The Golden Hate on a Materic Wall, acrylic on canvas (80x100 cm), drawing on paper with frame and glass (35x50 cm), materic painting with carbonate calcium , gesso and wax
Dark oceanic blunder focus distance and disturbance fully. Bleeding creature in tears of this manifestation growing. Horrendous branches consume while last thoughts falter, compose this ending formation.
Walking beast consume liquid to twist minds into horrid measure. Running away, outside dark realms, children always seem to suffer. Tears under this bed, in time, will he find you?
To consume, witness vibrant hallucinations through dark struggles in life. What fears must lurk here? Alone in tundra steps further, thinking of a different age.
Progression 4 of 5. Nearly done at this point. I liked how the light and shadow played out under her foot. The muscle tone of her legs really popped out with the dark pencil.
My favourite intergalactic hero (he still doesn't have a name) pulverizes the enemy. I used Uni-Pin and Artline ink pens and water-based Koi brush pens (light warm grey & dark warm grey & black).
Digital Painting-The Dark Knight triumphant
And so I spent two days on this one, and really tried a lot of new things in addition to getting better at anatomy. If you like this piece, please do share it, thanks a lot guys!
Full breakdown here -
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I used soft charcoal and a large sheet of newprint to depict this model in a life drawing class. He exuded a deep sadness and his poses seemed natural to his countenance. He was also very thin.
“The bright side of the planet moves toward darkness
And the cities are falling asleep, each in its hour,
And for me, now as then, it is too much.
There is too much world.”
― Czesław Miłosz, The Separate Notebooks
Behind the Russian Church there is an abyss.
The moss and the rubbish are slippery and jagged old tins glitter at the bottom. For hundreds of years they have piled up higher and higher against a long dark-red house without windows. The red house crawls round the rock and it is very significant that it has no windows. Behind the house is the harbour, a silent harbour with no boats in it. The little wooden door in the rock below the church is always locked.
Hold your breath when you run past it, I told Poyu. Otherwise Putrefaction will come out and catch you. Poyu always has a cold. He can play the piano and holds his hands in front of him as if he were afraid of being attacked or was apologizing to someone. I always scare him and he follows me because he wants to be scared.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
When I had originally created Chump she was born from a part of me that was fed up living in the dark. Chump was created from the oppressed part of me that wanted joy. But I felt like a creature of the dark that wasn't allowed to have such things. My art is not just some fun form geometry with colors, its my vent.
