Another batch of sketches from my time in the album recording session earlier this week. Noodler’s ink blue loaded in my fountain pen, then applying a bit of water with a water brush. I like the bleeding that occurs.
Standing on a block (while two men sit up top),
The horse is deep in thought, wondering "Where can we walk?"
He's distraught 'cause he knows that there is nowhere to go,
And it does no good to tell them, they'll just say "I told you so."
I took part in Jake Parker's instagram Inktober event making a drawing everyday of October; these drawings eventually turned into one larger drawing by the end of the month.
Inspired by the tides at Jologo Beach on the Dampier Peninsula where Soldier Crabs create their homes, leaving little balls of sand around the entrance to their home.
I modified the challenge a wee bit. I didn't use the same paper for the various drawings since I was using (top row, left to right) hard graphite pencils (3H to HB), watercolor pencils, (bottom row, left to right) brush pens and ballpoint pen. These media work best on very different paper textures and moisture absorbing qualities. The second picture shows the object of my study --- and the apparatus I use to hold botanical subjects. "Third hand" tools are very useful and cheap. This one was under $10 and serves my purposes well. Just FYI. (Each drawing/painting was scanned and composited in Photoshop.)
Whenever I think of tags and/or labels for people, be it things like ‘gammons’ or ‘snowflakes’ et al, narrowing it down to a single person who represents that group is always running a fool’s errand in my opinion.
In folklore, a will-o'-the-wisp, will-o'-wisp or ignis fatuus, is an atmospheric ghost light seen by travelers at night, especially over bogs, swamps or marshes. --Wikipedia
11” x 17” Original ink and watercolor painting on Arches 140# hotpress watercolor paper.
Signed by the artist. Unframed.