From the soundtrack of my youth. RIP.
10” x 15” Original ink and watercolor illustration on Strathmore 500 Series 4-ply Bristol illustration paper.
Signed by the artist. Unframed.
I drew these guys with a Pilot Custom 823 FA and Platinum Carbon Black ink. The FA nib has a good drawing width on watercolor paper - one of my favorites. It's a soft nib but I don't use the line variation, just some nice shock absorption with each downstroke. The Carbon Black ink is out-of-this-world good, though being pigmented I fear keeping it in too many pens.
Quick sketch of The Pilgrim in Dana Point Harbor. #danapoint #sketch #danapointharbor #thepilgrim #strathmorepaper #strathmoreart #tonedtan #tonedtanmixedmedia #tallship #marineart #ship
I feel like my drawings got a lot more dimensional and interesting once I was able to achieve variable line width. I love loading different colors into the pen and going HAM on paper that totally can't handle it. My sketchbooks crackle when I turn the pages. They buckle and heave and are exhausted from their tribulations.
(gel fineliner pen on 115mm x 87mm paper) I did this piece to test out those cheap fineliner pens that you can buy for £1 for 3 from TheWorks stores. They're pretty good for what they are, as you can see. They're 0.38 in line width and the gel ink is quite opaque.
Watercolor of a bunch of grapes after a botanical sketch by the artist Troncy.
This painting was made with gouache on cardboard 400 gr / m² with a height of 32 cm and a width of 24 cm.
Testing new toys
Tools:
three of the psychedelic Koh-i-Noor Hardtmuth marbling pencils, Derwent Pencils Graphik pens, a CuttleLola Dotspen, Pentel Arts Pocket Brush Pen, unbranded gold graphite pencil.
I try to do a couple of birds a week (obviously don't post them all). This is based on an on-line photo reference drawn with a "soft" Palomino Blackwing pencil and a 4B Koh-I-Noor Hardtmuth Progress woodless pencil. Hence the dark velvety black.
