(HB pencil on 130mm x 120mm paper) With pandemic lockdowns happening all the time, it's created something of a Victorian feel to Christmas, so it was no surprise that I drew this for the Christmas cards I do at this time of year, along with a very odd version of a round-robin message attached to it. You can read it here: https://www.skavart.co.uk/2020/12/merry-christmas-2020-round-robin.html
Making my part with a series of patterns for an actual set of beehives to be installed soon. This is one of the sketches.
#pattern 10/31 days, #Inktober 2019.
Daily drawing #649
2023, Ballpoint Pen on 5” x 8” (10” x 8” Double page spread) acid free Moleskine sketchbook paper, Adobe Photoshop. Based on a photo (by David Redfern/Getty Images) of the singer, songwriter and civil rights activist performing at the BBC Television Centre in London, January 1966. Last sketchbook piece for 2023. 2024 will be my last year on this platform - thank you all for appreciating and following my artistic progress.
A window into the strange and colorful world of wonder .... ............... https://www.youtube.com/channel/UCKXBKF6a2BWVDy_SgMvk8GQ?view_as=subscriber
The Super Bloom is still going in SoCal! On the trail are poppies, daisies, alyssum and now the mustard grass is in bloom. My process was an iPhone photo, then a drawing with color and then collage in Photoshop.
Dmitry Shostakovich (1906–1975)
Shostakovich’s contemporaries do not recall seeing him working, at least not in the traditional sense. The Russian composer was able to conceptualize a new work entirely in his head, and then write it down with extreme rapidity—if uninterrupted, he could average twenty or thirty pages of score a day, making virtually no corrections as he went.
But this feat was apparently preceded by hours or days of mental composition—during which he “appeared to be a man of great inner tensions,” the musicologist Alexei Ikonnikov observed, “with his continually moving, ‘speaking’ hands, which were never at rest.”
Shostakovich himself was afraid that perhaps he worked too fast. “I worry about the lightning speed with which I compose,” he confessed in a letter to a friend. Undoubtedly this is bad. One shouldn’t compose as quickly as I do. Composition is a serious process, and in the words of a ballerina friend of mine, “You can’t keep going at a gallop.” I compose with diabolical speed and can’t stop myself.… It is exhausting, rather unpleasant, and at the end of the day you lack any confidence in the result. But I can’t rid myself of the bad habit.
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #shostakovich @masoncurrey
