A commissioned piece of original artwork for a client that I drew which incorporates various elements of strength (as chosen by the client). It also illustrates that even in dark times a light will come shining through.
This is no landscape you could ever stand in.
No observational drawing, no safe horizon line.
This chalk experiment is a dream unfolding in color: a golden field lit from within, a scarlet seam of fire at its edge, and a storm-heavy sky pressing down with ancient weight.
It feels like a place between worlds—where the conscious and unconscious meet, where memory and imagination blur. Some might see a battlefield, others a meadow after rain, and still others a veil between life and death. That is the beauty: the painting does not tell you what it is; it invites you to confess what you see.
Psychologists say we project ourselves onto images like these. So—what do you notice first? The light? The darkness? The burning red?
Perhaps that is not about the drawing at all, but about you.
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one single journal at a time. Here is a successful attempt from that particular day. I also have super ADHD, which means I pretty much never go up to my actual studio and only use what's out on my desk, because out-of-sight-out-of-mind.
Been some time since I touched the pencil. It wasn't easy to get back to drawing, since I was also distracted by the internet for some time. Lots of things went through my head, while I was out on a trip. Just drew whatever I felt like drawing, and this came alongside some reflections:
I have been stuck on fixing this character concept for a very long time, trying to box it within a classification. Bird, wyvern, dragon, shadow, whatever- I came to a point today, where I felt that it really doesn't matter anymore. This is that sort of character who can be everything.
I spent the entire afternoon trying to arrange all the little ideas and features, following true to creative intuition. Smashing together many of my previous character designs, this appeared. A masked and unnamed figure (???) with traits from many of my previous works.
An avian / draconic / spiritual shapeshifter has always been something with me all this time, even when I tried to create a sona years back (finding it meaningless). True to its nature, it has few lively features except its eyes and requires a mask to display additional signs of life.
Its clear that this character is basically a symbolic self-expression. It wasn't easy to seperate myself from my introjective tendencies, which easily distorts my concept of this figure (took weeks to untangle). Once the confusions loosen, it reappears with noticeably familiar features.
The scribble above still has some room for rearrangement, just limited by the irreversible nature of pencil drawing. The grey markings were too dark, and the feet might look better staying white. The pale golden underbody markings, were actually a surprise.
This portrait is the darkest in the series, examining the internal malice that persists even when communication is restricted, illustrating that evil doesn't require a loud voice.
* Visual Focus: The mask's mouth is horrifyingly held closed across the center by surgical thread and a needle, which only covers half of the wide, unnerving smile. The stitching reveals a set of sharp, feral teeth underneath. Disturbingly, a pair of prominent horns protrude from the top of the mask's head.
* Symbolism:
* The Stitched Mouth: Represents the idea of selective silence or the censorship of truth. The fact that the stitching only covers half the mouth highlights the "half-done" nature of modern morality. The revealed sharp teeth suggest that even in silence, the capacity for vicious, cutting, or "devilish" speech remains barely contained. Showed directly on the piece by the date being misleading.
* The Horns: A classic, unambiguous symbol of the Devil or pure malice. This is the figure's core identity—it suggests that even while hiding behind a neutral mask and being partially silenced, the individual's "tongue like the devil" and evil intent are still very much present, emphasizing the inherent corruption and hypocrisy behind the facade.
If i was real youd see me cry
If i was real youd watch me die
If i was real youd spit in my eye
If i was real youd know a lie
If i was real youd know my name
If i was real id bring you shame
If i was real id show you pain
If i was real id drive you insane
But im not real
Im just a name
Meet me in the dark
Meet me in the light
Ill crawl inside your skin
Eager for a bite
Ill coil around your thoughts
Let me stay
Together we can obsess
Over every shade of grey
Deny my existence
Dont say my name
I dont love you
Make no mistake
Im not here for salvation
Im here for the pain
Embrace me my child
Nightmares
My name
#embracingnightmares
Teddy Bear's Change of Seasons - Sophie's Christmas included!
Is beautifully written and illustrated, Teddy Bear’s Change of Seasons includes four charming stories, wonderfully rolled into one children’s novel.
Teddy Bear and his friends create magical ways to explore and learn about the snow-white, wonderful world they live in, which changes from summer to autumn and into an unforgettable Christmas.
Teddy’s journey of self-discovery through four seasons, Christmas included, begins in a magnificent old-growth forest, but Teddy is stuck inside a dark and lonely place.
His dreams look far away and out of reach, until Teddy rescues a small mouse, who is desperate for help.
From this one act of kindness, Teddy's life changes in ways he never imagined, bringing him close friends, a new loving family and the kind of challenges and adventures other teddies have never encountered before.
This is a dream of a book, the perfect snuggle-down bedtime story, accompanied by hot, sleepy cocoa.
This striking black and white ink drawing personifies Time as a dark entity surrounded by flying souls. A half moon hovers between two hourglasses, symbolizing the passage of time, while smoke billows from two pit fires below. The scene is grounded by skulls and bones, emphasizing the theme of mortality. The artwork is elegantly framed in a gothic style, enhancing its surreal atmosphere and dark symbolism, inviting viewers to reflect on the inevitability of time and its impact on existence.
It was a random sketch in my files piling up. I just finished it and rendered it. Didn't think of design-wise besides a character that may fit an 80s anime mainly a dark fantasy.
