My new original character, Elena, Queen of the oceans. I loved working on her and this color palette is my favorite! https://www.youtube.com/watch?v=_TUgrM8uaio
'Queen of Marseille' I
I have discovered a few unfinished sketches from my previous travels to France from few years ago.
I decided to bring them back to life. I think before I didn't like them so much as I do now.
My first lady of Marseille saying 'Salut' and I am slowely saying 'Goodbye' to the summer...
I really liked the style that I used for one of the most recent labels I did for @abominationbrewingco and @snitzcreekbrewery so I decided to mess with it a bit more. Just a quick thing. I want to draw more animals in this style. This is for me, and my wife, and my daughter. Stay strong. This is for everyone. This is for you. Stay strong. No matter what you do on a day to day basis or what you go through. You are a strong person.
Superstition : Cigarettes.
The superstition that it is bad luck to light three cigarettes from one match appears to have originated during the Boer War. It was said that a sniper could spot where men might be as the first cigarette was being lit, take aim as the second was ignited and fire with deadly effect at the third. Two lights were enough for any group of men who valued their lives.
From "A DICTIONARY OF OMENS AND SUPERSTITIONS" by Philippa Waring
Landschaftpark Duisburg-Nord, Germany. This abandoned steel mill is transformed into a industrial heritage centre and landscape park. It's a great location for photographers and urban sketchers.
Dmitry Shostakovich (1906–1975)
Shostakovich’s contemporaries do not recall seeing him working, at least not in the traditional sense. The Russian composer was able to conceptualize a new work entirely in his head, and then write it down with extreme rapidity—if uninterrupted, he could average twenty or thirty pages of score a day, making virtually no corrections as he went.
But this feat was apparently preceded by hours or days of mental composition—during which he “appeared to be a man of great inner tensions,” the musicologist Alexei Ikonnikov observed, “with his continually moving, ‘speaking’ hands, which were never at rest.”
Shostakovich himself was afraid that perhaps he worked too fast. “I worry about the lightning speed with which I compose,” he confessed in a letter to a friend. Undoubtedly this is bad. One shouldn’t compose as quickly as I do. Composition is a serious process, and in the words of a ballerina friend of mine, “You can’t keep going at a gallop.” I compose with diabolical speed and can’t stop myself.… It is exhausting, rather unpleasant, and at the end of the day you lack any confidence in the result. But I can’t rid myself of the bad habit.
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #shostakovich @masoncurrey
Linger.
It is such a pretty word, isn't it?
Did NOT make a pretty drawing for it.
Favorite words.
https://www.instagram.com/p/Cr0yZ8QO-nj/?utm_source=ig_web_copy_link
