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Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

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I painted this in Regent's Park, London. A yellow rose at sunset featuring a pink contrail in the sky. I have it available as prints, and prints on products on Redbubble, Society6, Zazzle, and Threadless. All sites are easily accessible via this link: linktr.ee/okhismakingart

This is another one of my London rose watercolor paintings. It is available as a print on products on Redbubble, Society6, Zazzle, and Threadless. All sites are accessible via this link: https://linktr.ee/okhismakingart

An incorrectly oriented version of "Bees at Work in Blue," a mixed media drawing done with pens, markers, and watercolors. It is available (in the correct orientation) on products on Redbubble, Society6, Zazzle, and Threadless. Try this link for easy access to all sites (and therefore dresses, towels, rugs, tapestries, and more): https://linktr.ee/okhismakingart

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Following a natural disaster overseas I came across a Facebook fundraiser claiming to send aid directly to families affected by the crisis. The images were heartbreaking: children huddled in temporary shelters, families sifting through rubble and the organizer posted daily updates about their so-called relief work. Feeling a strong urge to help I decided to donate $18,000 in cryptocurrency confident that it would make a real difference for those suffering. The updates initially seemed genuine with detailed descriptions of supplies being purchased and distributed. For a time I felt reassured that my contribution was actually reaching those in need and I thanked myself for trusting a platform where people could supposedly make a difference.However after a few weeks the page suddenly disappeared. Confused and alarmed I tried to track down the organizer but all contact information had vanished. It was then that I discovered the horrifying truth. The photos used in the fundraiser had been stolen from news sites and there had never been any relief operation. I felt an overwhelming sense of betrayal, anger and disbelief. Not only had I been scammed but my trust in online giving something I had always valued was deeply shaken. I began wondering if I would ever see the $18,000 again.Determined to recover the funds I reached out to Salvage Asset Recovery. From the moment I contacted them the team at Salvage Asset Recovery sprang into action conducting a meticulous investigation. Salvage Asset Recovery traced the cryptocurrency wallet I had sent my donation to and discovered that it had received hundreds of similar payments from other unsuspecting donors. Using advanced blockchain analysis tools Salvage Asset Recovery followed the trail as the funds moved through several smaller wallets each designed to obscure the trail. Finally Salvage Asset Recovery located the money on a major exchange confirming that it was still recoverable.Three weeks later to my immense relief Salvage Asset Recovery returned the full $18,000 to me. This was eye-opening on many levels. While it exposed me to the risks of online fundraising scams it also restored my faith in the possibility of justice and recovery when the right expertise is applied. Without Salvage Asset Recovery I would have likely lost faith in online giving entirely forever doubting the legitimacy of charitable campaigns I encountered. Instead I now feel more empowered and cautious knowing that while scams exist Salvage Asset Recovery is capable of untangling even the most sophisticated cryptocurrency fraud and helping victims reclaim what they lost. Whats app→ +18476547096 Telegram→ @Salvageasset

It is a disconcerting realization to understand that a fleeting moment of inattention can lead to catastrophic consequences particularly in the volatile realm of cryptocurrency. I had always prided myself on being astute and cautious with my digital assets but one fateful day I became ensnared in a sophisticated scam. The ordeal began with a direct message on Telegram from an individual masquerading as Trust Wallet Support. The message warned me of an urgent security update and appeared remarkably authentic complete with the Trust Wallet logo. Trusting my instincts I clicked the link without a moment's hesitation.Upon accessing the site I was prompted to enter my recovery phrase to verify my identity. In a moment of panic and confusion I complied believing I was taking necessary precautions to protect my assets. To my utter dismay within minutes my entire Trust Wallet balance was obliterated. Over $18,000 in Bitcoin and Ethereum vanished before my eyes. The gut-wrenching realization that I had unwittingly granted scammers unfettered access to my funds was overwhelming.In a state of desperation I began to scour the internet for crypto recovery services and stumbled upon Salvage Asset Recovery. Initially I was apprehensive; the internet is rife with fraudulent recovery services that prey on the vulnerable. However after conducting thorough research to verify their legitimacy I decided to reach out for assistance.The team at Salvage Asset Recovery proved to be nothing short of extraordinary. They sprang into action employing advanced blockchain forensics to meticulously trace my stolen funds across various wallets. Their expertise allowed them to identify the exchanges where the scammer had deposited my cryptocurrency and they worked diligently to compile compelling evidence of the theft. Thanks to their relentless efforts while not all of my funds could be recovered some had already been cashed out they successfully froze and retrieved $12,700 before it was too late. Although I still grapple with regret for falling victim to such an obvious scam I am profoundly grateful to Salvage Asset Recovery for their swift and effective intervention. If you ever find yourself in a similar predicament it is imperative to act quickly; the sooner you engage experts the better your chances of recovery You can contact them using the details provided below. Whats app→ +18476547096 Telegram→ @Salvageasset

The finished product of my favorite character!

The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “. Some of her work focuses on women, and they incorporate criticism and cultural protest. Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia. Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics. The structural composition of some of the works is influenced also by her many years of working in the architects’ office. Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.

Just something to help my introduction into this new social media :D this is an OC from a comic I’m working on (for fun)

An animatronic especially designed for a particular individual to climb into it, only for them to get impaled by a variety of steel bits. However, this particular individual was never captured, for their execution was performed only several days after the finishing of this product... so it sits, motionless, in the unused areas of Ringmaster's Pizza Hall. Drawn with FireAlpaca. (Why does this animatronic have eyes while the rest don't? Wouldn't you like to know, weather boy? (quote Jester during an interview.))

(Assuming there isn't one out there already) Introducing the safest deterrent against those who come up with idiotic and illogical comebacks and responses. Shall we put it to production?

This is an introduction for me joining Doodleaddicts! Enjoy this while I make more artwork! Most of my artwork will be fantasy and mainly about this buddy, who's name is Veng (Short for Vengance). MY name is Blaze the kobold and I will post more art soon!

Appropriationnisme ou le « Remake » Édouard Manet : le déjeuner sur l’herbe Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr