdisneyfeatureanimation. We were talking about quickly blocking in people from life in natural situations. #watercolor #watercolorpainting #pleinair #illustration #disney #disneystud
Class demos in my "Sketching for Animators and Illustrators" class. The building in the foreground is a students sketch I xeroxed and went over with acrylics. This is about a half hour in. We also looked at brush-pen and watercolor. I'm doing a summer ver
Against a vibrant yellow sky, the boldly colored, circular shapes suggest a multitude of orbs, each with its own unique style and design, floating across the vast universe.
mike_sheehan_studio My sketch spot was better than your sketch spot last night. #virtuososofyakutia #lakearrowheadresort #violin #sketchbook #sketching #cafesketching #urbansketchers #urbansketching #ucr #fullertoncollegeartdepartment #lakearrowheadrotary
The tables were covered in white paper. Crayons, pastels, and smooth sticks waited quietly. Then came Lucy’s glittery purse—her 8-year-old hands had filled it with stones to pass along, one by one, to the strangers around the table.
We traced them. Pushed them. Held them.
Then we let the colors lead:
-Red for emotion.
-Yellow for curiosity.
-Blue for memory.
Each color came with music, with story, with space.
At the Museum of Wisconsin Art, we made marks not for meaning but for presence.
Thank you to Ann Marie and MOWA for the invitation and trust. And thank you to the participants—some new friends, some old students—for showing up and making lines that listened before they spoke.
4 year old Henry engaged fully with thick applications of watercolor and oil pastels. He said it was a stormy sea with a small boat. This was at the onset of the pandemic, when we were all a bit uncertain and confined to our homes. I was reminded of an insight by Kierkegaard written in the early 1800s: “When the sailor is out on the sea and everything is changing around him, as the waves are continually being born and dying, he does not stare into the depths of these, since they vary. He looks up at the stars. And why? Because they are faithful – as they stand now, they stood for the patriarchs, and will stand for coming generations. By what means then does he conquer changing conditions? Through the eternal: By means of the eternal, one can conquer the future, because the eternal is the foundation of the future.”
My only niece's 1st birthday was a few days ago. I decided to start a tradition of drawing her every year for her birthday as special uncle presents. Here is her first one. Her favorite movie right now is Monsters University
Watercolour painting of a Prickly Hakea. I started drawing different plants last month from the area where I live. This month I am turning them into watercolours, with the Hakea being one of the first.
The nearby pine tree has dropped quite a few pine cones, all in different states of decay. I enjoy looking at the different shapes, sizes and colours of each cone, each with its unknown story.
Yet another senseless lynching that has me here with a broken heart. Like my other paintings on this subject, I wanted to focus on life. Tyre was dynamic and energetic, so I wanted to paint him soring. I also wanted to paint him defiant in the face of his oppressors. He was a skater, and they are no strangers to defiance. Thankfully, I found some excellent references to help me with the composition. Aesthetically, I wanted the comp to be modern, colorful, and hopefully impactful. I went for a pop art, illustration, and false-color vibe and minimized blending and refining layer edges. I painted this in Rebelle 6 and Photoshop. Much respect.
