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SEARCH RESULTS FOR

crow

Joer_B Joer_B
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Floral Crown

Salama wearing a floral crown arrangement.

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Mohd Azzad Daut Mohd Azzad Daut
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Reclaiming The Crown

Not really a good piece this one but I felt like putting this out there to release some suppressed emotions.

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Spinne Schmetterling Spinne Schmetterling
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Girl with Crow Hair

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Nora Thompson Nora Thompson Plus Member
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Crowley

Acrylic on cabinet door

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Tony Bothel Tony Bothel
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Anxiety and Desolation

Sometimes have difficulty expressing how I feel in word but I'm finding art to be a way in which I can open up a lot more. It's really hard to describe Anxiety, especially because a lot of times (at least with things like GAD) it's hard to know where it comes from. Anyone who has ever had an attack can relate. Also Spiritual Desolation can often accompany it which makes it confusing and people experience it differently. Nothing has ever made me feel more in union with Our Lord in the Agony of the Garden. There is also that sense of abbandonment on the cross, and for me the crown of thorns because of migranes which are connected with it. But there is hope, you can see the light in the heart... in the soul... Often times it feels like a dark cloud and no magic formula of words or advice will do the trick, we know the logic, we understand the solutions but in the moment one just has to experience the Cross. An artist shows beauty, soul, personality, emotion, life. This transcends language, boundaries, cultures and connects humanity. This unity is what brings us closer in solidariety, fraternity and love, and this is what again, leads to joy, joy even in the midst of sorrow. And so even if I express sorrow or anxiousness, let this help you know that you are not alone, have joy in your heart even if you don't feel like smiling. Never give up, I know it can seem lonely but know that people really do love you. Peace be with you

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Helen Jones Helen Jones
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Manchester 90s bands mug

Handmade Material Ceramic Description Add a splash of color to your morning coffee or tea ritual! These ceramic mugs not only have a beautiful design on them, but also a colorful rim, handle, and inside, so the mug is bound to spice up your mug rack. • Ceramic • Height: 3.85" (9.8 cm) • Diameter: 3.35" (8.5 cm) • White print area • Color rim, inside, and handle • Dishwasher and microwave safe

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Hev Easley Hev Easley
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Van Goghs irises

I painted Van Gogh's irises on my kithen cupboard door. We needed to put a door on the space where the microwave used to sit but we couldn't get one to match the rest of the cupboards so we got a piece of board and I painted it with acrylic paints and varnished it.

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Ivan Camilli Ivan Camilli
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Scarecrow

Brush & black ink on 100lb 9X 12 inch Bristol Paper.

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Francisco Toledo Francisco Toledo
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thinking

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Mariana H Mariana H
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The Illegals

It's weird to think that crowds in places is not allowed and you can actually get a hefty fine. This still rings true in Toronto. Nowadays you see something like this it's illegal. Hence the name of the drawing titled: The Illegals

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Tash Goswami Tash Goswami
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crow

crows are one of my favourite birds - pen and ink

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Stephen Stephen
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Peter took His Eye off Jesus and began to sink.

Peter took His Eye off Jesus and began to sink. Medium: Acrylic on canvas Size: 11”x 15” Date: 2019-2020 This illustration is one of nine, in a mural about the ministry of Christ. This image is block number 7. This painting illustrates Jesus rescuing peter, as he start to sink in to the sea, because he lost his faith when took his eyes off Jesus, and focused on the violence of the winds and waves of the storm. Matthew 14:22-33 New American Standard Bible (NASB) Jesus Walks on the Water 22 Immediately He [a]made the disciples get into the boat and go ahead of Him to the other side, while He sent the crowds away. 23 After He had sent the crowds away, He went up on the mountain by Himself to pray; and when it was evening, He was there alone. 24 But the boat was already [b]a long distance from the land, [c]battered by the waves; for the wind was [d]contrary. 25 And in the [e]fourth watch of the night He came to them, walking on the sea. 26 When the disciples saw Him walking on the sea, they were terrified, and said, “It is a ghost!” And they cried out [f]in fear. 27 But immediately Jesus spoke to them, saying, “Take courage, it is I; do not be afraid.” 28 Peter said to Him, “Lord, if it is You, command me to come to You on the water.” 29 And He said, “Come!” And Peter got out of the boat, and walked on the water and came toward Jesus. 30 But seeing the wind, he became frightened, and beginning to sink, he cried out, “Lord, save me!” 31 Immediately Jesus stretched out His hand and took hold of him, and *said to him, “You of little faith, why did you doubt?” 32 When they got into the boat, the wind stopped. 33 And those who were in the boat worshiped Him, saying, “You are certainly God’s Son!” When I did my research, I Found very few biblical accurate illustrations of the event. Very few captured the darkness and valiance of a stormy sky taking place at 3:00 am in the morning (which is the forth watch of the night. Many illustrations I found, their skies were too bright and calm. I found that the seas in these illustration had the same lack of movement and violence, the sea would have in a storm that was so strong the disciples were not able to make any headway in their crossing the lake. I notice that all illustrations of Jesus walking on water, show the viewer His feet. In reality the waves would most likely block the viewer from seeing his feet on top of the water. The unavoidable black eye in most of these illustrations of Jesus walking on water, is the ridicules and unrealistic possess they have Jesus in, of Him rescuing Peter. You know the ones where He is making some kind of sign with one hand, as it is held up toward the sky, and one hand reaching down to peter. What was I trying to accomplish in my illustration? I want to be careful, to being accurate with costumes styles, and colors worn by the poor people of Galilean society. I wanted to be accurate in illustrating a storm on the sea of Galilee. I looked over numerous photos on line, of storms taking place on the Sea of Galilee. To understanding how the water and sky behave during a storm I studied the colors of sky, clouds, and water, during these conditions, in this location of the world? Showing movement in the air and the water. I used stylist brush strokes, to create movement in the sky and in the water. I am hoping to make people feel the storm’s violent energy. Showing power of the wind blowing against the bodies of Jesus and peter, through the movement of clothes, and hair. Showing the anxiety of Pete, with his body swallowed up to the waist, his face looking up to Jesus to rescue him from drowning. Showing that Jesus offers security to Peter, from being swept away by the wave of the sea. By his secure grasp of Peter’s back arms. He is able to lift Peter out of the water. The message I want my view to receive, is that everyone who comes into the world will experience trials and tribulation. We can overcome our fears and be filled with courage, to enable us to battle our ways through these storm in life. When we place our trust in the one who has authority over the power of the storm, who is Jesus a member of the trinity of God that created all things. Written by Stephen J. Vattimo 3/16/2020

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Carolyn S. Pio Carolyn S. Pio
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Reflect

The finished piece is 24 x 32 inches on 300lb. hot-pressed watercolor paper ~painted with watercolor and ink. There were a lot of components I wanted to incorporate in this piece. Then, the painting kept "going". It moved of its own accord in places I did not anticipate, and I kept going with it....people that I know/have known intertwined in my mind as I painted the tree branches. Overall, the painting took on so many meanings to me as it matured

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Nora Thompson Nora Thompson Plus Member
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Belinda

Charcoal on paper

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Carolyn S. Pio Carolyn S. Pio
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Reflect detail

Detail of crow The finished piece is 24 x 32 inches on 300lb. hot-pressed watercolor paper ~painted with watercolor and ink

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TT TT
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Jester

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Machine Boy Machine Boy
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wow...he wasdman!

a face in the crowd.....wowza indeedeee!

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Stephen Stephen
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Sower and the Seed

Sower and the Seed This painting illustrates the parable “The Sower and the Seed,” a teaching of Jesus recorded in the book of Matthew chapter 13. The four hearts in the sky represent four different responses of those who hear the Gospel message. The heart on the lower left represents those who have heard the gospel but reject it. The devil then comes and takes it away from their hearts. This is illustrated by the crows flying away with the seed that fell on the road side. The second heart on the upper left side of the sky represents those who receive the gospel message with joy, but it doesn’t take root in their faith, and their faith is temporal, falling away when trials or affliction come their way because of the gospel. This is illustrated by a grape vine withering away in the heat of the day due to a lack of a deep root system. The heart in the upper right corner of the sky represents those who received the gospel and believe, but the worries of the world, and the deceitfulness of riches, choke the word, and it becomes unfruitful. This is illustrated by the grapevine being choked out by a purple, flower-bearing, climbing, strangling vine called, morning glory. These vines produce pretty flowers, but they are an organic farmer’s enemy because they will choke out his crops. I learned this firsthand in organic farming when I was a missionary for a couple of summers. The heart in the lower right corner of the sky represents those who hear, believe, and are committed to living for the gospel, so they produce much fruit. This is illustrated by a healthy, strong, fruit-bearing grapevine. The tilled field represents the world that God has prepared to receive the Gospel message. The sower represents all Christians that are commanded to go into the world and proclaim the gospel message. The seed being thrown by the sower represents the gospel message going out to the world. The seed bag has written on it, “The Word Seed Co.” (October 28, 2017)

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Carolyn S. Pio Carolyn S. Pio
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Crow tree reflection...process

Adding color... creative process

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Francisco Toledo Francisco Toledo
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rey gigante V

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Tricia Clark Tricia Clark
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Crow

Crow

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Francisco Toledo Francisco Toledo
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rey gigante IV

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Carolyn S. Pio Carolyn S. Pio
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Crows / Reflection update

Work in process

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Carolyn S. Pio Carolyn S. Pio
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Crow tree reflection...process

Idea in process...developing the reflection idea into a larger painting:)

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Tricia Clark Tricia Clark
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Crown
1/2

Gouache, ink and gold acrylic paint :)

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Naomi Griego Naomi Griego
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Flower crown

It’s a flower crown kind of Saturday. If only it wasn’t winter ☹️

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Valkea Valkea
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Best of Inktober 2019, part II (arty/colourful stuff)
1/5

More inktober 2019. From the top: Day 11 (Snow - a tribute to Victoria Crowe), Day 23 (Ancient), Day 13 (Ash - smoke drawn with real ash), Day 12 (Dragon) and Day 6 (Husky)

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Stephen Stephen
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Fed by a Miracle of Compassion

Fed by a Miracle of Compassion Medium: Acrylic on canvas Size: 11”x14” Year: 2019 Artist: Stephen J. Vattimo Matthew 14:13-21 New American Standard Bible (NASB) Five Thousand Fed 13 Now when Jesus heard about John, He withdrew from there in a boat to a secluded place by Himself; and when the [a]people heard of this, they followed Him on foot from the cities. 14 When He went [b]ashore, He saw a large crowd, and felt compassion for them and healed their sick. 15 When it was evening, the disciples came to Him and said, “This place is desolate and the hour is already [c]late; so send the crowds away, that they may go into the villages and buy food for themselves.” 16 But Jesus said to them, “They do not need to go away; you give them something to eat!” 17 They *said to Him, “We have here only five loaves and two fish.” 18 And He said, “Bring them here to Me.” 19 Ordering the [d]people to [e]sit down on the grass, He took the five loaves and the two fish, and looking up toward heaven, He blessed the food, and breaking the loaves He gave them to the disciples, and the disciples gave them to the crowds, 20 and they all ate and were satisfied. They picked up what was left over of the broken pieces, twelve full baskets. 21 There were about five thousand men who ate, besides women and children. This illustration is part of a mural about the ministry of Jesus of Nazareth. The mural consists 9 images that depict the Miracles of Compassion Christ worked that are recorded in the Bible and He continues to perform in the world today. Understanding the symbolism in the painting. The basket of to fish and bread sits in the grass; Jesus had instructed His disciples to have the people sit down in the grass. Dead grass: the event took place in a desolate place. Historical and cultural illustration. Basket design: In the first century in the middle east people traveled on foot and when on a long journey they carried food with them. The common lunch pal during this time period was most likely a small wicker style basket with a removable lid, and a leather strap attached to it. So, a person can sling it across their shoulder for comfortable transportation. The basket would most likely be lined with a cloth wrap around the food to protect it from dust and bugs. The fish and bread: In John 6:1-15 which mentions the same event, tell us the 2 fish and five loaves of bread belong to boy, so most likely his meal was that of a poor person. The common fish that was eaten by the poor in this region and time period, were sardines. The five loaves of bread: Were most likely a type of flat bread which is commonly consumed by middle eastern people. The Bible verse that best communicates the message of this illustration is: Matthew 6:25-33 New American Standard Bible (NASB) The Cure for Anxiety 25 “For this reason I say to you, [n]do not be worried about your [o]life, as to what you will eat or what you will drink; nor for your body, as to what you will put on. Is not life more than food, and the body more than clothing? 26 Look at the birds of the [p]air, that they do not sow, nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not worth much more than they? 27 And who of you by being worried can add a single [q]hour to his [r]life? 28 And why are you worried about clothing? Observe how the lilies of the field grow; they do not toil nor do they spin, 29 yet I say to you that not even Solomon in all his glory clothed himself like one of these. 30 But if God so clothes the grass of the field, which is alive today and tomorrow is thrown into the furnace, will He not much more clothe you? You of little faith! 31 Do not worry then, saying, ‘What will we eat?’ or ‘What will we drink?’ or ‘What will we wear for clothing?’ 32 For the Gentiles eagerly seek all these things; for your heavenly Father knows that you need all these things. 33 But [s]seek first [t]His kingdom and His righteousness, and all these things will be [u]added to you. Written by Stephen J. Vattimo 3/25/2019

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Stephen Stephen
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The Heart

Medium: Ink on Sketch Book Paper Size: 15” x 25” Year: 10/04/2019 This Illustration is my Pumpkin carve design for the Great Pumpkin Carve, sponsored by The Chad’s Ford Pa. Historical Society. I have been participating in this event since 2006. I designed this picture to illustrate the human heart toward God. Understanding the symbolism in the design Human heart: A Fortress God’s Communion with Man Kind: Irish trinity flowers, with the crown, cross, dove God the Father, God the Son, God the Holy Spirit The two doors: the diverse ways mankind communes with God. The door with the thorny flower design: A religious person who live with out power. They refuse to allow God to sit on the throne in their lives. The door with the Grape Vine design: A follower of Jesus, who summit their lives to God’s lordship. John 15:5 New King James Version (NKJV) 5 “I am the vine, you are the branches. He who abides in Me, and I in him, bears much fruit; for without Me you can do nothing. Stephen J. Vattimo 10/04/2019

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Grisso Grisso
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Crow King

Inktober day 16

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