An image to be odd in these waves of loud expressive words. Walking creature amused in the dance that extends to the thinking realms deeper. Relaxed be the sight of a wonderful ride.
Consume these branches swollen by humanity fractured in dim lights, though feature promise in deeper efforts of kindness, blood cover our parts closer. Thoughts wonder red fever beneath bones of oceanic memory, to voyage away and try to understand this method. Extinction loom over these motions, while further be the faint reminder of our fate.
Voyager nude before the fallen bloom of this ageless water. Seeming to observe from distance, but materialize dance deeper into these woods. A smile in concerning rhythmic tones, deeper, a cradle into silent night. What further amuse these thoughts rapid?
Reign of discomfort, anger, sorrow, anxiety, and length at severed waves unveil a swarming world of horrors. Whisper deeper in these ears, a looming meadow of loneliness emerges. Brooding mind, depart and lay hidden.
Inability to look deep within motions of identity, to claim further regions, but to hide beneath a truth. Social interaction featured in the removal. Voyage loom near.
Deep thoughts compose these kinds of oddity fully. Severed ways of a child begin darkness, but these waves of good manner determine a decent stride to come. A belief in harmony to bloom soon.
To take child deep within forest rupture. Complete horrid nightmare of brooding night further here. To run away, to escape, the release, in chains be this consumption.
Voyaging deep within forest realms to consume flesh of children hiding. A beast delighted, but a struggle to find them. What horrors emerge to confirm nightmarish awake?
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
Standing on a block (while two men sit up top),
The horse is deep in thought, wondering "Where can we walk?"
He's distraught 'cause he knows that there is nowhere to go,
And it does no good to tell them, they'll just say "I told you so."
Drawn with a Sailor/Wancher Turquoise 1911L. The M nib on this pen comes to a sharp point which allows for some line variation not from flex but based on how deep the firm nib digs into the watercolor paper. The Noodlers Black ink is a little dry and that contributes to this effect.
