Inktober 2020, Day 25: "Buddy".
I thought what better match for the prompt than Stanley Stegosaurus, which my parents got to me when we moved to the US, when I was six. Stanley was a good buddy to me, when I didn’t understand at first the weird language spoken by those American kids. It has also been a good buddy to me during this weird pandemic time, when my IRL social life seems to be limited to maybe meeting one person once a month.
Brush pens and posca on coloured A4.
I actually finally got round to framing this piece I did and hanging it up on my wall the other day, which made me really happy :).
Tool used: acrylics, colouring pencils, posca markers on brown A4 card.
This was Emma Thompson in one of my favourite films, Stranger Than Fiction - she is brilliant! I used just colouring pencils in this one to try out a soft, harmonious look, on the background of blue A4 card. I quite like the relationship between the foreground and background in this piece; had the background been white, I don't think it would have worked as well.
One of my favourite series. I'm trying to strike the right balance between the abstract and the realism, and I think I try to do that through my use of colours. It's the most rewarding feeling when you use unexpected colours and they come together somehow! Acrylics, watercolour pens and posca markers.
Bic4 Ballpoint Pen, Sanrio Novelty 10 Colour Ballpoint Pen on Archival 8.5" x 11" paper.
A breakdown of the Bic4 pen and No-name 10 colour pen layering that I’ve used.
Drawing in a single direction instead of using back-and-forth movement alleviates some of the blotching that happens when using ballpoint pens. The back-and-forth method usually deposits the gunk that builds up on the tip of the ballpoint, smearing them in unexpected and unfortunate places on the drawing. When using the back-and-forth method, I usually have a napkin handy in order to clean the tip of the pen. Model: Meadhbh (Maeve)
This is another way of working that I really like. Fine liners and chalk (colour) pencils were predominantly used, with a quick smothering of acrylics for her scarf and coarse posca pen marks for the jumper :). About the subject, Handmaid's Tale was one of those rare books that I read more than once growing up and it stayed with me, hence why I decided to draw Margaret Atwood (not seen the series yet though but I hear good things!). I accidentally had her hand cut out while penning the figure - still working on my scale and composition!
First post on here and I didn't mean for it to be political! But this is probably one of the pieces that I'm most proud of in their use of bold colours. And I've not really been able to recreate it since.
Wanted to draw some floaty dudes! These poses are all referenced from Pinterest, the only thing from my brain was the coloured character’s design. I just needed to practise
Inktober 2020, Day 13: "Dune". After pondering for a while, whether I should come up with something surprising, I decided to go with what for me is the obvious association, the sci-fi book. I based it on this illustration of a sandworm (https://dune.fandom.com/wiki/Sandworm?file=Dune-sandworm.jpg) by Nathan Rosario. It’s not meant to promote the now postponed new movie, but rather based on the books by Frank Herbert, which I loved as a teenager.
Brushpens and posca markers on coloured A4, this time with an acrylic underpainting (falling back on my painterly ways).
“I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain.”
Inktober prompt: Hope. White and red ink on black paper. (For some reason the scan makes the white look a little blue, but I only used the two colours.)
Bic4 Ballpoint Pen, Sanrio Novelty 10 Colour Ballpoint Pen on Archival 8.5" x 11" paper.
Inspired by Charles Dana Gibson’s “Woman: The Eternal Question” (supposedly a drawing of his muse Evelyn Nesbit). I’ve always loved Gibson’s loose, graphical penwork. Working hard to be more ‘loose’ with my pen drawings.
Model: Meadhbh (Maeve)
