In late 2018, I started trying to be a bit more playful with art and experiment. This was a quick watercolour sketch I did. I'd like to revisit this one as a full watercolour painting.
I got a pack of loose watercolour paper from eBay in 2018. The side this was painted on had a really strange pitted texture on it. I thought it might be interesting but I didn't like the way the paint gathered in the pits. I just use it for sketching and testing colours these days.
Daler Rowney and Winsor Newton do a watercolour called Sepia. I absolutely love the tone of the Rowney one and had a play with it here. I'd really like to do a proper sepia painting some day.
New Quay is a quaint little seaside town on the Ceredigion coast. This was my second attempt at pen and wash in 2018 and it totally bombed. I'm not sure there's anything I like about this - the colours, the linework, the lack of texture. Nah! Definitely worth trying again at some point.
Looking at Trichrug hill from the top of Pen Arthur Forest. This was my first attempt at pen and wash in 2018. I was pleased with it for an initial effort. I struggle to be loose with my art, so this was a step forward. The only thing that really bugs me was my colour choice for the distant hills - it looks more like the sea.
When the heart’s hurting,
their smile’s comforting,
as they nurture from my giving
and remember this soul,relieving
me of my impending scars
and to recover what’s ours.
-elixir-
I like imagining static objects having human feelings and expressions. This little plumb one is telling me its emotion of the moment, perhaps contemplative sadness? Waiting for its time to shine?
This drawing has gone through several iterations (rough napkin sketch, sketchbook sketch, black and white version, limited colour version). 2021, Bic4 Ballpoint Pen, Novelty 10 Colour Ballpoint Pen on 9” x 12” Archival paper. Model: ImaniZ
Doodling will give you ideas for projects that you didn't expect. The characters for my book, Flight of the Silk, came from sketches. This picture is one illustration for the book.
This drawing, with a bit of watercolour, was done years ago in North Vancouver during a figure drawing session. Probably 15 - 20 minutes. Watercolour, subtly employed, can have wonderful affects. The challenge of working fast forced me to ditch excess thinking. And it's funny, because at first I thought, "Oh, this is terrible." Then the next day, with fresh eyes, or checking out the drawing in a mirror, I think, "Wow! How did I not see how good this is?" Never throw out your artwork immediately after a drawing session. Give them a few days and look at your work with fresh eyes.
